More moments I miss from NYTW Hadestown
I listened to this again a couple days ago, and boy do I have thoughts! lol
âOrpheus was a poor boy, till he opened his mouth to sing.â
âHeâs talking about your man!â [Do you think I give a da---?â]
Hermes and Orpheus venting about Hades.
Hermes and Orpheus bonding in âWay Down Hadestownâ
[Orpheus] Mr Hades is a mean old BOSS! [HERMES]Â WITH A SILVER WHISTLE AND A GOLDEN SCALE!
Orpheus having ANy lines. Wasnât it nice when Orpheus had lines???
Nabiyaâs lower notes when she sings âI donât want to go back to the lonely life.â her shuddering breath right before âSay that youâll hold me forever. Say that the wind wonât change on us. Say that weâll stay with each other, and it will always be like this.â
The fact that Orpheusâ ONE line in âAll Iâve ever knowâ is directed at Eurydice, full of confidence and hope. Also, his notes being the only âhighâ notes in the song. It really emphasizes how he is the light in her dark world.
Hermesâ whistle actually SOUNDS like a train whistle. I didnât realize how much I appreciate that.
The gentle way Chris Sullivan says âWhen she fell she fell in spite of herself, in love with Orpheus.â
[Eurydice] Why should I become your wife? [Orpheus] Because I make you feel alive.
đ Orpheus talks directly to Eurydice in âCome Home With Meâ đÂ
I love that Hermes doesnât interrupt or speak for Orpheus in this version. Orpheus is allowed to approach Eurydice in his own way. And heâs confident enough to do it without help. He seems much more secure then Reeve!Orpheus. (BTW Iâm not trying to hate on Reeve, I know he worked hard, I just think Damn!Orpheus and Reeve!Orpheus are very different. And I prefer Damon.)
âThe lovers took each other by the hand, and danced underneath the sky!â (very similar to âthe lovers to each other by the hand and brother you know what they did? they danced.â Iâm a sucker for a good paralell.)
âLiving it up on Topâ feels more like spring and less like the last breath of august.
 âWho says times are hardâ VS âLetâs not talk about hard timesâ
Persephone is a little more .... vulnerable? She also seems to be truly joyful. In BDWY its more like sheâs forcing the cheer, but in NYTW itâs authentic. But MAYBE THATâS JUST ME THINKING TOO MUCH.
In âLiving it up on Top,â đ Orpheus. đ Has. đ Lines. Â
âGive me the sky that you canât buy or sell at any price!â (I did this one before but I LOVE all the Orpheusâ lines in Living it Up and Iâm upset they were taken from him on BDWY)
Orpheus sings his first song (Epic I) and Persephone APPEARS on stage. He sings about her and she enters as heâs finishing his song. Itâs so pretty!!!
[Eurydice] âThatâs goodâ [Orpheus] âIt isnât finishedâ đCUE BIG DANG KISSđ
The simple instrumental. The intimacy you feel with the small ensemble.
The small band vibe.
The âcampfire storyâ vibe
âOn ThE kEEEeeYSâ
The riff between â...Where do you think they come from, they come from way down Hadestown, way down under the groundâ and âMr. Hades is a mean old boss!!!â
Itâs a sad song, itâs a sad tale itâs a tradegy! Itâs a sad song but we sing it anyway. *fun dance music kicks on*
Itâs a love son. Itâs a tale of a love that never dies...Itâs a love song; about someone... who tries
Orpheus and Eurydice get introduced in âThe Road to Hellâ at the SAME TIME, with Orpheus on his knees, his heart in Eurydiceâs hands. ITâS SO SYMBOLIC AND SAD AND FORESHADOWS WHAT IS TO COME, AND I LOVE IT.Â
>> continued in PT3.....Â


















