Perfect Now lyric breakdown: a 1D fanpiece with a hint of Falling
So @sryluvidrcâ and I recently took another look at Louis Tomlinsonâs album Walls thinking our Louis obsessions couldnât possibly have left room to discover anything new... boy were we wrong.
In summary the lyrics of Perfect Now, every. single. line. of it, parallel either What Makes You Beautiful, Little Things, Through The Dark, Louisâ or Harryâs tattoos (and in the turn the songs they reference), Harryâs Falling, or just simply describe Harry:
And a full breakdown under the cut:
Of course I cannot emphasize enough that this is just an interpretation. Wouldnât we all like to know tf is going on in that manâs brain. Just simply trying to collect and show what we are seeing.
Also this other Perfect Now analysis raises a lot of important points. As they state âbecause of the Queen line, the song best fits someone with an effeminate or non-binary gay male identity.â, that is, the âyouâ in the song. I absolutely agree and believe this is indeed what this song is alluding to and I donât think the following breakdown invalidates that. Instead, it might just be that Through the Dark, released in 2013(!) already did the same.
Anyways onto the breakdown:
Perfect Now x Little Things
These songs both include parallels that are clear as day as well as the parallel that takes the most explaining:
You say to me your jeans donât fit -Perfect Now
quite unmistakably parallels
You still have to sqeeze into your jeans -Little Things
Then the second line
You donât feel pretty and itâs hard to miss -Perfect Now
âyou donât feel prettyâ matches what Little Things describes in general. In the picture I just color-matched the bit in the verse right before the jeans line.
The case of the misfits: Also, the first two verses in Perfect Now end with âfitâ and âmissâ which together create a misfit (a person who is different from other people and who does not seem to belong in a particular group or situation, thanks merriam-webster). This sure seems like a reach but darling just hold on because itâll come back later. Note that this again hints at the song not just being about someone who is insecure because of their body size or shape but that this person differs from others, from the standard.
Then obviously âyouâre perfect nowâ parallels the end of Harryâs verse: âBut youâre perfect to meâ
Now for the last bit, colored in blue/purple, Louisâ verse in Little Things paints a picture of the âyouâ being in bed and the Louis knowing their sleeping habits, mentioning conversations and secrets, but those conversations and secrets donât quite make sense to Louis. Perfect Now share these themes by stating, again the âyouâ and Louis are lyinâ together (implying in bed, although donât you just love the truth<>lying right next to eachother, chefs kiss), where the âyouâ doesnât ask Louis, but Louis would tell the truth if asked (or: heâs keeping the conversation and the secret, because heâs not asked to tell the truth)
Perfect Now x WMYB
I think with What Makes You Beautiful, the picture speaks for itself. Just a whole bunch of direct parallels, even both dropping the word âinsecureâ:
As for the âlike a neon sign, as bright as dayâ, we could drag in âyou light up my world like nobody elseâ, but among all displays of neon signs in music videos/social media or the countless mentions of a shining brightness of lights/the sun, or as a polar opposite of Through the Dark, the dark/light theme is so prevalent Iâm not sure I want to favor that parallel here.
Perfect Now x Falling
Falling captures a core feeling that can be applied to a lot of things, and I believe itâs meant in that way (I mean, like most music). Perfect Now in some regards could be seen as a response to that feeling, with some more direct lines such as
âwhat am I now?â well âyouâre perfect nowâ, âdonât ever changeâ
âweâve run out of things we can sayâ but âyouâre the only one when itâs said and doneâ
âwhat if Iâm someone you wonât talk about / donât want aroundâ well Iâm âsomeone staring back at youâ and although you get the feeling that Iâll never need you again, âyou make me feel like being someone good to you.âÂ
and you wouldnât need to wonder about all these things if you would just ask me to, but you never do, but just sayinâ then youâd know what you were to me, you know?
and although that all fits nicely, in the end, one song is about someone not feeling great and the other is reassuring someone that isnât feeling great so naturally thatâs gonna fit. On the surface theyâre both (I love them with all my heart but) quite generic. Whatâs however not generic is the following:
What if Iâm down? What if Iâm out?Â
-Falling
vs
On friday night when weâre all out, I turn to you and youâre looking down.
-Perfect Now
I mean come on, it doesnât even rhyme. So here Louis applies the same trick as Harry, with the same damn words: together the lines make down-and-out, which means a variety of things including a lacking of something needed or desirable, being reduced to poverty, weak, fragile, the opposite of strong. And this is also where the âmisfitâ reach stops being a reach since itâs the exact same trick, and in a pattern we trust. Can we kiss his brain? Please?
Perfect Now x Through the Dark
These again donât need much explaining, but I encourage you to revisit Through the Dark in the context of someone experiencing gender identity issues and hiding that part of them.
Perfect Now x Harry/Louis and their Tattoos
There are some lines in Perfect Now that I personally feel simply directly describe Harry:
I guess some queens donât need a crown
Even at your worst, you steal the scene and itâs unrehearsed
I mean. What is there to say here. Just. Yep.
Then for the chance/dance part, I realise itâs an easy thing to rhyme, so donât take me too seriously on this, and Iâm about to drag in a whole lotta links that are going overboard, but:
Harryâs tattoo reads Never gonna dance again, a line from George Michaelâs Careless Whisper:
And waste the chance that I'd been given So I'm never gonna dance again The way I danced with you
While Louisâ tattoo reads Given a chance, a line from Kings Of Leonâs Be Somebody:
Given a chance, I'm gonna be somebody If for one dance, I'm gonna be somebody
To grasp in thin air even more, Louisâ Far Away tattoo, the song from Nickelback, which I believe was their song at the time (thanks Chad Kroeger for spilling that one), includes the line
One last chance for one last dance
But then, in TPWK, weâre starting to dance again
Giving second chances I don't need all the answers Feeling good in my skin I just keep on dancin'
And ofcourse the (not) dancing in the Walls and TPWK music videos. They just really really fancy a chance to go ballroom dancing.
Soooo, thatâs that. Sorry for the brainpayne. And thanks again @sryluvidrcâ for spiraling with me.
For more like this: Love You Goodbye - a Sunflower vol 6 rabbit hole












