A Lady at the piano Nina Simone.



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A Lady at the piano Nina Simone.

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Conversations with Myself (1963) by Bill Evans
Fred Lipsius: A Musical Genius?
The word genius is certainly thrown around too easily. But Fred Lipsius is an excellent alto saxophonist. Along with Randy Brecker (and later Lew Soloff) he was the true jazz voice in Blood, Sweat & Tears. This article in Patch.com fills in the rest of his career. Like other musicians who tour with crossover bands or make their living in the studio world, Lipsiusâs jazz abilities has gone largely unnoticed.
-Michael Cuscuna
Read from the Boston MA Patch⌠Follow: Mosaic Records Facebook Tumblr Twitter
Various Artists: Jazz Abstractions (1960)
Pianist John Lewis, founder of the Modern Jazz Quartet, receives top billing on this LP, but even that is an âabstraction,â of sorts, since he neither performed, nor was very involved here, other than âpresentingâ it and lending his composition âDjangoâ to the proceedings.
So I followed the lead of numerous, far more knowledgeable jazz scribes with my âVarious Artistsâ designation, among which the true instigators of these Jazz Abstractions were composer, conductor and musician Gunther Schuller and, to a lesser degree, guitarist Jim Hall.
It was Schuller who wrote the opening âAbstractionâ that takes flight on fluttering strings over seemingly chaotic stabs of sax, guitar, bass and drums, in a synthesis of jazz and classical music that Iâve now learned was dubbed Third Stream by the composer himself.
Schuller also arranged the three âVariants on a Theme of John Lewis (Django)â and four âVariants on a Theme of Thelonious Monk (Criss-Cross),â all of which feature, among others, Ornette Coleman, Bill Evans, and Eric Dolphy on flute and bass clarinet!
Listening to these jarring, dissonant, avant-garde tableaus, I couldnât help but surmise that my man Frank Zappa was an avid student of this LP, and indeed it seems the two men became friendly later in life.
Last, but not least, there is Hallâs aptly called âPiece for Guitar & Strings,â which finds him weaving in and around an intricate string sextet, and I just realized that the engineer on these sessions was none other than a young, pre-Billy Joel Phil Ramone.
In sum: while I canât even remember who recommended me Jazz Abstractions (I certainly didnât discover it on my own), I do know that I found this well-preserved copy at New York Cityâs stalwart Jazz Record Center, and that Iâm now totally down with the Third Stream!
More Jazz: Cannonball Adderleyâs Somethinâ Else, Bola Seteâs Tour de Force, Dave Brubeckâs Take Five, Nat âKingâ Coleâs Penthouse Serenade, John Coltraneâs Giant Steps, Miles Davisâ âRound About Midnight, Eric Dolphyâs Out to Lunch!, George Dukeâs The Aura Will Prevail, Duke Ellingtonâs Ellington Uptown, Coleman Hawkinsâ The Hawk Flies High, Julius Hemphillâs Dogon A.D., Andrew Hillâs Point of Departure, Dave Hollandâs Conference of the Birds, Billie Holidayâs Lady in Satin, Les McCannâs Swiss Movement, Charles Mingusâ Mingus Ah Um, Thelonious Monkâs Brilliant Corners, Lee Morganâs The Sidewinder, Duke Pearsonâs Sweet Honey Bee, Sonny Rollinsâ Saxophone Colossus, Nina Simoneâs Nina at the Village Gate, Sun Raâs Angels and Demons at Play, Various Artistsâ Encyclopedia of Jazz on Records.

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Ella Fitzgerald - These Foolish Things (Remind Me of You)
Ella Fitzgerald - These Foolish Things (Remind Me of You). July 23, 1957. Oscar Peterson (p); Herb Ellis (g); Ray Brown (b); Louis Bellson (d). Ultimate version.
so, what are the chances that Sing, Sing, Sing was written by the actual Devil? because itâs consuming mah soul
(via https://www.youtube.com/watch?v=FItu9x58Ro8)