Hey, in your reblog about wearing socks to bed, you said something about "cold enough for a doona, cold enough for socks." What's a doona?
oh lmao. It’s the Aussie word for aduvet - the quilt thing you put a cover onto.

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Hey, in your reblog about wearing socks to bed, you said something about "cold enough for a doona, cold enough for socks." What's a doona?
oh lmao. It’s the Aussie word for aduvet - the quilt thing you put a cover onto.

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Why are you like this? :P
Science doesn’t know
What's your favorite spice for food? :P
YOU AREN’T FUNNY FLAREON
What's better, Firebird Suite or Nutcracker Suite? Why?
Firebird because I’m a slut for Stravinsky and I almost cry everytime I hear it
Meme thing! Talk about something you're really proud of :)
My fwends are da best n I’m so proud they chill with me.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Are you Shakira-esque in that your hips don't lie?
Naw my hips are awful I’ll be out on a date and they’ll be like “we’re rich” or “we aren’t a disappointment” and then I gotta explain my hips are dirty fucking liars
Is it possible to explain a character's choices because of a ~tragic past~, but not excuse them?
Sort of.
The thing is, ultimately, each individual reacts differently to different circumstances. But at the end of the day, it’s still up to each individual person to make responsible choices concerning themselves and the people around them.
A person who was abused for poor grades and praised for good grades may develop a major perfectionist streak, but they may also develop a “fuck school” mentality and decide to pursue whatever they want. Both are reasonable reactions to their background, despite how different they are, and this is why you need to be careful about explanations in which someone’s past “caused” their behavior in the present.
Moving on to another example. A person who has been hurt repeatedly - psychologically, physically abused, what have you - in the past may close themselves off to keep from being hurt again.
However, if they choose to lash out and attack people to keep them from getting close enough to hurt them... well, that’s not really a wholly rational response, and it kind of makes them a jerkass. And no amount of explaining away by the author re: tragic past is going to make me forgive them being a jerkass. The caveat to that being if they realize they’re just perpetuating the abuse they went through and make the decision to change that about themselves.
In this latter example, the person’s past isn’t precisely *causing* the jerkass behavior, but it does play a role. And it can help the audience understand it. But personal choices on the part of the character do play a part in the way they act, as well.
I’m not saying you shouldn’t make your characters do jerkass things. I’m saying give your characters the agency to do jerkass things, and to let the audience hate them a little bit for it, rather than act as if a “Tragic Past” is some magical thing that strips a person of all their agency.
Hey there :) I have an adult female character that I have been working on for years. She has a stutter that was never properly treated with speech therapy, and she hasn't yet worked up the courage to go to a speech therapist as an adult. The thing I've been battling over lately is how exactly I should write her stutter. I don't want to mess up the reader's flow while reading, but I also don't want to mention this important character trait and then never bring it out. Any advice?
First and foremost, do some research into stuttering so you know where the main "problem areas" in terms of speech are.
When it comes to actually writing it, you have a couple of different routes to go. For actually showing her stutter in dialogue, the standard is something like - "W-w-we went to the b-beach yesterday."
The thing about that is you don't want to overdo it, or it will make it really difficult for the reader to digest. (Example: "We d-d-d-d-did-d-didn't...") Going this overboard may also lead into caricature territory, so keep that in mind as well. The reader will fill in the blanks regarding how bad the stutter actually is, especially if you tell them through the narrative.
The other thing I want to point out is that if she's having an especially challenging time speaking, you may just want to express that through narration rather than dialogue.
"I s-s-s..." She tried to spit out the word, but her tongue kept tripping on the first syllable. Adam winced. "I s-started Friday," she finally managed.