#deitch

Rafa Esparza, Trucha, 2024, Acrylic on adobe and steel,123 x 145 x 156 inches (overall), 60 x 48 x 3 inches (each). Courtesy of the artist. 

The artists participating in the exhibition are:

Diana Yesenia Alvarado Michael Alvarez Mario Ayala Karla Ekaterine Canseco rafa esparza Alfonso Gonzalez Jr. Ozzie Juarez Maria Maea Jaime Muñoz Guadalupe Rosales Gabriela Ruiz Shizu Saldamando

There’s only a few days left to see Frank Stella’s recent sculptures at Deitch’s New York location. The large colorful works look drastically different depending on the angle with which they are viewed.

Stella sadly passed away at the beginning of this month. Although it is sad that we won’t be able to see what he would have come up with next, these sculptures help demonstrate how inventive he remained throughout his career.

From the gallery’s website-

Double wide flatbed trucks navigated the bridges into Manhattan to transport five monumental works by Frank Stella to Jeffrey Deitch’s SoHo gallery.

They are among the most ambitious and most radical works being made by any artist today. They extend Stella’s forms even further into three dimensions. The works are not painted sculptures or relief paintings. They completely fuse painting and sculpture in a way that has never been achieved before. The sculptures have never been shown in New York City.

Frank Stella said that one of the objectives of his recent artistic approach has been to “build a painting rather than painting a painting.” The new work is a realization of this ambition. Stella combines traditional artists’ techniques with high technology to create his new work. His monumental sculptures begin with computer models that are transformed into a series of small sculptural maquettes through 3-D printing. The artist refines these models in the studio and then sends them to fabricators in the Netherlands and Belgium where they are engineered and constructed using technology derived from shipbuilding. The sections are then shipped to Stella’s studio in the Hudson Valley where they are refined and painted with automotive paint.

The exhibition features works from two series, Scarlatti Sonata Kirkpatrick from 2014, and Atlantic Salmon Rivers from 2021-23. The Scarlatti Sonata Kirkpatrick sculptures are created with high density foam covered in fiberglass. The Grand Cascapedia, inspired by the Canadian river known for salmon fishing, is made from aluminum. As in all of Stella’s work, the forms embody their materials. The materials inspire the forms.

Stella’s work of the 1980s were characterized by its extension of two-dimensional painting into his version of baroque space. These new works extend beyond baroque space into outer space. The forms seem to float in anti-gravity. They ascend, transcending their weight. They do not have front or a back, existing in the round.

Frank Stella has expanded the art discourse for more that six decades. His new work continues to advance art into a place where it has never been before.

If you are able to see the work in person at the gallery, make sure to take the steps to the top where you will find a diorama containing the sculptural models (pictured below).

English: Before the world began, the Word was there. The Word was with God, and the Word was God. Faroese: Í fyrstuni var orðið, og orðið var hjá Guði, og orðið var Guð. Pennsylvania Deitch: Im ohfang voah's Vatt, un's Vatt voah bei Gott, un's Vatt voah Gott. American Spanish: En el principio era el Verbo, y el Verbo era con Dios, y el Verbo era Dios. Afrikaans: In die begin was die Woord daar, en die Woord was by God, en die Woord was self God. Swahili: Hapo mwanzo alikuwako Neno, huyo Neno alikuwa pamoja na Mungu, naye Neno alikuwa Mungu. Swedish: I början fanns Ordet . Ordet fanns hos Gud, och Ordet var Gud. Brazilian Portuguese: No começo aquele que é a Palavra já existia. Ele estava com Deus e era Deus. German: Im Anfang war das Wort. Das Wort war bei Gott, ja das Wort war Gott. Italian: Nel principio era la Parola, la Parola era con Dio, e la Parola era Dio.