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Buzzovâ˘en
LIVE IN NAWLINS -- A BOOZY, GOOD TIME WAS MORE THAN LIKELY HAD BY ALL.
PIC(S) INFO: Mega spotlight on a photo-dump of American sludge metal band BUZZOV*EN, performing live at an unnamed dive bar in New Orleans, Louisiana, USA, c. late 1990s, during the band's "At a Loss" era (with Dave "Dixie" Collins on bass guitar/whiskey breath vokills).
Source: www.picuki.com/media/3158954319966552621.
i love sludge bands

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atalossalbumic
[pt: atalossalbumic. /end pt]
a gender related to, influenced by or defined by the buzzov¡en album at a loss
i picked the colours directly from the album cover.
coined by me, flag by me
Acid Bath: When the Kite String Pops (1994)
Placing a painting by convicted serial killer John Wayne Gacy on your album cover (thatâs his alter ego, Pogo the Clown) would never, EVER fly today, and it was controversial enough decades ago when Acid Bathâs When the Kite String Pops was originally released.
But then, skirting controversy instead of instigating it is one of the reasons why rock ânâ roll is âmom and dadâs musicâ now, instead of a vital youth movement like hip hop -- after all, kids get into music, in part, to piss off their parents, but thatâs another rant/thesis.
More to the point, the southern sludge scene had become a force by '94, with charter bands like Crowbar, Eyehategod, Buzzoven and Soilent Green in peak form by the time Acid Bath arrived to shake things up, finding new extremes to explore on this stone-cold sludgecore landmark.
True to the bandâs name, the guitars of Sammy âPierreâ Duet and Mike Sanchez were corrosive to the bone, but not even as unnerving as the lyrics intoned by Dax Riggs â sometimes with a vulnerable, melodious treble, more often with a variety of coarse roars and shrieks.
This dynamic variety was also reflected in Acid Bathâs music, and the albumâs very first number, âThe Blue,â is a perfect case in point, as it technically consists of four or five songs jammed into one; I wouldnât do it justice if I tried to describe it, so youâll just have to listen.
Next up, âTranquilizedâ is as close as this band ever got to a âconventionalâ song, but thankfully the unconventional ones, like the positively terrifying âFinger Paintings of the Insaneâ and âDr. Seuss is Dead,â or surprisingly gentle âScreams of the Butterflyâ keep on coming -- often drenched in characteristic feedback and semi-psychedelic wah-wahs.
Deep into the albumâs 65 minutes and fourteen cuts we finally arrive at two of my favorites, and they couldnât be more different from each other:Â âWhat Color is Death?â thrashes into action with an intensity unmatched by many a death metal band, while âThe Bones of Baby Dollsâ paints apocalyptic visions over mournful acoustic guitars with softly crooned abstractions like:
âMary Lou left marks on you, she just screams at the walls. The kite string pops, I'm swallowed whole by the sky; We smoke the bones of baby dolls;Â
Techno-liquid screaming meat; Heaven's cold beneath my feet; Cyber love the anti-man;Â We make love ... because we can.
Virgins play where the bayouâs blue;Â Barefoot and eatinâ mushroom stew; Work for pay and pay for freedom;Â Fuck 'em all, we don't need 'em. We smoke the bones of baby dolls ...
Everythingâs gone dry ...â
Powerful stuff, and it led to above-average sales and even critical acclaim for Acid Bath, once When the Kite String Pops seeped its way into the sludge metal underground, and beyond.
Acid Bath would return, just as provocative and uncompromising, two years later with their sophomore album, Paegan Terrorism Tactics, this time boasting a painting on its sleeve by notorious euthanasia proponent Jack Kevorkian!
But the band sadly came to a sudden and violent end in 1997, when bassist Audie Pitre and his parents were killed by a drunk driver, and the remaining musicians chose to go their separate ways rather than replace him.
More Sludge & Sludgy Metal: Behold! The Monolithâs Defender/Redeemist, Cavityâs On the Lam, Dark Castleâs Spirited Migration, Downâs NOLA, eyehategod's Take as Needed for Pain, Fudge Tunnelâs Hate Songs in E Minor, Graves at Seaâs The Curse that Is, Melvinsâ Stoner Witch, Old Man Gloomâs Seminar II: The Holy Rites of Primitivism Regressionism, Rwakeâs Rest, Sons of Otisâ âThe Pusher,â UFOmammutâs Snailking, Unearthly Tranceâs In the Red, Zoroasterâs Dog Magic.
Buzzovâ˘en - Wound - 1992
Sludgy, dirty, fuckinâ metal-punk-core. Like early-Corrosion of Conformityâs vector should they have decided to not become rock stars.