— Mick Herron, “Dead Lions”
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— Mick Herron, “Dead Lions”

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River should be bound more often. And enjoy himself more in the process... or not?
river cartwright cougar era??
So, I’m 2.5 seasons into Slow Horses in one weekend. My sole concern…can someone please give this River guy a hug? He seems like he’s having the worst day of his life every single day. A real person might have changed the course of their coworkers’ lives forever by now. I worry about him. Someone give him a hug and possibly a new job.
I was invited by @counterwiddershins, @sanguinarysanguinity, and @aloveforjaneausten to list 9 books I'm hoping to read in 2025, and clearly I have been dilatory in responding. I'm putting The Saint of Bright Doors on here because I started it last year, really liked it, and never got back around to it when my library loan expired.
I tag in turn (no sense of obligation): @tinydooms, @lettersfromthelighthouse, @kivrin, @theodoradove, @bluestockingcouture, @doctornerdington, @lissreads, @cycas, @of-a-toast-and-tea

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just a selection of Spider being clocked as a whore in Dead Lions
Friendly reminder that Spider has fake teeth in the second book because River punched his teeth out in the office in the first book. The books are so much more unhinged.
Drive a saint to suicide, thought Catherine Standish. Lord above! I’m channeling my mother. They were the words she’d used earlier, about Jackson Lamb: that he’d drive a saint to suicide. Not a phrase she’d ever expected to hear herself say, but this was what happened: you turned into your mother, unless you turned into your father. That, anyway, was what happened if you let life smooth you down, plane away the edges that made you different. Catherine had had edges once, but for years had lived a life whose borders were marked by furriness, and mornings when she wasn’t sure what had happened the night before. Traces of sex and vomit were clues; bruises on arms and thighs. The sense of having been spat out. Her relationship with alcohol had been the most enduring of her life, but like any abusive partner it had shown its true colours in the end. So now Catherine’s edges had been planed away, and alone in the kitchen of her north London flat she made a cup of peppermint tea, and thought about bald men. There were no bald men in her life. There were no men in her life, or none that counted: there were male presences at work, and she’d grown fond of River Cartwright, but there were no actual men in her life, and that went double for Jackson Lamb. Nevertheless, she was thinking about bald men; about one in particular, giving a swift glance up at the camera before pacing into the driving rain of a railway platform, instead of boarding under shelter. And about the hat he wasn’t wearing because he’d left it on a bus two minutes earlier. And she was also thinking, because she often did, how easy it would be to slip out for a bottle of wine, and have one small drink to prove she didn’t need one. One glass, and the rest down the sink. A Chablis. Nicely chilled. Or room temperature, if the off-licence didn’t keep it fridged; and if they didn’t have Chablis, a Sauvignon Blanc would do, or a Chardonnay, or triple strength lager, or a two-litre bottle of cider. Deep breath. My name is Catherine, and I’m an alcoholic. A copy of the Blue Book stood between a dictionary and a collected Sylvia Plath in the sitting room, and there was nothing to stop her settling down with it, peppermint tea at her elbow, until the wobble passed. The wobble: that was another one of her mother’s. Code for a hot flush. A lot of codewords, her mother had used. Which was almost funny, given what Catherine did for a living.
Dead Lions by Mick Herron (2013)