David Meltzer

seen from Pakistan

seen from India

seen from Bulgaria
seen from Germany

seen from Bulgaria
seen from United States

seen from Bulgaria
seen from TĂźrkiye

seen from Pakistan

seen from Bulgaria
seen from Germany

seen from Malaysia
seen from Germany

seen from Pakistan

seen from United States
seen from China

seen from Bulgaria
seen from Netherlands
seen from Canada

seen from Ireland
David Meltzer

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Davis Meltzerâs cover art for Clifford D. Simakâs âCityâ
Micah Ballard on David Meltzer's When I Was a Poet
For National Poetry Month, we asked some of our published poets to pick their favorite poetry collection published by City Lights.
Micah Ballard, author of Waifs and Strays, chose When I Was a Poet by David Meltzer.
***
For starters, best title ever. As with any medium, if you keep it primary itâll dictate your life and play tricks on you. Poetry, âthe most magical of the artsâ as Davidâs friend John Wieners said, wants it all and doesnât owe anything. The trick and charm is an invitation unknowingly received. Now you get to chase each other thru eternity because you were open enough to be found by it. No matter how you play hide-in-seek it always gets you with some stuff you have no idea about. You live together and haunt one another. Do you really keep me primary, oh you think youâre a poet? Has life interrupted again, so now Iâm secondary, or worse tertiary, and donât make me mention quaternary, quinary, senary, septenary, octonary, nonary, and denary?! Hold up. Are these even words? Am I a poet even though I havenât written a poem in a week? David wouldnât sweat this, and during many goodbye shrugs in our shared space on Valencia he said âitâs a relation-ship, collaborate but stay individual,â âIntimacy. In-to-me-see,â âIâm no professor, I donât profess anything! If I have to be pro, Iâm a professional amateur!â Some random non-sequiturs, why not? Low key nonchalant asides, simple things offered for the complex. Itâs labyrinthine but easy if you want. An alphabet of letters and laughter. Aleph correspondence. Jokes of life. Iâm starting to sound like David. When I Was A Poet is David conjuring at his ever-present-always-best: HIGH PRIEST of Wit, Empathy, Pranks, City Living, Domesticity, Magic and anything else a polymath secretly shares. This book is an homage of past lives still living a future present which is NOW. Super important. The sequential poems melt together like one alchemical serial poem suit-cased into a book as a traveling talisman that you can wear in whatever world you arrive in. My favorite books always change and move me around whenever they want. The section French Broom is a shape-shifter that keeps me wandering into new zones to watch âStars arise / Page after page of my book / Writes thru time / Lights sewn together / My poem is bits & splinters / Darkness allows me.â So humble. On and off the page, one in the same. Iâve been thinking about Davidâs drawings in most of his books. Especially those he signed. The last Christmas postcard he sent was a drawing of one of his faces that said âJoy in dim times!â I wound up getting it tattooed for free on Divisadero. His signature right above the back of my elbow. When I was a poet.
Tell Them Iâm Struggling - David Meltzer / The Weight of Ink - Rachel Kadish Â
Davis Meltzer, âLunar Excursion Module Prepares to Dock with its Mothership,â 1960s

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
this piece is from the reform siddur mishkan tâfillah. i found this text when i was twelve, stuck in the depths of depression and it really resonated with me, four years later and it still hits home every time i read it.
The 10-billion-year life cycle of the Sun, illustrated by David Meltzer for National Geographic, May 1974.
Sorry to Bother New Day
Anyone else catch the picture from Sorry to Bother you hanging up in the New Days dressing room.
David Meltzer certainly won't get that reference but my hard hitting attention to details journalism from ya boi, boy wonder