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corridor concept art by david vyle levy (vyleart) for ender’s game (2013) dir. gavin hood [ img file source ]
In Memoriam
Bah, humbug. I'm fighting a cold and, of course, severe dread over the current state of the world. Normal Christmas Day stuff. So all of that considered, I decided to work on an In Memoriam post to help close out this wonderful holiday season, a first for this blog. Real festive, don't you think? Here's some daddies who passed away in 2024. Enjoy fapping to these deceased gentlemen? (I know I will.)
TV PAPER DOLLS MONTH!
I found these at the blog below but it doesn’t mention the artist’s name.
https://www.mediafoam.com/blog/schitts-creek
Oh my god, David! “ Schitt’s Creek ” is the best show on television. We were not prepared for this little Canadian show to steal our

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Not even sure what the situation is with the Red vs. Blue fandom on here nowadays (my last time as an active part of that was in 2016) but I figure if there’s anyone around, they’ll dig this thing I made:
A 46-minute celebration of the music of Red vs. Blue, in the form of a mega-compilation of clips from seasons 1-13—set to a massive medley of themes, leitmotifs, and other musical cues.
There is also a VFX breakdown video for the original portions, if you wanted to feel insane for eight uninterrupted minutes with how much unnecessary work I did.
There are currently two CC options—regular English captions for subtitles and lyrics, and “music citation” captions, in case there was a song you don’t recognize and felt like hunting down. I hope that’s helpful.
Enjoy!
Human Personality, Simone Weil, 1942-3
Simone Weil was born into an affluent life in Paris in 1909. Very early, she demonstrated a strident, uncompromising compassion when she gave up sugar in solidarity with French soldiers in the First World War. While still a schoolgirl, she declared her solidarity with the communist left. Though uncompromising in her persona at school, she was also brilliant and had the best education France could offer in languages, classics and philosophy. While at the École Normale Supérieure, her tutor set her focus on the problem of man as an active being. To address this she took Plato as her master and Descartes as her antagonist. These influences remained touchstones in her intellectual life. Despite the spiritual writings for which she is best known, her training and approach was that of a philosopher. For the few years of her working life, she taught philosophy in secondary schools. Weil’s compassion and strongly-held opinions led directly to a life of activism, which often scandalised the towns in which she taught. Initially, her interests lay in the labour movement as well as pacifism. Her judgment of the political weakness of the labour movement and more generally of social causes led to the qualification of her views on pacificism. Violence, she then thought, could be a defense for human dignity against the Fascism that diminished it. However, her exposure to the Spanish Civil War led her to contradict herself. Force, she thought, could never be righteous. Allowing that someone was the legitimate object of force inexorably nurtured tribalism, making murder seem natural. Force controls those who would use it, an insight she saw in *The Iliad* which treated Greeks and Trojans alike as victims of force itself. Her views on force were a singular example of how her developed perspective was at odds with received pieties in Western Culture, both those of the establishment and those who opposed it. She denied the importance of political rights; of justice by due process; of state or private ownership; private choice in life; and legitimation by collective, public will. Instead she elevated as primary response to affliction; the inestimable significance of a human being; the needs of the soul as the basis for government; meaningful labour; and good and evil. Weil was unafraid of intellectual isolation, nor did she seek fellows—though she did publish her essays in intellectual journals. She was not celebrated in her lifetime, though the force of her intellect was known. Many gave her a wide berth, because of her uncompromising manner, which was also evident in how she lived. While working for the Free French in London on a manifesto for a transformed government in post-war France, her unyielding manner of living overcame her always-fragile health. She died in Kent at 34. Her celebrity came posthumously when her notes on Christian spirituality were published, influencing those within and without the Church. Subsequently, her philosophical works have attracted a modest following among intellectuals and academics. (D. Levy)
I'm attaching the essay again here:
https://lib.tcu.edu/staff/bellinger/rel-viol/Weil.pdf
And, to be sure, Dr. David Levy's suggested and further readings, via The Integrity Project. The page also contains a short lecture from Levy, available as an mp3:
https://integrityproject.org/projects/portraits-of-integrity/simone-weil/
Levy has lectured on the Philosophy of Simone Weil at the University of Edinburgh and the course guide for 2017/18 can be found here.
Whilst the document is primarily intended for students, it provides a massive list of general and additional texts on or written by Weil - like, 8 pages worth. It also includes a list of prospective exam questions, which may be interesting to some.
https://www.ed.ac.uk/files/atoms/files/the_philosophy_of_simone_weil_course_guide_2017-18.pdf
Here is an online library that holds some of Weil's texts in their original French (among 1000s of other works):
http://classiques.uqac.ca/
Finally, a lovely long essay from academic, educator, and organiser Riley Valentine, An Impersonal Liberalism: Simone Weil and the Sacred, for Epoché Magazine.
Simone Weil in her essay “Human Personality,” asks her audience to think about liberalism’s response to Nazi Germany through the “United Nat