May 28
Oh, that's a clever opening shot. Rayuba has two suns and we establish this with a long hallway where both sets of windows are casting light on the ground.
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Oh, that's a clever opening shot. Rayuba has two suns and we establish this with a long hallway where both sets of windows are casting light on the ground.
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It's crazy how bad the heat tolerance is in the UK. Like, UK peeps in the comments are complaining about 32 degrees. It hit 34 the other day where I live and it wasn't a problem because I have air conditioning. What are they doing in the UK? Why isn't AC mandatory?
Okay, what they're doing is political incompetence on all sides, I suppose. Nobody seems to have any idea what they're doing, from what I've read.
crossposted from @valeriehalla's bluesky
I greatly enjoy good puns. Bad puns will make me deeply dislike you. A nonsensical pun is not funny. It is not groan-worthy. It just sucks.
A proper pun has to be founded. There must be a situation ambiently, or presented, where the words in the pun are drawn from. The more complicated the pun is, the better. This is why I greatly enjoy a feghoot. In a feghoot, you are the butt of the joke. When the punchline is given, your investment in the story is revealed to be mistaken. It wasn't meaningful at all. Silly you! It's very nice.
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Why is there such a thing as a "business major". Yes, look at me. I am very smart. I went to college to learn Money Making.
I've noticed quite a lot of grammatical errors in this book thus far, only 20% of the way through, including some that substantially change the meaning of their passages and have to be corrected by the reader through inferring from context clues what is meant, despite the contradiction with the actual words on the page. It doesn't cripple the work, but it's especially noticeable given that White Wolf is a major studio and so doesn't have a scale excuse for inadequate proofreading. (And if you're unable to proofread your work, what bigger flaws might you have overlooked? How can you guarantee broader quality when a narrow quality is deficient?)
2e makes one major divergence from 1e; the True Fae are not inchoate anymore. It is specially noted - if offhandedly - in the Mirrorskin section that True Fae are always themselves. In 1e, a Fae could be anything, from day to day; they were inscrutable, chaotic things, with ambiguous interiority. Yet this rubs oddly against ideas of true names, and against the idea of the Keeper. Why would every Keeper be stable for the full durance, and for the chronicle afterwards, if True Fae in general are not? The problem is resolved by limiting the chaos; the True Fae's minds are alien, but their identities stay the same. They are always them.
(I like the Bargain powers for each Seasonal Court in 2e.)