#bitchybisexual

It’s funny that you mention that because I am and...

 This Sanemi dude can catch these mf-ing hands any day of the week? Cuz apparently he’s all about that life? Like, if he is really feeling froggy let him jump into my fist.

My Tumblr Crushes:

cryptidliam

sleepy-skittles

pinkmistletoe

tofixtheshadows

lozenger8

bitchybisexual

cryptidharry

offateandfortune

oh i love the cut of the neckline and sleeves!

Thank you! The sleeves still need buttons over year later, but it will happen, someday.

bitchybisexual replied to your photoset “The transformation into an adult you should totally give her drugs...”

YOU LOOK RADIANT CONGRATS ON YOUR EXISTENCE

ive stopped shaving my legs for a long time now but only recently did i stop covering my legs with long dresses or skirts or pants and i gotta say it feels great to walk out the house and not care if anyone can see my leg hair. like its not making me look any less cute in this dress or this skirt and it just feels really good to not worry about it

I’ve only been getting mostly football fish weirdly enough...that or c- bass 

It was really sunny today on my island. 

get some sleep girlie

GORGEOUS

Both sound awesome, but what’s especially notable is that both book deals were reported as major deals, which in publishing industry lingo means that each three-book deal was for at least $500,000 minimum. Major deals are very rare, and mean that the publisher is committing to big marketing pushes and publicity, because if they spent that much money just to buy the book they want to be damn sure they recoup that money in actual sales of the book.

YA and MG in the past have generally had more major deals for debut authors than most other categories of fiction, comparatively speaking, but in the past five years or so the number of major deals has gradually tapered down as lot of publishers who spent a lot on books they thought were going to be the next big thing ended up disappointed by sales. 

I’d say on average there’s only half as many major deals for YA debuts these days as there were five years ago. Additionally, with racism being a big issue in the publishing industry as well, most major deals in the past have tended to be for white authors.

But like....I can’t think of EVER hearing of a debut author getting two major deals in the span of two months for two completely unrelated series. As far as I can think....its completely unprecedented. Period. That kind of thing has only happened before with YA authors who have two different new projects coming out but an established track record of massive sales and huge fanbases already behind them. For any debut author in this day and age to have two completely different publishers make major offers based just off the first book in each series, with no previous sales history is like...history making.

(Also, MAYA AND THE RISING DARK sold first, in a preempt, which means that Barron’s agent sent the book to one initial editor for a first look first. Giving them a chance to make an offer on that they think is good enough the agent and author won’t even want to look elsewhere, and thus ensure the editor doesn’t lose the book to a competing publisher. This is something that agents do when they’re fairly certain the book is something that editor would be interested enough in that they’d be willing to make a higher offer than they might have to in order to win the book in a bidding war....rather than risk losing the book to a higher bid than they can match. The author has the opportunity to turn down the preempt and then send the book out wide and take it to auction with multiple publishing houses, if they think they can do better than the preempt offer. So preempts are often in the low six figure range, which is of course still a very good offer and still way more than most debut authors or even long established authors will ever make on a book deal.....but in this case, the publisher jumped straight to offering upper six figures rather than risk losing the book to someone else.

And then THE LAST WITCHDOCTOR sold at auction, again in a major bid, which means multiple publishing houses were going back and forth with higher bids until the author picked the one she felt best about....and keep in mind, offers aren’t just about the dollar amount of the advance, but they also include other factors. Like what rights they’re asking to be included in the deal vs what stays with the author, they might include specific marketing proposals like where they present the author with a guaranteed marketing campaign they’re pledging to adhere to, stuff like that. So the offer an author ends up taking at auction might not even necessarily have been the highest offer monetarily, its the one that author and agent felt would be most beneficial to the author and her career in the long run and presented the most appealing terms across the board.) 

Anyway, I think the books themselves sound right up both your alleys (Adam, I found an interview where Barron talks about growing up in Alabama and being interested in Vodun since she was a child, which is what inspired THE LAST WITCHDOCTOR), and just rambled on about the other industry shit because I’m a huge nerd and thought you might find it interesting as well, because its like.....I’m still just like....damn. Apparently Barron signed with her agent in December, and had 43 lit agents interested in THE LAST WITCHDOCTOR.

For comparison, an author whose debut YA sold in a three book major deal six years ago and was one of the big headlines of the time due to how much interest she had in her book....had offers from 7 lit agents.

Like....damn. I’m just....I want to read these books noooooooooooow. LOL. 

Stephanie Stein at HarperTeen has acquired, at auction, Rena Barron's debut, The Last Witchdoctor. Set in a West African-inspired fantasy kingdom, the novel follows a girl who is descended from a long line of powerful witchdoctors, yet fails at magic, fails to call upon the ancestors, and can't cast the simplest curse. When her mother performs a ritual to conjure a better daughter, one who can wake a great and terrible Demon King, she must find a way to stop them from destroying the world. Voyager will publish in the U.K. with Vicky Leech editing. Publication is set for fall 2019; Suzie Townsend negotiated the three-book deal for world English rights.  

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