#black punks

love lost boys movie paul with all my heart but also. his musical self got a glow up gah damn

I’m a blogger, vlogger, and rapper of the digital hardcore / sugartrap diaspora. I also produce noise music n synesthescapes , and i curate and organize music shows in my hood #PUNQNOIRE ✨

I’m from New Haven, CT but I travel to Brooklyn and Atlanta often 🚙💨✨✈️ (book me in your city!)

A fun way of getting to know me is thru my music ~ go ahead and find my SoundCloud 🫠 go ham 🌈‼️💕

Instagram: @/indigaux.thefae or @/punqnoire

Twitter: @/riotqrrr

SoundCloud: @/indigaux

TikTok: @/indigaux

Anarchy and chaos

Bombs come

And shake the ground

Horror world collide

Might die

With the thunder sound

I'll break it down

With fire rounds

Rolling through to lay you down

Pound for pound

Get up in your ass

Slash

I'll fuck it in half

Reap what you sow

When the guns start blazing full time

Motherfucker maniac

Hell-raisin' givin' birth to my seeds

Meet the children of the corn

Act up

Wrong move

Caught slippin'

Now you're done

You pray to God

I pray for hell (pray for hell)

'Cause niggas like me go to hell (go to hell)

If I could rewind time

They'd probably lock me in the cage

For fuckin' white bitches out in Columbine

Since this nigga's off the leash (I'm off the leash)

It's dinner time

Homies on this side

That's homicide on any side

We livin' on the edge

Of your government

Supreme schemes

I'll beat and kill your bastard in wet dreams

This evil shit

World power

Rest In Peace

Fuck the pigs

Love your enemies

Eat the rich

'Til you make 'em bleed

Then you kill 'em all

Then repeat

War is hell

And the flame burns eternal

I say, war is hell

And the flame burns eternal

And the flame burns eternal

Do you believe in

Angels, demons, and gods?

For when you bleed the devil evens the odds

No matter where you go

You losing your mind

I catch you slippin' in your Jesus slippers

Welcome to the deathkult

Pledge allegiance to the triple nines

Cause blood will leave you naked

Stretch yo pussy, fuck yo judge up the ass

I'm cryin', beggin' for the pig in the back

I'm just a nigga with belligerent

I move the masses

Show you goth shit

With wolverine coffins

This evil shit

Suicidal thoughts

Killing without feelings bitch

Everybody preys

On the dead

'Cept the children

Million dead

Just wishin' that

They could resurrect

Hang 'em high from the ceiling

How it feel, broke your neck

Devil trade

World destruction

Creeping death

I be on the ominous

Survival of the fittest

Still above the rest

Guerilla warfare

Blazin' bodies, bullet, burning through the bridge

Bitches dying slow

Welcome to death row

War is hell

And the flame burns eternal

I say, war is hell

And the flame burns eternal

And the flame burns eternal

War Is Hell by Ho99o9

@kattywompuss

Riot Grrrl was an underground feminist movement that began in the early 90s. It was tied to the punk music scene, radical politics and DIY. It started originally with a Zine by Tobi Vai named Jigsaw in 1988 that expressed and spread radical politics and feminism. Vail later on decided to start a band by the name Bikini Kill. 

For most ‘Styles’, people don't even bother looking at the history of where it came from originally, so why is it important? 

While part of Alternative culture is Fashion and a way to express yourself that's against societal norms, there is alot of political significance that comes with it. When talking about it, Riot Grrrl tik tok creators, and other Alternative creators, say the political significance is based on what the subcultures are. Without that, you cannot be a part of the subculture. Obviously there are alot of conservatives in the scene (As you can see from the usage of lace code) Some complain and say that it's “gatekeeping”, but in my opinion, it's honestly… not. This isn’t the same as someone taking a popular music artist, then saying “You don't know this song? Ur fake lolz”.. This is separating mindsets that Alternative people strongly believe in and instead protecting a community that is supposed to be a safe place.

The Riot Grrrl movement provided a space where women in punk music tackled the conflict of inequality and sexism, and decided to fight it, united and organized.

Kathleen Hanna, Bikini Kills lead singer, ended up writing the “Riot Grrrl Manifesto” in 1991, which is a summary of what Riot Grrrl is and what it means to be a part of it. 

Summary: 

“ BECAUSE us girls crave records and books and fanzines that speak to US that WE feel included in and can understand in our own ways.

BECAUSE we wanna make it easier for girls to see/hear each other's work so that we can share strategies and criticize-applaud each other.

BECAUSE we must take over the means of production in order to create our own meanings.

BECAUSE viewing our work as being connected to our girlfriends-politics-real lives is essential if we are gonna figure out how we are doing impacts, reflects, perpetuates, or DISRUPTS the status quo.

BECAUSE we recognize fantasies of Instant Macho Gun Revolution as impractical lies meant to keep us simply dreaming instead of becoming our dreams AND THUS seek to create revolution in our own lives every single day by envisioning and creating alternatives to the bullshit christian capitalist way of doing things.

BECAUSE we are unwilling to let our real and valid anger be diffused and/or turned against us via the internalization of sexism as witnessed in girl/girl jealousy and self defeating girltype behaviors.

BECAUSE I believe with my wholeheartmindbody that girls constitute a revolutionary soul force that can, and will change the world for real.”

I’m not personally too much of a fan of how Kathleen Hannah ended up seeming like the regular ol’ white feminist that basically put WOC in the shadows within this whole movement. While this piece is about educating about the power that the Riot Grrrl scene had within punk culture, it has many many faults. The diversity within the scene isn’t there. It seemed to be a feminst movement, but only showcased one type of girl. White girls. 

Multiple black punks from that era came out and said that they felt that the riot grrrl scene wasn't for them. Honestly? I don’t blame them. You look up Riot Grrrl on pinterest or on tumblr, you can probably count on your one hand how many POC women are showcased.. This moment for women of color is probably the epitome of White feminism in some cases. Author, Gabby Bess, adds that “The history of Riot Grrrl is inevitably written as "predominately white," glossing over the contributions of black women and other women of color”.

Just like the article from VICE states, 

“In contrast to this ironclad narrative of the white Riot Grrrl, black women did participate in the movement. Few and far between, maybe, but they participated nonetheless, and they deserve more than to be swept under a rug of whiteness--These women carved their own feminist pathways into the hardcore scene, precisely because they were rendered invisible by the Riot Grrrl movement.”

One very powerful punk from that time, Ramdasha Bikceem, made up a whole Zine when they  were 15, that illustrates the conversation of race and gender in Riot Grrrl so perfectly 

This would all result in another black punk from that time, Tamar-Kali Brown, to make her own movement called “Sista Grrrl riot”. Out of all of the information that is circulated about the Riot Grrrl scene, Sista Grrrl Riot was probably one of its least talked about movements. Tamir-Kali Brown and her bandmates brought together a community and showed people a version of themselves on a stage where they weren’t represented.

> Kinderwhore 

Kinderwhore is a very popular style within the RiotGrrrl community. A lot of people Champion Hole lead singer, Courtney Love, for this style's popularity, but actually her bandmate Kat Bjelland introduced the style first. Though, with that being said, Courtney Love definitely made Kinderwhore one of many staple styles for the Riot Grrrl Subculture. 

What is Kinderwhore exactly? One thing about styles like this one is, there isn’t a specific definition to what it is. It was a bold, punk and sophisticated subversion of the classic "girl" stereotype, with a mini-feminine dress and bold makeup. The great part of the Kinderwhore Style is that it was about power. The power of femininity. It was so much more than just a style that included small dresses and mary janes. It was taking the most “fragile” feminine image and making it into something that is punk, and that takes all of the power back. 

Another part of Riot Grrrl fashion is just a subversion of regular punk fashion. DIY, big boots, Plaid, Skirts, Spikes. 

The idea of taking every inch of femininity that men manipulate and instead using it to make them realize that they can't handle what we are, is such a powerful thing to me as a fashion lover, but also as an aspiring social activist. As the rise of social media attention of Alternative Subcultures continues, I believe the next generation of Riot Grrls are going to kick butt and be more inclusive than the 90s scene was.

ani ok.