#darendo

LASST UNS IRRITIEREN! 
Im kommenden Semester wird es bei Dare’n’Do um die Irritation und neurologische Vorgänge in unserem Gehirn gehen. Warum sind wir irritiert? Was lässt uns irritieren? Was bedeutet überhaupt Irritation? Welche Rolle spielt es im Gestaltungsprozess? Und wie gehen wir damit um? Fragen und Anmeldung: [email protected] #neurowissenschaften #darendo #irritation #gestaltung #design #architektur #selbstreflektion #irritationsräume #ergebnisoffen #experimentell #wagenundtun @natalie_weinmann @abkstuttgart @arch_inkubator @arch_abkstuttgart (hier: Staatliche Akademie der Bildenden Künste Stuttgart) https://www.instagram.com/p/CGQUDGECuaP/?igshid=mx9olxrvmu12

Teaser: LASST UNS IRRITIEREN! #neurowissenschaften #darendo #irritation #gestaltung #design #architektur #selbstreflektion #irritationsräume @natalie_weinmann @abkstuttgart @arch_inkubator @arch_abkstuttgart @abk_id (hier: Staatliche Akademie der Bildenden Künste Stuttgart) https://www.instagram.com/p/CGP7izBCSae/?igshid=wdzwxpkeqijf

The idea that I kept from the last session is that the atmospheric situations that we can create shape the way we perceive everything. I wanted to experiment with my perception of a daily situation. I took a picture of my window view, but before doing it I used different "lenses" to experience different colors on the same view because I wanted to manipulate my own emotions. For creating this "lenses"  I used different objects from my room (also common stuff I always use). Then I add a quick atmospheric musical composition that I created based on the moods resulting from this "lenses" experience. You can also hear the daily sounds and noises from my block.

Estevan Mykhail Guzman is a 3D animator with a passion for astronomy and Sci-Fi. He currently works at the Griffith Observatory in Los Angeles, California exploring scientific communication through film and illustrations. He finds influence in science and space travel for his works as a “space artist” with a goal to inspire scientists and artists alike. In Session 5 Estevan gave an insight on how to discover future scenarios with a sensual and emotional approach through installation, visual and acoustic features. 

In this session, the key conceptual question that underlies all else was about direction. Whether in politics, design, philosophy, or technological innovation, the participants tried to estimate a current point of view and the direction we are heading towards depending on personal wishes for the future: What world do I want to live in? Can I change the future? Can I change the past? Do humans have any value and how many should exist for how long? Who am I anyway? How should I live? Who is to decide? Do I love, hate, fear…? Why? What, if anything would I change in the world, with people, with me? What role do narratives play in the fiction? 

Hüseyin Şahin studied M.A. of European Studies with a focus on critical European Research, during which he collected work experience in the EU Parliament in Brussels. Hüseyins recent projects are dealing with the topic of post-capitalism. In this session, the group discussed who or what determines the development of technology in current or possible social future structures. Questions arose like: What impact can technological development have on the society of tomorrow? How do we currently deal with it? Or who decides what is “right” and “wrong” concerning the direction of technological development? 

Kerstin Göpfrich works on Biophysics and Synthetic Biology at the Max Planck Institute for Medical Research in Heidelberg where she is combining DNA Nanotechnology and microfluidics to assemble synthetic cells. She is fascinated by the thought of creating an entire living cell from scratch. In Session 2 folded DNA, human cells and individual ways of communicating complex scientific discoveries became an inspiration source for the group. The question is how artificially constructed material could become alive, how it could look like and what it could do was raised. It was speculated what could or should be done in a methodological manner.