Donnie swallowed. âWhere are you?â Mikey was already shaking his head, albeit a lot slower than earlier. âI donât know.â He rested his hands in his lap and Donnie finally placed the expression on his face. âI donât know,â he repeated helplessly. Lost. His little brother was lost.
me? starting a multichap rottmnt fic? itâs more likely than you think. and the first 2 chapters are already up!Â
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An Archive of Our Own, a project of the Organization for Transformative Works
Fandom:Â Stranger Things
Relationships:Â Robin Buckley/Nancy Wheeler, Robin Buckley & Steve Harrington
Rating:Â Teen
Word Count:Â 5,148
Summary:Â Nancyâs got her boxed up against the counter in Steveâs kitchen, the pizza that Robin had been shoving into her mouth now sitting smooshed against Robinâs back. Itâll probably stain, but Robin canât think about that right now or there will be too many thoughts and sheâll explode. Her head will literally pop off. Boom. Bang. Gone. Dead not from the Mindflayer or Vecna but from girl-too-pretty disease. Or curse. This feels distinctly more like a curse. Girl-too-pretty curse. God, sheâs a mess.
Or, the inherent homoeroticism of traumatized girl best friends.
Summary:Â The Hangman is hitting a solid seventy miles per hour in a forty zone, but Riz hasnât taken driverâs ed yet and the highway is straight for a while and thereâs no one else around because itâs raining so, for a second, it feels like there are no laws, no rules, no expectations, and they could keep riding towards the horizon forever and never find the place where the sun meets the trees.
Fabian picks Riz up from the train station, and things speed up from there.
An Archive of Our Own, a project of the Organization for Transformative Works
Fandom:Â Dimension 20
Relationships:Â Margaret Encino/Lucienne Rex (implied/referenced)
Rating:Â Teen
Word Count:Â 1,526
Summary:Â Margaret had worried when she first left planetside semi-permanently that space would feel like this. Cold, distant, freezer burnt fingers and thousands of twinkling stars youâll never know. Margaret has started to realize that itâs the exact opposite of that, actually. Planets and those on them are the cold ones, and nothing, nothing, is warmer than the love sheâs seen between the spacers onboard the Red Hot.
But still, Margaret is not a part of it.
Margaret, the cold, and finding warmth amongst stars.
Summary:Â So, heâs drunk and heâs maudlin because he gets either maudlin or absolutely unhinged when he drinks and one means heâs thinking about Riz and the other means heâs with Riz, and right now he has no clue where Riz is so heâs stuck in the sad, swaying contemplations that dance in time with the music and the lights and squeeze his heart tighter than the vice of people around him.
At a house party their senior year of high school, Fabian drinks, climbs onto rooftops, and touches the sky.
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A/N: wrote this really fast for @kindlespark because she was so nice about my calmethar fic and *sobs* i hope you like it!!
Caramelindaâs lips are dark and wine stained, her mouth tasting of fizzing cola and chocolate. Amanda thinks she could get drunk on this, on the soft feeling of golden hair in her hand and breath ghosting out across her cheek. On the way the queen smiles against her skin.
âMy Queen,â Amanda says, voice low and rumbling, catching in the very bottom of her chest as Caramelinda turns those warm eyes on her.
âDarling.â
Amanda burns.
-
The sky is blue and glassy as the bulb buzzes above. Amandaâs hand wraps around the hilt of her sword, squeezing the leather out of habit, slotting her fingers against the worn grip.
âWeâre having trouble to the north,â her knight, a Sir Dots of House Dippin, says, neither of them looking at each other, instead facing the sky above.
âThe Sundae Sorceress?â
âMaybe. All we know for sure is trouble.â
Amanda cuts Sir Dots a look, and finds xem already smirking at her. âInformative.â
âAmetharâs always had the best spies,â xe says and looks back out at the horizon.
âYou just mean Lord Cruller.â
Dots snorts, âSpeaking ill of our marquis?â
âOh, never.â
They laugh together, for a moment, in the bulbâs light. It pales in comparison to the memory of Caramelindaâs soft, perfect hands, dancing above hers against cream sheets.
âWeâre a long way from home,â Dots says.
âYes, we are.â
The bulbs blazes on.
-
The milk silk ribbons tangle in her hands, too slippery for Amanda to thread through the dressâs loops. âJust give me a moment, I almost have it.â
Laughter, the kind Amanda only ever hears when theyâre alone, bubbles up from in front of her, dripping and smooth like sweet sugar sizzling on a stovetop. âItâs alright, Amanda, I can do it myself.â
Amanda huffs. âTheyâre behind you, mâlady. How could you ever hope to even find them?â
âWell, usually I donât take them out all the way,â Caramelinda says, smile clear in her voice.
Amanda blushes, tries once again to thread the ribbon through its loop, and gives up. One of her hands finds the curve of the queenâs waist, the other going to brush her hair from her neck, which she presses a kiss to, right atop a freckle.
âAmanda,â Caramelinda murmurs, a soft exhale.
âMmh,â Amanda hums into her skin, combing a hand through her hair.
âI need to go to court, my love.â
âCourt can wait.â Amanda mouths at her neck, tightens the grip on her waist.
âAmanda.â
âMmh.â
âAre you doing this so you donât have to fix my dress?â
Amanda smiles and pushes her hands into said dress, pulling it from Caramelindaâs shoulders. âOnly a little.â
Caramelinda laughs as Amanda pushes her down onto the bed.
-
âSir Maillard.â
âMy King.â
Amethar smiles from beneath his crown, and claps Amanda on the shoulder. A part of Amanda threatens to do something rash, like break his hand.
âHowâre you doing?â
Amanda nods, perfunctorily. âWell.â
âNot one for conversation. Thatâs fine, thatâs fine,â Ametharâs smiling dumbly. Amanda wants to ask him if he understands what Caramelinda gives up for this kingdom every day while he sits with that crown on his head.
âWhat do you want? My King,â she tacks on at the end.
âJust wanted to, eh, congratulate you for your win, out on the Sucrosi Road.â
Amanda attempts at a smile, it probably looks more like a grimace. âThank you.â
Amethar takes a step closer to her, still grinning, âJet would love you. Sheâd like to train with you sometime, maybe as a present for her eighteenth Saintâs Day?â
âIt would be an honor, My King.â
Amethar claps her on the shoulder again. Amanda remembers the way she found Caramelinda, crying over a dress of blue cloth, Caramelinda, asleep atop a pile of work, Caramelinda, deep circles under her eyes and a defeated slump to her shoulders. Caramelinda, barely holding on.
Amanda does not hate Amethar. She just doesnât like him all that much.
-
A flash of sâmores steel catches the air before sinking into the chest of the popcorn warrior before her. He falls, crumbles into pieces of kernel, and Amanda is already twisting, slamming her sword into the opponent behind her.
Sheâs always come alive in battle, in a way she doesnât anywhere but with Caramelinda. Itâs a mix of both the rush and the waitâeach swing of her sword is practiced, watchful. She does not strike recklessly like the King she serves, her strategy more like the words from her Queenâs lips.
Battle is where she feels the closest to home, while she is away from it. Battle and war and violence and peace and sweetness and strength, creating a web of spun sugar in her head. As her sword fells another opponent, her hand raises Caramelindaâs fingers to her lips. She trips a celery stalk into the praline ground, and she presses kisses to Caramelindaâs calves, the skin behind her knees, the freckles on her thighs. She watches the light leave the eyes of those who seek to hurt her Queen, and she stares into Caramelindaâs eyes as she stands by her side in the throne room, their hands not touching but close, the space of a breath between them.
Amanda lost her helmet two opponents ago, and she whips her hair back from her face where it has fallen from her bun. Her hand comes away sticky with sweat and bloodâboth Vegetanian and her ownâand she uses that hand to slam Sir Chocolatâs combatant down to the ground so she can drive her javelin into their chest.
Amanda misses the battlefield when she is home, and she misses home when she is battling. She hopes that the two never meet.
-
âItâs too dangerous,â Amanda says, and she has never seen Caramelinda truly angry with her, but she sees that fire now, her eyes burning and blazing. Amanda tries not to take a step back.
âYou will do as I command, Sir Maillard.â This is not her Caramelinda speaking, this is the Queen of Candia, whose life is spiralling from her fingers and whose daughters do not and have never listened to her and whose closest companions are all her husbandâs allies.
âPlease, Cara. I canât leave you. Uvano isââ
âHe is dying, and Amethar will become emperor.â Caramelindaâs chin is turned up, but she manages to look down her nose at Amanda even though she towers over her. âNow, the Sucrosi Road requires your knightsâ attention.â
âPlease,â Amanda says, her voice breaking around the world.
She sinks to her knees there, in Caramelindaâs study as her Queen orders her to leave when she needs her most. It is easy, so easy, to catch Caramelindaâs hand where it is fisted at her side and press her forehead against it.
âSir MaillardâŚâ
âCara, I canât.â
Caramelinda snatches her hand away. âYou must. I order it of you, I am your Queen.â
Amanda rides from the castle at sunrise, armor and heraldic flag gleaming, as the Queen of Candia swallows her heart back into her chest and watches with barely hidden rage and pain as she sends her protection away.
Amanda will never get to train Jet Rocks.
-
The war is over. The battle is not.
She holds Caramelinda where she has collapsed at the statue of her fallen daughter, fifty paces from the statue of her fallen wife. She holds Caramelinda, buries her face in her hair, breathes in her caramel and sweet sugar smell.
Amanda wishes that this fight would end, but she knows it never will. So, she will remain by her Queenâs side. She is not leaving her home again.
(cw: night yorb possession, brief descriptions of hospitals/doctors)
âIâm scared, The Ball.â
Rizâs breath catches in his throat as he leans against the wall below Fabianâs window. Itâs spring and a flowery breeze drifts over Fabianâs sprawling lawn, swirling around Riz and kicking up his curls. Itâs dark, too, which is why Riz is here. Starlight catches on the grass and the white roses of the garden. Riz breathes it in and presses himself closer to the wall, further away from the silvery light and into the shadows.
âI know you said youâre fine but I just... This is so stupid, what am I, a twelve year old girl?â Fabianâs on his balcony, the metal bottom of which is providing Riz his shield from the stars.
Riz doesnât picture the way Fabian probably looks, leaning on the railing, hair ruffled by wind and eye a little sad and tired. Riz doesnât picture it just like he doesnât hide from his own best friend.
âYouâre literally right across town,â Fabian mutters, and Riz has to strain himself to hear. âI could just go see you. I should just go see you. I donât know why Iâm doing this.â
Technically, Riz should be in bed right now. The doctor was very stern about the wonders a full eight hours could do for a sticky possession, and his friends had seemed hopeful when he told them about potential easy cures, that there might be a way out of this one that avoids death and gods and pain. It was a doctor who told him this, though, and Riz had never been particularly fond of them, so heâd politely nodded his head, because his mom was in the room, and then proceeded to do everything but change his piss poor sleep schedule, even though he knew Kristen could sense the levels of exhaustion building up and Adaine could see the rings under his eyes.
He spends most of his nights in his office, trying and failing not to think or say the two words that make him nauseous, that make his bones ache and his eyes feel like theyâre going to pop out of his head. Most nights, however, are not all of them, and the others he spends here, at Seacaster Manor. Which is why heâs so surprised to hear Fabian talking to him, or, rather, talking to the wind that bears his name. Because Fabian is always so careful, when there is a chance at being overheard.
Fabian heaves a sigh and the metal above Riz shifts. âI donât know how to help you, The Ball. You wonât... you wonât let me help you.â
Riz bites his tongue and closes his eyes and lets the breeze and the words whip over his face, ignores the burning of the tattoo across his chest in favor of the sting of claws in his palms.
âI wish you would just fucking take care of yourself for once. God, it shouldnât be too hard. It shouldnât be... these things are supposed to be easy for people like you.â
People like me? Riz thinks, before he reminds himself that he isnât allowed to think anymore.
âYouâre basically being given a mandatory vacation. That sounds,â Fabian blows out a breath and it adds a new tone to the whistling in Rizâs ears. âThat sounds so nice.â
Riz chews the inside of his mouthâitâs already a raw and bloody mess from weeks of this and he isnât sure what it could possibly hurt to keep going.
âBut you donât, you donât get to rest, ever, even when you need it. You donât let yourself. I donât understand you.â
Riz gets that a lot, even from the people, the creatures who cohabit his body. Riz is used to that. It hurts, a little, anyway.
And then Fabian says something truly surprising, something that finally pulls the back part of Rizâs brain from where itâs sinking deeper and deeper into a pit of night yorb night yorb night yorb night and back into himself, the part that he can still allow to be himself, that he can still trust to be himself.
âYouâre my best friend. I love you. I wish youâd let me help.â
Fabian never says those things. Never. Not even when Riz is cold and dead in the dirt of a forest. Not even when Riz is shaking and trying not to cry in bed after bed in hospital after hospital, as surgeons and clerics and wizards attempt to remove his tattoo. Fabian never says those words, no matter how many times Riz does.
He immediately follows it up with another, âThis is so stupid.â And then the metal creaks and Fabianâs sliding glass doors drag on the floor and Riz hears footsteps pause, directly over his head, on the threshold of his bedroom and balcony. âIâll make sure youâre okay, The Ball. Iâm going to make sure youâre okay.â
The stars twinkle overhead. The breeze is much more like wind now than it was before. Riz presses his head against the wall and breathes.
Summary:Â Fabian isnât young anymore. And the world is scary and cruel and full of fire. And Fabian isnât standing on the deck of a ship under the shadow of a too hot sun, heâs curled beneath a blanket with the semi-liquid form of Riz Gukgak wrapped up on his chest.
Fabian thinks about the ocean, and Riz, and the many places where those two parts of himself are the same.