âJai Jenkins was legally a door to door salesman for a sock company, but the way he filed his taxes couldnât stop him from advertising his own detective work as well as the socks.â
âHow did you get in here?â Imari looked down at him, arms crossed.
âDoor. That some kind of trick question, orâŠâ
âNo, I mean, this is a crime scene, sir. Why are you here?â
âBecause itâs a crime scene.â
âWith all my hope resting in you, please catch the killer on Lilac Avenue. Before another death. Preferably.
Signed,
Me.â
âHis age was difficult to pinpoint at anything other than really frickinâ old.â
âImari stepped into what was almost an ordinary bedroom, if a little dated in style. An ordinary bed, an ordinary desk, an ordinary closet. The only thing out of the ordinary was the bodyâ
âMr. Brown heard the door upstairs opened, followed by Louis saying âWell thatâs abnormal.â
For Louis, that was the equivalent of a loud scream followed by a heart attack and dying.â
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Could you please do Evil. I woke from another nightmare and the first thing I felt was the warmth and security of Evil's body wrapping around me.
note: I donât like writing from first person POV so I changed this just a little. general mood is still the same, but just with reader insert :)))) hope you enjoy!!Â
The nightmare is intense. A body is hovering over you, fingerspulling the very soul from your body, and you need to force yourself to wakeup. You lurch upright from the bed with a loud gasp and fling yourself onto thewooden floor before you realise youâre moving. Sharp pain erupts from yourwrist up to your elbow, and even though youâre hyperaware of your heartbeat,you begin to calm down.
 From the ground, hunched over and on the verge of a panicattack, you find yourself checking the room.
It was a nightmare.
 It was just a nightmare.
Tears well in your eyes, hot and angry, and you clutch yourwrist loosely as you fall against the wall next to you. Rage burns too heavy inyour chest. It weighs you down, stops the oncoming panic attack, and instead ofregulating your breathing like you know you should, you punch the wall withyour bad hand.
Itâs a stupid mistake â your gasp of pain echoes in theroom, and a noise of confusion sounds from the bed.
For a moment your heart stops. Then, you remember that youlet Evil stay tonight. Thatâs a mistake too, you realise, because you donâtknow how to explain any of this to him.
âY/N?â
âIâmâIâm okay,â you manage to rush out, but it doesnâtmatter how quick you say it; Evil still hears the shake in your voice.
In the pitch black of the room you see him prop up onto hiselbow, face turning in your direction. âAre you on the floor?â
âYeah,â you murmur back. âI just fell off the bed, gavemyself a bit of a fright. Sorry, I didnât mean to wake youâŠâ
Itâs not the first time something like this has happened,but you can count the number of occasions on one hand, and this is the firsttime itâs ever happened with somebody else in the room. Something about yourbrain, something about the way it works or the way it doesnât work, leaves you perceptibleto sleep paralysis. The entire thing reeks of your vulnerability and you donâtknow how to act now that someoneâs been with you while itâs happened.
You crawl back into the bed, ashamed and embarrassed, andEvil curls his arms around your waist and pull you in tight against his chest.
It feels warm. Safe. Something that you havenât let yourselffeel in such a long time.
Your entire body aches in the morning when you wake. Thereâsa peaceful moment where the security of Evilâs large presence soothes everyfrazzled nerve in your soul, and you drag a hand down your face when flashes ofit hit you like a punch to the gut.
God, you havenât had an episode as bad as this one for months.
It lingers against your skin and you let go of a gentle sighbefore you turn to face Evil. Maybe it was a good thing that you let him staythe nightâŠ
You press your lips against his muscled shoulder and gaze upat his sleepy face with heated eyes. Heâs still fast asleep, snoring softly,and you shift your hips against the side of his body.
âEvil,â you breathe lowly, âbabyâŠâ
You grind up into his side again and drag a hand down overhis briefs, softly groping the growing erection. He groans a little and lifts ahand to rub at his face, and then peeks an eye open to stare at you.
âY/N,â he murmurs, breath still slow and heavy.
âMorning,â you whisper back, lifting onto your elbow to pressa tantalising kiss against his lips.
You push yourself up further to kiss along his stubbled jaw,but his arms snake around your hips and he shifts you on top of him, messy hairtoppling over your shoulders. Light sneaking through a crack in the curtainscatches a few strands, igniting them golden. Evil lifts a hand to tuck thembehind your ear.
âFuck me,â Evil commands, staring at you with those eyes thatcurl your toes.
You kiss him again, slow and lazy and sensual, biting at histongue and lip until Evil is hard and full against your thigh. Your barebreasts push against the soft skin of his chest, and Evil sighs into your mouthas you roll your hips into him.
Calloused hands move to grip your ribs, rough thumbsbrushing along the curve of your chest as you arch into his touch.
He moans as you bite down on his lip again and then he flipsyou, rushing the breath from your lungs in a quick movement of limbs andexploring hands. Quickly, Evil situates a pillow under your hips, knows thatyou experience a better orgasm with the angled position, and you can feel yourtoes curling in anticipation of whatâs to come.
Evilâs mouth presses against yours in an open-mouthed,gasping kiss.
Your bodies move together in a haze of pleasure, your hips rockingup into his brief clad crotch, and Evil is nothing but sin on top of you.
Both of your underwear are gone quickly and with a confidentand leisurely thrust, Evil is buried deep inside you. Your eyes roll back inthe pleasure. Evil hooks an elbow around the bend of your knee and pulls yourleg up, the new position pushing his thrusts deeper into you.
Your voice is trembling with his name, the word coming outover and over again as his hand reaches down to rub your clit, and Evilâs headfalls into the dip of your shoulder as you tangle your fingers in the colourfulstrands of his hair. The stubble along his jaw scratches at your skin, adds a wholenew layer of feeling to comprehend. Your breath is coming out in grunts and youdonât even think you can last much longer when Evilâs teeth sink into themuscle at your neck.
Your whole body is overtaken with a vocal orgasm, legsquivering, eyes screwed shut and mouth dropped open. Evil takes the opportunityto drive his mouth down into yours, kisses you through the blinding climax andsteals your breath.
You tell yourself that maybe itâs not such a bad thing tofeel safe around Evil.
What is so off about the writing this phase? Iâm not disagreeing, Iâm just interested in your thoughts. :)
The live interviews were great. Most of the reddit AMAs were good. Murdoc is written great because he gets the most attention, (besides the pandering âfeministâ label he has now, but I think itâs meant to be a joke) Noodle and Russel are good but theyâve kind of reduced 2D to a bumbling idiot. Theyâve also played up the abusive nature of 2D and Murdocâs relationship for humour which is kind of sad and tired now rather than funny.2D is a bit dumb and a stoner but he isnât a complete infantile idiot. Heâs had moments where he bites back at Murdoc and isnât entirely innocent. Lots of the fandom infantalise him in writing due to it, as well.
Literally anything with the rainmaker, i love him so much
i mean, you said anything, so i give you something, at least?Â
title: Good Enoughwarnings: dubcon, kinda?Â
When Tess promises her brother not to get into too muchtrouble, she knows that he doesnât entirely believe her. She wouldnât either,considering her track record, but she likes to think that she at least has somestandards.
Itâs not her fault when Kenny Omega walks through that door,boasting a new title and an even bigger grin. It grinds her gears more than shecares to admit. Sure, he deserves it, and sure, she guesses that heâs overcomethe odds, reunited with his lover (or whatever they are), and put gold in theBullet Club split. Sure, heâs a good person, and a great friend to some. But toTess? Heâs a fucking douchebag.
His eyes glint in a certain way when he sees her, and hemoves through all his friends before stopping in front of her. He glances atTess, then at his title, and then back at her. âGuess your brother canâtsteal this, can he?â
Tessâs nostrils flare. âNice joke, should use it onsomeone whoâll laugh.â
But she keeps her promise to her brother and stays out oftrouble. She shuffles out of the New Japan gathering, smiling at the man whoâsbrought her along as a plus-one, and walks through the corridors of an emptyarena. Sheâs only in Japan for a couple more weeksâ sheâs finishing a long anddrawn out Graduate program by completing an elective of Japanese, and jumped atthe opportunity to study abroad.
Her brother, being her brother, wasted no time inintroducing her to a bunch of his wrestling friends, and then let the resthappen organically. It was only fitting that one of her closest friends inJapan became Kenny Omega, someone who could help coach her through the languageas well as the culture.
They were good as gold until⊠well, they werenât.
Tess is lost in thinking about how it all went wrong untilshe catches sight of a someone else in this hallway. Her eyebrow raises whenshe realises who it is.
Itâs ironic, she thinks, that theyâre both here, having beendone wrong by the one man who is being celebrated without them. Of coursethatâs a little dramatic, and Tess realises as such, but she doesnâtparticularly care to correct her train of thought.
She stops a couple of steps away from him and leans againstthe wall, waiting until his attention is on her; thereâs no way he couldnâthave heard her coming. âYou look lonely.â
He stares at her for a moment longer before dropping hisgaze back to the floor.
Kazuchika Okada is a shell of the enigma he was yesterday.Tess understands every part of it, even if sheâs never talked to the man.âMust be nice not having to force a smile though. You can just sit outhere and grieve in silence.â
Tess doesnât expect him to reply, and so she continues totalk even when her eyes gaze the length of the corridor. âItâs funny howthings work out. He always knows how to ruin good things, even though heâs gotgood intentions. Canât blame him for wanting more.â
âYou speak good Japanese,â Kazuchika finally says,cutting her off mid-thought. âBut if Kenny doesnât want you, why wouldI?â
It should hurt more, Tess thinks, but sheâs already sobitter about everything else that it doesnât. She levels the former championwith a glare. âBold of you to assume Iâm offering.â
His smirk is humourless. âI wouldnât ask.â
Heâs attractive; cheekbones carved effortlessly into hisface, strong jaw, strong eyes. Wide smile. His blonde hair is pushed back offhis face, but she can imagine the sex appeal when itâs hanging across hisforehead. She knows if she runs her hand across the back of his head, thatstubbly sensation of freshly cut hair will have her transfixed for hours, andshe doesnât need to know him to know heâd like it. Heâs tall, too, imposing andpowerful, even if he tries to pull off that dorky front.
Thereâs no dorky front here.
Kazuchika meets her gaze head on, eyes unwavering, and thereâsno mistaking how heavy the tension that settles between them really is.
âYou wouldnât ask?â Tess finally says.
âI donât want your company,â Kazuchika replies, standing toall his height, âbut your body, on the other hand⊠Iâm not as foolish as Omega,Tess-chan.â
Kazuchika closes the gap between them so quickly that she reactspurely on instinctâher hands plant firmly in the centre of his chest and stophim just short of her body, and sheâs mostly surprised with her reaction whenKazu surprises her even more. He grabs her hands and drags them up to hismouth, runs her knuckles across his full lips, and Tess is absolutely captivatedby the walking contradiction Kazuchika Okada is.
âI donât need to ask.â
His voice is low, deep from the back of his throat, and thenhe drops her hands and presses his fingers into her neck, thumbs tilting herjaw up, and very gently kisses her. Tess returns it just as softly. When her hoodedeyes focus on his, and when she sees how blown his pupils are, how flushed hischeeks are, her toes curl.
The second time he kisses her, Kazuchika surprises her oncemore.
Heâs hungry and dominant and overpowering, pushing histongue past her lips and her body against the closest wall. The taste of redwine is intoxicating and making her head spin, and his hands are so large theyalmost span the entirety of her ribcage. He holds her tightly and Tess feels a different kind of small thenâfragile and vulnerable and at the mercy ofsomeone who doesnât care for her.
Tess tries to pull back, but the new angle has Kazuchika chasingher and pushing her into the wall even further.
Something about his moves is desperate. Tess knows thatclaiming her in a way Omega hasnât will mean that heâll have something Kennynever will. But something else lays just beneath the surfaceâKazuchika isseeping with need and longing and itâs almost as if he needs to prove himself.To himself, to her. To Kenny.
Again, Tess tries to push against his chest to just talk to him, but Kazuchika locks hismouth on her neck and sheâs as good as gone.
Itâs like her eyes roll back into her head and her body goesslack. Kazuâs arms snake around her body, one hand tight around her waist and theother twisting in her hair and pulling, giving him even more access than he alreadyhad.
Tess grips at his shoulders tightly, whining softly in hisear. His teeth are pulling at her skin but just as quickly being replaced by histongue, and heâs doing it over and over again and, in the process, bending hercompletely to his will.
Tess gazes up at the roof through half-lidded eyes and seessomething shift out the corner of her eye.
Kazuchika doesnât stopâhe pushes his hips against hers andthen lifts her leg around his waist, but Tess is too busy staring down the hallwayto grind back.
Kenny, with the championship around his shoulder, has slowedto a stop. Heâs staring at them, face unreadable, and in a split decision, Tessmakes a choice that seals their fate.
She flings both arms around Kazuchikaâs neck and tangles herfingers through the waxed hair on top of his head. The length of her body curlsup into him, lips pressing against his in an open-mouthed kiss, and it isnâtsensual in the slightest, but full of anger and burning desire and a desperationthey both seem to share.
Kazuchika is desperate in his search for being better than goodenough. Tess is desperate for Kenny to see this. She wants him to see her, like this, finding release througha man that isnât him. Tess is desperate for release of his hold on her. Kazuchikais willing to give that to her.
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Would you write Evil for me? âI can be cruel if I have toâ for the prompt.
not entirely how i thought this would turn out, but i realised i donât have any gentle Evil on here and heâs just the biggest sweetheart irl and who doesnât love a scary, intimidating turned loveable big bear? anyway, i hope you like this!!Â
title:Â âCause You Made Me Sowarnings: alcoholism, insinuated cheating, angst
You donât understand why youâre even here. There are plentyof other places you can go, friends who owe you favours, people you donât even like that owe you favours, and yet⊠hereyou are. In this building and on this level and in front of this door.
You glance over your shoulder at a manâs retreating figure,squinting through a haze of drunken coherence, and try to figure out whether itâsa phone in his hand or just the light reflecting weirdly. You pretend that youâreone hundred percent in control of your inhibitions, but itâs so far from the truththat you canât help the smirk spreading across your mouth.
The good news is that you wonât die from alcohol poisoning.The bad news is that the person behind this door just might kill you.
Itâs a gamble to assume youâre even at the right door; thenumberâs a bit blurry, and youâre relying on a memory thatâs already shot withalcohol from when it all happened⊠but the alcoholâs gotten you this far, sowhy doubt yourself now?
Youâd like to be able to call yourself a functioningalcoholic because you drink on days ending with âyâ exclusively and you havenâtdied just yet, but you donât know howyouâve made it this far without completely checking out. What you do for moneyâŠit doesnât want you to live happy, it follows you home. Rips apart your house. Youdonât have any family here, thankfully, because if you did, theyâd disown you.
Maybe thatâs why youâre at this door.
Because he was the only one that accepted you the way youwere. Because he was the only one that cared, even if he did fuck it up. Evenif you did fuck it up even more after that.
You squint at the door for a long moment before taking adeep breath and knocking.
Then, you wait. Longer than you want to, really, and youfind yourself leaning on the frame just as the deadbolt clicks back. Almostfalling into the man pulling the door open, you press your centre of gravity inthe other direction and stumble back a little, hiccup over a nervous chuckle asyou meet humourless eyes.
âWhat the fuck are you doing here?â
You sober almost instantly. Thereâs a moment when you guessyou should feel vulnerable under the eyes glaring at you, but you know this mantoo well and too intimately to be afraid of him. Thatâs your first mistake. âIknow⊠I know Iâm literally the last person that you want to see, but⊠I needâŠhelp.â
The manâs face remains deadpan. âWhatever it is youârelooking for, youâre not going to find it here. Iâm not going to comfort you. Iâmnot going to let you cry on my shoulder.â
âPlease, just⊠let me in.â You stare at Taka, who refuses tobe addressed by his actual name, and almost call him that before correctingyourself. âEvil, please. The world has been cruel to me today.â
âYou donât know cruel,â Evil spits. His eyes are angry andthere are warning sirens sounding in your head, but youâre to inebriated toregister anything. âYou donât know anything about pain. Y/N, tell me, aftersleeping with my brother, what did you think would happen if I ever saw yourface again?â
A lump forms in the back of your throat. âTakaâŠâ
He blanches, and a hot red flush starts to crawl up hisneck. âDonât fucking call me that. You want cruel? I can be cruel if I have to⊠Iâll show you, even. Thatâs why youcame here drunk, yes? Because you want closure. Because you know you fucked up,and you need to know that at least one person still wants to fuck you.â
Evilâs words hit you in the chest like a gunshot, pushingyou back a couple of steps in shock and ripping through your heart with no remorse.
For a moment, regret flickers in Evilâs eyes. Itâs just as quicklyreplaced by stone-cold resolve. He means every word heâs just said, and you canâtblame him for any of it. You donât think you even have the right to feel upset,because heâs right. You fucked up. Badly fucked up, and slept with fucking Seiya, of all people.
You take a deep breath and meet his eyes through blurredvision. âI fucked up. And you donât have to let me back in, ever, but I got kickedout of my apartment because I didnât pay rent on time and I have no where else to go.â
âYou could have goneto Sanada.â
The words bite into your skin. âMaybe I should have,â youmurmur back. âBut I thought maybe⊠I donât know. I didnât want to go to Sanada.I wanted to come here. Itâs habit, and Iâm sorry, so Iâll⊠Iâll go.â
Youâre halfway down the hallway before Evil calls out toyou. âY/N⊠you can sleep on the couch.â
Sometimes, you donât think Evil is so evil after all.