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The Inverse Surveillance Project takes its name from the concept of citizen under-sight, an action undertaken by the subjects of surveillance, of the systems of surveillance. It is an art project co-created with the Arab and Muslim American communities in Chicago, which seeks to build power, compel government transparency and co-create new narratives of our American Muslim experience through the creation of a site-specific, AR-fueled, counter-archive.
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“Sam I know this isn’t what you wanted but I need you to know I respect what you’re saying”
Do counterveillance tactics function to police and modify harmful behaviour online? In the wake of @SheRatesDogs viral success, men recognize (with surprise) the frequency with which online abuse of women occurs, and attempt to pinpoint (and avoid) their own complicity in this toxic culture. But who does this help? Can a site like SheRatesDogs tackle issues of racism, transphobia, etc.,or is the productivity of the site limited to promoting the causes of primarily white women? For whom is this “a game”, and for whom does it become a life or death matter?
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“Online harassment is robustly resistant to policing partly because of anonymity and pseudonymity, and online threats often are not taken seriously, but rather are tolerated as part of Internet culture” (Lisa Nakamura, Blaming, Shaming and the Feminization of Social Media, 225 ). Can “counterveillance” be translated into real-world punitive action for abusers? @SheRatesDogs twitter platform organizes a collective response to online harassment (by way of petition) that instigates an investigation into online harassment against female students. Is this movement between counterveillance and legal action a positive step? Or does this further envelop marginalized groups within the “danger of state scrutiny”? (Nakamura, 225).
