#character map

For every character, I drew a little icon and wrote a line of dialogue, in order to give some inside into their personality and traits in a concise way. A few further explanations and elaborations are given below!

Valentina 'Tits' Albertini Her icon is a visual pun, featuring two Great Tits drawn in the colours of the transgender flag.

Aside from Memphis, Valentina is the only other explicitly genderqueer character in the AU's focus (Lucy-Mae is heavily implied to fall under the nonbinary umbrella, but she never personally feels the need to explore it further, and is happy with identifying as female). Her former nickname was a play on how ballsy of a person she is within the mafia - though Cora is a wildcard, she makes very rash decisions: Valentina is both calculated and bold, and her current nickname is a crude (fittingly), but well-spirited adaptation introduced by Memphis. After coming out, she experiences backlash from Tony, who is concerned her late transition will impact the image of the mob. Memphis, being a trans man, asks him why Valentina is any different from himself, and in the heat of the moment, Tony exclaims that half the people in their own family have no idea that he's transgender, which leads to some tension between the two. Tits' main character arc revolves around her exploration of gender and gender expression, and the character that plays the biggest role in it is Tony's son, Michele (purposefully drawing parallels between Tony and Memphis' own relationship, and showing social change between generations).

Michele 'Softfoot Mikey' D'Amico His icon is a nod to his (in this AU) love of ballet, and how he uses it to his advantage in his role as an underboss.

Michele is a simple evolution on Tony's canon son, Michael D'Amico. In this AU, he's been aged up to 23, and instead of having an unconventional love for cooking, has an unconventional love for ballet dance. Most all of his other traits have been kept the same, however, aside from the obvious fact that he's more rational and mature than his in-canon counterpart. He's straight, but is portrayed as very effeminate - and comfortably so. Mikey really just is a girlboss who never fails to (sometimes literally) slay.

Cora 'Connie the Howler' Mezzasalma Her icon plays on her nickname, portraying a dog with some of her key characteristics, such as a matching necklace given to her by her adoptive brother, as well as a splatter of blood - presumably from one of her usual 'errors'. Her nickname refers to the colloquial term howler, meaning a laughable mistake.

Frankie's awkward adoptive sister of Greek origin, Cora was initially made with the sole purpose of providing a dynamic for Frankie, outside of his relationship with Johnny (which is still the primary relationship explored), but she really grew as a character. Initially I made the name 'Connie the Howler' on the fly as a sort of female version of 'Frankie the Squealer', but I ended up actually putting the effort in to rationalise it and bring it into her character. The result was an awesome little dynamic between two characters who were equally stupid, but in very different ways. She may be responsible for a number of incorrect hits, as well as a good few accidental deaths and injuries, but at the end of the day, she's a silly girl at heart who really synergises with her brother's anxious energy.

Maximus 'Legs' Legman & Luis 'Louie' Walters Both of their icons refer to an car accident the both of them got into, wherein Legs, ironically, suffered severe damage to his legs (resulting in the amputation of his left one), and Louie underwent significant cranial trauma.