The Parrinos Installation view, MASSIMODECARLO Milan (left to right) Olivier Mosset, Cady Noland
seen from China

seen from Germany
seen from Serbia

seen from Malaysia
seen from Malaysia
seen from United States
seen from Russia
seen from United States
seen from United States
seen from United States
seen from China

seen from Malaysia
seen from United States
seen from Belgium
seen from United States
seen from China
seen from China

seen from France
seen from Belgium
seen from United States
The Parrinos Installation view, MASSIMODECARLO Milan (left to right) Olivier Mosset, Cady Noland

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tryna shake the internet tree and get more images of the Cady Noland show that just opened two days ago at Gagosian's Park & 75th space. Does #CadyNoland mean nothing to you people??
Anyway, seeing that one of the 15 works in the show is this (afaik) never-before-shown 1986 work, Untitled (Walker), makes me wonder what other wonders might be tucked away in the artist's collection.
Study for "Oozewald", Cady Noland, 1989/2005, MoMA: Drawings and Prints
Gift of the artist Size: 11 x 8 1/2" (27.9 x 21.6 cm) Medium: Printed paper
http://www.moma.org/collection/works/129950
OPEN TODAY 12-7 PM. BACK IN THE BOOKSHOP: MARTIN HERBERT "Tell Them I Said No" (Sternberg Press, 2016) This brand new collection of essays by Martin Herbert considers various artists who have withdrawn from the art world or adopted an antagonistic position toward its mechanisms. A large part of the artist’s role in today’s professionalized art system is being present. Providing a counterargument to this concept of self-marketing, Herbert examines the nature of retreat, whether in protest, as a deliberate conceptual act, or out of necessity. By illuminating these motives, Tell Them I Said No offers a unique perspective on where and how the needs of the artist and the needs of the art world diverge. Essays on Lutz Bacher, Stanley Brouwn, Christopher D’Arcangelo, Trisha Donnelly, David Hammons, Agnes Martin, Cady Noland, Laurie Parsons, Charlotte Posenenske, and Albert York. Martin Herbert is a writer and critic living in Berlin. He is associate editor of ArtReview and writes for international art journals. Previous books include The Uncertainty Principle (2014) and Mark Wallinger (2011). Design by Fraser Muggeridge studio Available via our website. #worldfoodbooks #martinherbert #cadynoland (at WORLD FOOD BOOKS)
#CadyNoland Ohne Titel (Brick Wall) 1993-1994 #collectionondisplay #communities (at Migros Museum für Gegenwartskunst)

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Untitled from The Tower of Terror Studies, Cady Noland, 1994, MoMA: Drawings and Prints
The Judith Rothschild Foundation Contemporary Drawings Collection Gift Size: 14 x 16 5/8" (35.6 x 42.2 cm) Medium: Pencil on transparentized paper
http://www.moma.org/collection/works/121332
Untitled from The Tower of Terror Studies, Cady Noland, 1994, MoMA: Drawings and Prints
The Judith Rothschild Foundation Contemporary Drawings Collection Gift Size: 14 1/8 x 16 1/2" (35.9 x 41.9 cm) Medium: Pencil on transparentized paper
http://www.moma.org/collection/works/121318
NUTS'N'SHIT, Cady Noland, Diana Balton, 1990, MoMA: Drawings and Prints
General Print Fund Size: composition and sheet: 28 13/16 x 42 1/8" (73.3 x 107 cm) Medium: Screenprint on metal
http://www.moma.org/collection/works/144667