Quick note on Charles's speech for fic writers or anyone interested, really.
Charles uses tag questions, where he ends a sentence with a question, doesn't he? I see a lot of "innit" thrown at the end of sentences, which is right, sometimes.
There is unfortunately grammar. First off, if the main verb is negative, the tag will be positive, and vice versa.
When the main verbs in the sentence is a form of "be" or a modal verb (must, could, would, have, will, can, do etc), he's going to repeat that same form at the end of the sentence. An exception to this is a positive main verb of "I am" in which case the tag will be "aren't I?"
"[You're] Not going back to hell, are you?"
"I wouldn't wanna be dead with anyone else, would I?"
"No, we're not going anywhere, are we?"
"Well, I can't see where you're pointing to, can I?"
"We don't want a repeat of the infamous puppy debacle of '94, do we?"
He uses "innit" a lot less than people think, I think. It took me a while to find examples of him saying this, I ended up having to search a transcript. It follows the same rules as above, except the subject is always a thing, or the pronoun "it," and the main sentence is positive, so that the tag can be the negative "innit" (isn't it). *Edit* "innit" is not used as a question! It's mainly used to reinforce a talking point! (Thank you @elizabear). While the other tags are like rhetorical questions, this one is flat tonally and can end with a period, too.
"Boxing's a gentleman's sport, innit?"
"Magical void, innit?"
"That's the injustice we fight, innit?"
When the verb is not one of those above" he uses a form of "do."
"Well, that sounds a lot like you, doesn't it?"
"Wanna keep things professional, don't I?"
Charles also ends a lot of sentences with just the word "yeah."
"Psychic thing makes case work go a lot faster, yeah?"
I am usamerican, but I have a masters in Linguistics. People who actually use tag questions, though, please add on or correct me!
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inspired by @ms-zilia's amazing fic! come for the intriguing plot, stay for the mutual coat swap ;)
An Archive of Our Own, a project of the Organization for Transformative Works
Entelechy, n.: the realisation of potential; the supposed vital principle that guides the development and functioning of an organism or other system or organisation; in philosophy, that which realises or makes actual what is otherwise merely potential.
Edwin, Charles, and Crystal return to London, where there's a lot to deal with, including grieving Niko’s death, integrating new colleagues into the Agency, and the fallout from their various revelations in Port Townsend. Edwin is especially struggling: unable to recharge his energy as he usually would, he finds himself more dependent on Charles than ever. Meanwhile, Charles is trying to sort out his tangled feelings and Crystal is attempting to get her life back on track...
“It’s not rubbish! You only need more practice, that’s all.”
Charles sighed and lowered the sketchbook to his lap, burying his head in his hands. Edwin tried not to follow the sketchbook with his eyes, but it was hard to look away from what he would have to be very generous to call a portrait of himself.
Edwin’s own rendition of Charles in charcoal stayed forgotten in Edwin’s hands. They’d decided to draw each other in this downtime between cases, since they could no longer catch sight of their reflections in mirrors or windows or still bodies of water. It was Charles’ idea, and Edwin had relished rediscovering the muscle memory of drawing that he had long forgotten in the interminable decades between childhood and the present.
“It’s really not as bad as you think,” Edwin said, sitting down beside Charles on the sofa. He brushed a thumb across what he thought was meant to be his chin, careful that his ghostly fingers didn’t smudge the charcoal. “Look, you’ve done a wonderful job with the brow.”
“Nah, the eyebrows are too thin. You got some real caterpillars up here,” Charles said, finally unearthing that beautiful face Edwin had spent the last forty minutes studying. He poked at Edwin’s eyebrows, Edwin having to duck closer to Charles to dodge it.
“Charles!” Edwin pulled away laughing. “I’ve been told I have a difficult face before,” he admitted. “The portraits my mother would commission of us as children would always vex the painters when it came to my turn to sit.”
“Yeah?”
“Yes. ‘Stop scowling if you please, Master Payne,’ and they wouldn’t accept my best attempts to explain that it was simply my neutral expression.” Edwin said it like a joke, but he could still remember how frustrating those sessions were. It left him with an overall distaste, when he could very well have spent those hours reading books or playing dolls with little Evangeline. “I daresay they would find you just as difficult to paint.”
Though Edwin doubted they would ever find an expression that could be called a scowl on Charles Rowland’s face. What had most vexed Edwin was finding a way to capture the delicate beauty his features held, feeling like every rough stroke of charcoal was too heavy and simultaneously not enough. He flipped his paper round to show Charles, who took it and simply stared for several long moments.
“I suppose mine needs improvement as well. Your eyes do shine in a way that doesn’t translate well to paper,” Edwin said nervously, waiting for Charles’ judgement. With every wordless second that passed, Edwin only grew more anxious, though he wasn’t sure what for. Charles would never be cruel, so what was Edwin even worried about?
“Mate, this is amazing,” Charles said, delicately tracing the shell of his own charcoal ear. “I don’t think it needs anything at all. Is this really…” He bit his lip and trailed off. “Is this really what I look like? To you?”
“Yes,” Edwin said hesitantly. “Do you remember what you look like? I do not, of course, but perhaps you…?”
“No,” Charles said, shaking his head. “I mean, general shapes, yeah, but this is…” he trailed off again, seemingly without the words to describe what he felt.
Edwin had the sinking feeling he had tried too hard, put too much of himself into it, when the original reason for the exercise was silly. That unchangeable otherness he’d carried since he was a child, that everyone except him seemed to clock immediately, had shown itself once again, embarrassingly. His fingers itched with the urge to snatch it back and burn it to cinders.
He couldn’t do that without raising questions, and so he talked to distract from it. “I drew inspiration from the style of Fayum mummy portraits. You are of course familiar with them—recall the Case of the Troubled Tabernarius? You have a similar Roman beauty about you.”
Charles’ eyes were wet. “Careful. Anyone would think you’ll be writing love letters next,” he joked. “I’m not all that. Ugliest one on the cricket team, I was.”
“Your inability to accept a compliment has no bearing on the truth. And besides, I’ll thank you not to speak so poorly of my best friend,” Edwin sniffed.
“Yeah? Well I know your best friend,” Charles laughed. “He’s a bit of a knob, isn’t he?”
“Only when he insists on being stubborn.” Edwin stayed very still as Charles carefully set the drawing to the side, then turned and pulled him into a hug.
“I love it, Edwin. And I swear, I’m gonna keep drawing you until I can do it properly,” Charles promised.
“There’s no need—”
“’Course there is. You gave me this, now let me show you what you look like to me, alright?”
“Very well,” Edwin agreed, if only because it would give him the chance to stare greedily at Charles’ face some more. Charles pulled back, and Edwin immediately missed his embrace. “I shall procure more charcoal tomorrow, and perhaps the implements to experiment with other media as well. You would look good in oil pastels, I should think.”
“Flatterer.” Charles gathered up both drawings, pinning them carefully by their corners to the top of their case board, taking care not to fold or puncture them. “There. Almost as good as magnets on a fridge, yeah?”
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Hi I wrote a fic inspired by my talented friend @rikkkkkkkkkkkkkkk 's art!! It's my take on "hand-waving memory magic lets the boys meet a younger version of Charles and it's all very sad." Ft. that scene from the comics where Charles gives his dad a model airplane.
a catwin poem
dead boy detectives contrapuntal poems — 7 — (1) (3) (2) (4) (5) (6)
quick tip for first timers: you can read it in three ways! start with the character's side of your choice, then the other, and then left to right for both.
Half in the Grave (77501 words) by ghostinthelibrary
Chapters: 12/12
Fandom: Dead Boy Detectives (TV)
Rating: Mature
Warnings: No Archive Warnings Apply
Relationships: Edwin Paine | Edwin Payne/Charles Rowland
Characters: Edwin Paine | Edwin Payne, Charles Rowland (DCU), Tragic Mick (Dead Boy Detectives), Crystal Palace (DCU), Niko Sasaki, Original Characters
Additional Tags: Alternate Universe - Different First Meeting, Alternate Universe - Everyone Lives/Nobody Dies, Magic shop clerk Charles, Private investigator Edwin, Case Fic, Canon-Typical Violence, Mutual Pining, Strangers to Friends to Lovers, Falling In Love, Minor Character Death, Fire, Kidnapping, Torture
Summary:
Edwin, a private investigator, and Charles, the shop assistant at Tragic Mick’s Magic Tricks, have to work together to solve the case when a killer begins targeting magic shops across London. It would be a straightforward enough investigation, if only they didn’t find each other highly distracting.