Lioness 3.02 No Sorrow Like The Survivor ↳ 3,392 1080p logofree screencaps Zips

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Lioness 3.02 No Sorrow Like The Survivor ↳ 3,392 1080p logofree screencaps Zips

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Johnny Handsome (4K Review) — Seriously Underrated Crime Drama
As a filmmaker, Walter Hill is more synonymous than most with unfairly underrated genre films released throughout the 1980s, and his 1989 crime drama/thriller Johnny Handsome may just be the most underrated of them all. Yes, even more so than the great Streets of Fire, Southern Comfort and Red Heat, all of which deserve more acclaim than they regularly receive. (more…)
Las mejores películas de Morgan Freeman que nunca pasan de moda
Morgan Freeman es un maestro del cine, y su talento nunca pasa de moda. Desde thrillers hasta dramas, sus actuaciones siempre dejan huella. Si buscas una buena razón para ver o revisar sus películas, aquí va nuestra selección de las mejores. ¡No te las pierdas! 🎬 #CineGenial #MorganFreeman #Peliculas #Films #Cine #Drama #Recomendaciones #Streaming
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Glory
1
movie ask game
ask a number and recommend movies based on the following questions
a film in the IMDB Top 250
I do love the number 1 in the IMDB top 250. (Was tempted to go with Into the SpiderVerse which is also a perfect film but I'm going with the most classic of classic films). I have watched "The Shawshank Redemption" at least 5-8 times. And I read the novella many a time. Different Seasons is a really good book (I love the Breathing Method). There is something so pure and clean and clearsighted even though the movie is about some really dark stuff. "Hope is a good thing, maybe the best of things. And no good thing ever dies."
And this piece by John Scalzi is wonderful.
It’s strange, and possibly borderline offensive, to suggest that an at-the-time two-time Academy Award nominee and Golden Globe-winning acto
"It’s strange, and possibly borderline offensive, to suggest that an at-the-time two-time Academy Award nominee and Golden Globe-winning actor had not arrived before appearing in The Shawshank Redemption. But guess what, this is precisely what I am going to do, right now. The Shawshank Redemption did a number of things: Gave Stephen King arguably his best movie adaptation. Moved Frank Darabont from a middlin’ genre screenwriter to the Hollywood A-list. Grabbed seven Oscar nominations, including Best Picture. Became the top-rated movie of all time on IMDb. This movie did all of these things. But what it truly did, was give the world its current understanding of the phenomenon that is Morgan Freeman. Freeman came into The Shawshank Redemption appreciated, admired, awarded and accomplished. He came out of Shawshank an icon.
It’s the narration, of course. The scaffolding of the entire movie, which Freeman offers in his rich, unhurried voice, offering context and commentary low and slow. Freeman isn’t just saying the words, he’s braising them, making them tender and toothsome but with just enough wry bite to keep the audience coming back.
The words Freeman is saying come from Stephen King’s novella, filtered through Darabont’s screenplay. But make no mistake. The moment he starts speaking, they are his. It’s not an exaggeration to say that more than anything else, it’s Morgan Freeman, and his voice, that have made this movie the classic it is today. Take it away, it’s just another prison drama.

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Clint Eastwood’s UNFORGIVEN had its premiere in Los Angeles on August 3, 1992. The film won four Academy Awards: Best Picture, Best Director for Eastwood, Best Supporting Actor for Hackman, and Best Film Editing for Joel Cox.
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