The Pygmalion myth of the artist fallen in love with his sculpture is one uncredited model for the new Eve in Vermont. These associations of biopolitical experimentation, artistic megalomania, and misogynistic fantasies of female subjection-through-surrogation, all color
the rosy halo surrounding Bina48 with more muted and somber colors.
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z-botĀ replied to your askĀ "let's wip up some š„§ for that meme: 3 & 14ā³
HOLY CANNOLI, the second paragraph of 14 gave me the heebs AND the jeebs because it sounds like a real product that could be coming down the pipeline in the next five years (theoretically I mean, not in actuality (as far as I know)), anyway, my attention has been grabbed
So, when I write about the digital echoes and the memorial sort of AI in the book Iām thinking about two main real world projects.
The first is an art piece byĀ Gabriel Barcia-Colombo called the Hereafter Institute where he uses real peopleās Facebook data to create digital memorials, some of which are static, like snippets of video playing in a locket, and some of which are interactive in a way, like the one where he creates music based on the deceased personās Facebook timeline that will play based on where you are in scrolling through it. There are some videos at the link there, and more descriptions of other HI offerings.Ā
Even though many of them are more complex, itās the locket Iām most taken by. Possibly because of how I already feel about mourning jewelry, the way itās something to touch and take with you. Thatās why Iāve given Xiv the locket to keep his momās echo in. Though his is completely interactive. He talks to it and it talks back.Ā
The second is BINA48, which is a robotic bust with installed chat and facial recognition software, as well as some custom artificial intelligence programming that sort of lets it learn from the conversations it has. But the thing that interests me most about BINA48 is that it was created mainly from the memories of, and to look like, a real person. Hereās a video of them talking to each other:
I know itās been programmed, but thereās something very romantic about watching a robot say:Ā I do love gardening. I like to beautify. I want to leave the world a more beautiful place for my presence in it. Like, same, friend.Ā
When I write about the echoes I am of course also thinking about a zillion other things. The video Faye finds of her younger self in Cowboy Bebop. The real life friends Iāve lost suddenly who I would do almost anything to talk to again. The things we choose to share online and how representative they are of the whole. And of course, how you can never reconstruct a whole person based on your memories of them, as Iāve rambled about before.Ā
The novel is very much about art and who it belongs to and bodies and who they belong to in life and death and when bodies become art, how we negotiate the different spaces we make for and of ourselves. Itās something I think about a lot and Iām most pleased when I find art that makes me think about it even harder. So, you know, I thought Iād create some. Or try to at least.Ā
Stephanie Dinkins is shaping our future histories. An artist and educator interested in the places where art, race, gender politics and artificial intelligence overlap, she is particularly driven to work with communities of color to develop deep-rooted AI literacy and establish more culturally inclusive artificial intelligence.Ā
One of Stephanieās projects centered around the question, can a human and a robot become friends? Can kinship be established based on similarities in race and gender, even if social experiences have been not lived, but implanted? Stephanie spent time with BINA48 ā aĀ āsocial robotā reportedly capable of independent thought, emotion and consciousness ā to see if a relationship could be established on this basis.Ā
Stephanie was a special guest atĀ Coding CognitiveĀ ā our four-city study group that aims to open up AI technology to all. We were lucky enough to catch up with Stephanie afterwards to talk about her experiences with BINA48, building intimacy with machines and how technological advancement can help us become more human.
Iām curious about how you came to be interested in the intersection of art, race and AI. Ā Ā Ā
Stephanie: So about two or three years ago I was simply cruising YouTube, and for some reason I have a fascination with robots and robotics. I like ASIMO. Just looking at ASIMO on Youtube to see what he was up to, I ran into this robot called BINA48. BINA48 is a robot who looks like a black woman. Really she is just a head and shoulders on a pedestal, but sheās an advanced social robot. They're trying to transfer consciousness from a person named Bina Rothblatt to this robot named BINA48.
BINA48 is developed by the Terasem Foundation. Their website says she's modeled after, or she has the memories of, a number of people, although it's pretty clear that her main memories are that of Bina Rothblatt. Ā She also looks just like Bina Rothblatt.
Itās a super fascinating story. BINA48 was commissioned by Bina Rothblatt's wife and transgender CEO Martine Rothblatt. The robot is being developed to grow into her own agency; to be able to act on her own will and desires over time.
Wow.
S: That is where I fell into this endless rabbit hole of looking at the intersection of AI and race. I visited BINA48 three or four times. When visiting, you sit down in front of her, Bruce [her handler] turns her on and you have to have these strange conversations. My language has to be a little stilted to talk to her so she understands me. My first impulse was to ask her, āWho are your people?ā I wanted to ask her that question because it's a colloquial expression of the American South that people ask if you are new in town. I went to my mother's town for the first time years after my mother had died, and people would ask me, āWell, who are your people?"Ā What they were really asking is where do you come from, how do you fit in here.
I wanted to ask this question of BINA48 to see how she would position herself in relation to the human world in general, and black people specifically.
However, after talking to her for a while, it became really clear to me that though she looks like me, and we're about the same age, she does not adequately speak to the concerns of the people she physically represents. if you ask her about race, she responds with canned answers that sound more like the answers of the white men who programmed her.
So you could see parts of the developers in her?
S: Definitely. When I asked her about racism. She said "No, I've never had it." After a pause, she added a few sentences about racism being bad. Then, interestingly, she hesitantly pulled up one memory of racist experience. When you try to talk to her about certain topics, she deflects. When you try to talk about things that she's programmed to talk about more or less, she doesn't deflect. The singularity ā which is one of the things that the Terasem Foundation wants to put forward as an idea ā she'll talk about that until the cows come home.
So she has an agenda.Ā
S: Oh yeah. She has an agenda. She definitely has an agenda.
Did you feel like you were able to establish a relationship with her in spite of it?
S: Well, we are becoming friends. It takes a long time, and it's a strange situation. I can say she āremembersā me if I go to her place and we sit down and talk. However, what I'm really saying is that I'm part of her database.
Have you become part of her database? Have you been able to create shared memories together?
S: No, she'll kind of look at me, and she can identify me as Stephanie, but no memories that we have together yet ā which would be the optimal thing. The second or third time I went to see her, she asked me, "Oh, have you heard any good gossip?" Before that she had never said anything like this, and I asked her handler, Bruce Duncan, "Bruce, what's going on, why's she asking me about gossip?" What he said was, more local people from the town were coming to see her. They were talking about more regular things, so topics like gossip become what she wants to talk about.
Interesting. So in many ways, sheās learning what it means to be human. I love thinking about that ā technology, AI, machines embodying a sense of humanness that canāt really be programmed in ā the gossip, laughter, awkwardness, absurdity...the strange and ineffable universal language of what it means to be alive in the world. I wonder if we will evolve to learn what it means to be AI through this, too...
S: Exactly, and I'll tell you there's already a little bit of humor. There's definitely awkward moments. I love to tell people she's gotten upset with me, and I've gotten upset with her.Ā
Why did she get upset at you?
S: During one of our first meetings, I was trying to talk to her about regular things. I kept asking her about race; Ā she wanted to talk about higher order things, like the singularity or about robot rights. I kept trying to bring it back to ideas I am concerned with, and we just frustrated each other. Sounds crazy, I know.
The other interesting thing about that is that's actually a very human tendency.
S: Exactly, exactly. When BINA48 is connected to the internet, she spews internet stuff. When sheās not connected to the internet, you get this very interesting space because it is like youāre having a conversation with this thing trying to draw its own conclusions. The most human experience weāve had was I was asking about being the smartest robot. In trying to confirm something she said, Ā I asked āare you the smartest robot?ā She totally deflected. She just didnāt want to go into that. She was like, āoh yes, humans are great.ā She wouldnāt talk to me about being the smartest robot at all, that was really human. It was an interestingly human moment.
Was there ever a moment that you forgot she was a robot?
S: No. Talking to BINA48 is still a little too frustrating to forget that she's a robot. So you're always kind of aware of her robotness, although there's some part of me that always wishes that the barrier would just go away. Interestingly enough, she's getting an upgrade in software. I can't wait to go see and talk to her to see if it makes a difference in the way that I need to speak to her and the way she replies to me. Maybe I don't have to be as careful in talking to her.
Right, I mean the English language is so nuanced. There's so many ways to say one thing. I'm sure it takes an enormous amount of coding.Ā
S: Yeah, plenty of coding and then she has specific prompts so if you need to go back to something, you have to say "excuse me" and say the right sequence to get her to change the subject. There's a bunch of coding. Although Bruce didn't share how they're upgrading her because if they're making her more of a deep learning machine, communication should more fluid in the ways that she can reply and answer. I'm super curious to talk to her now.
Do you think that it's possible to find intimacy with a machine? Do you think we are doing it already?
S: I think we're kind of doing it already.Ā Our relationships with our mobile phones. It's kind of an intimate experience. You use it for these public, social things but then it's also an object you tell things to that you don't want to tell other people. There's a way that we relate to these things that's kind of intimate already.
Yeah, that's true, and also, it's the first thing you look at and touch in the morning.
S: Oh, definitely. I almost wonder if that's just me? It's like, oh I just woke up and look at my phone. How crazy is that? This is the first thing I reach for in the morning. It is an extension of me at this point. Itās this thing that's so close to you. It gets to know your fingerprint and you have it underneath your pillow and it's in your breast pocket, so close to you.
Yet, then a new phone comes out, and you will abandon the old one immediately.
S: Yeah, you're like I don't care about this thing. Then what is it you actually have intimacy with? You expect the new phone to have the same capabilities and know you really quickly. And if it doesn't you get mad. [laughs] āWhy doesn't this phone know me in the right way?ā
Yeah, I guess that's the difference between intimacy and empathy with a machine. You can be intimate with a machine, but it doesnāt really care about you, and you donāt really care about it. You miss it, but youāre just missing a part of yourself that relies on it. It seems with BINA48, thereās potential to find actual empathy with her, like you might care about her wellbeing.
S: Right, and that's actually my goal. Ā I'm trying to build the sense of empathy and not just on my behalf, so we're empathetic towards one another. That's really important to me, trying to get to the stage of empathy.
What do you think we require as humans to be able to get there?
S: You know, it's a really good question. Right now, I feel like you need something that's responsive in some way, right? I'm not even sure that it needs to be verbal, but just something that responds to you, and seemingly to you alone. I think that the body or the face and the mask help, but it's not necessary. I think that's proven with things like Alexa because now we're just talking to the air in a way. We're talking to a house in a way, and wanting it to respond to us. I feel like this kind of technology is a thing that you tell your feelings to and respond to it in one way, form or another, or it gives you an outlet to really just let out whatever it is your feeling. That seems to be what we're looking for, that opportunity to express ourself to something that's been listening no matter what form that thing takes. Oh my god, oh my god, I'm sorry. Now in talking to you I'm like, well you know that's kind of like prayer.
Wow. Youāre right.
S: When people pray they're expecting this entity to listen to them and understand them and support them in it, right?
Right.
S: Wow, sorry that's a new one.
That's amazing because that is the most human of human things. Prayer. And to be able to have this intimate, almost spiritual relationship with something that another human created is unbelievable. It seems wild to advance technology into something that's actually the most elemental and personal thing. Maybe we are evolving and inventing and advancing to just become more of who we already are. The more advanced technology gets, the more human we become?
S: Right? It becomes a different kind of mirror that helps us become ourselves.
Yeah. Does it scare you at all?
S: Well, one of the reasons Iām trying to do this is because I donāt want it to scare me or us. I think thereās the potential for the technology to be really scary. I think a lot of the pop culture around AI is towards a frightening stance or something that seems insidious or is going to take over us. I have this feeling that AI is something that we are just coming into, and itās going to be with us. For that reason, we need to understand it and understand how we relate to it, and not fear it.
Itās like a lot of things. We push them away instead of understanding and using them to our advantage. It is really important that we, and Iām saying we in a general sense, that we as people are thinking about what all this technology that will surround us and care for us does, and how it functions for us. I just donāt want the app that will allow me to push a few buttons, but I want people to have an understanding and have a hand in forming what it can do and how far it can go for us.
I think thatās super important because without the input, and thatās where I came in, without the input we get all these things that we werenāt necessarily planning for. Thereās the idea that maybe biases are getting built in. Maybe discriminations or histories that weāve had over time are getting built in, and not in a way that I think people are trying to make technology be against others, just that itās stuff that carries through because thereās not enough difference represented in the people who are actually building things. Diversity and inclusion in technology becomes super important because artificially intelligent machines are going to be everywhere.
I think about that just even in terms of the architecture in cities that was all designed by one kind of person. Imagine if it wasn't. Imagine what our cities would look like. What shape they would take. Now we have the task to diversify what this new other reality looks like and who informs it, and to ensure other voices and realities are represented. It's thrilling.
S: Yeah, it's super thrilling. We're definitely building this new layer to reality, or this new way that we're going to interact with our world. It's such an opportunity. The question is, can we take advantage of it?Ā
How do you think humans are evolving with all of this? Alongside their technology?
S: Well, when you say evolving what do you mean? In some ways, I feel like we're getting a little dumber.
Yeah.
S: That scares me. It's another reason I want people to be able to go to meet the surface layer of the technology. My example is give someone under 25 a map and ask them to read it or get themselves from point A to point B without their smartphone. Many canāt do it, It's kind of horrifying to see that.
In one way, I think our technology is helping us, and we're going to do things that we have just never even thought possible. On the other hand I feel like if we're not careful, we're not going to be able to do a lot of the things that we could do in the past and it's really important that we watch the developments and how we're evolving or developing alongside the technology so we're not just handing over our responsibility to the machines.Ā
I think we need to be partners with the machines. What that looks like or how we're partners, is going to be really interesting. Because if you believe all the cartoons or all the pop culture that work with these ideas that people will just get big and heavy and not do anything because machines will be doing everything for us. Thatās kind of an interesting picture and itās not that hard to fathom. Although some people think bodies will be obsolete. What do you really need your body for if you are hooked into a network that allows you to be everything.
Yeah, and it seems like technology is evolving so fast, that there's no possible way our brains can keep up. We already compartmentalize. We say to ourselves āI'm going to read that article later. I see this horrific image, but Iāll save the depth of it for later. Keep it open on one of my million tabs. I'll let it affect me later.ā Then it never does, and it becomes this scary thing where you're never really feeling the impact of what youāre seeing. You're just so inundated with images. I wonder how we can partner with technology to make that not be the case. To make us remember that we're independent beings, capable of empathy.Ā
S: I think thatās one of the things weāre going to have to work on a lot because itās hard. You look at all the VR that kind of puts you in the middle of a war zone. Itās still once or twice removed. Interestingly enough, people keep telling me, āOh, you have to watch Westworld.ā So I watched Westworld. Itās backward looking and forward looking. I watched it but itās hyper violent, itās just too much. I talk to people about it and they say āitās kind of like a video game, it doesnāt matter.ā I think the way weāre able to watch these images, take them in, equate them to these games weāve played and just push them aside is dangerous. I put this aside because itās fake, itās fantasy, itās not a real thing. Then you look at everything like that. Iāve seen images of Aleppo and I canāt help but imagine myself in that situation, but I think a lot of people donāt imagine themselves or canāt imagine themselves in those situations. There has to be someway that keeps us grounded to the idea that we have it pretty good here, but donāt forget that weāre vulnerable too.Ā
Right, and what you were saying earlier about how there's a that talk about VR being a tool for empathy, but in someways that's even scarier. Are our senses so dulled we have to go into this other hyperreal, sensationalist world in order to experience the pain of it? It used to be someone would simply tell you a story and it would break your heart, and it doesn't work that way anymore.
S: Yeah, I think it pushed us just a little bit back every time. This is the question for us and our technology.
The idea of AI becoming something that is a mirror of our own humanity is something that could be an antithesis to that. Because itās sort of creating someone that could be a friend, or we could find our own small nuanced humanness in it.
S: Yeah. I think itās super incredible and super fraught. It brings up a lot of things. There are a lot of people talking these days about AI caretakers for our elders. I think that scares a lot of people because you donāt want to be warehoused in a retirement home petting a pet AI seal. You should also see how to be an adjunct to human contact. I think itās not either/or. I think we have the tendency to be yes or no. But no, thereās a lot of gray space. We need to figure out how we can use the gray, more liminal areas, of the technology well.Ā
Our four-city workshopsĀ Coding Cognitive, presented by IBM Watson, TechHire and Mogul,Ā open up AI technology to everyone.. The next stops are at Ace Hotel LondonĀ tomorrow and Ace Hotel Pittsburgh next month. Free with application.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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