We have summited #cheers from Grouse with a pair of tasty @lagunitasbeer IPAs as a post-BCMA hike treat #beerhike #ipa #beersunday #beerme #beer #beerpics #craftbeer #hoplove #hopheads #beerbuddies #beautifulbc #grouse #bcmc (at Grouse Mountain-The Peak of Vancouver)
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BCMC & andplay Live Show Review: 2/20, Constellation, Chicago
BCMC
BY JORDAN MAINZER
Tuesday night marked the beginning of the Peter Margasak-curated Frequency Festival, an annual event hosted by Constellation that focuses on contemporary classical and experimental music. Though this year's lineup is heavy on microtonal music, specifically string players, the headliner of night one was a guitar-and-synth-wizard supergroup. BCMC is guitarist Bill MacKay and Cave/Bitchin Bajas multi-instrumentalist Cooper Crain. They had been playing live together for a few years before releasing their debut album Foreign Smokes last year via Drag City. Unlike what I imagine was the experience of many folks in the crowd on Tuesday, this was my first time seeing BCMC live. Witnessing their performance after their album was released, meaning I had a number of months to digest it, gave me a greater appreciation for how the duo was able to, live, build off of their compositions.
BCMC started off with abstract sounds, gradually becoming more concrete before reverting back to rounded noise. MacKay's bluesy guitar riffs embedded within Crain's synthesizer hum, replete with a sense of motion akin to a chugging train, simultaneously swirling and gentle. At times, the songs turned percussive, via pulsations, as MacKay either meandered or ripped slide guitar licks. Even Crain got an opportunity to solo on the keyboard on "The Swarm". Simultaneously tactile and droney, BCMC were able to lull you into hypnosis and suddenly capture you at the command of their instruments.
andPlay
The opening set from NYC-based string duo andPlay, meanwhile, set the tone (no pun intended) for the rest of the festival's ethos. Violinist Maya Bennardo and violist Hannah Levinson performed the two pieces that make up their latest album Translucent Harmonies (Another Timbre), both of which use just intonation. Kristofer Svensson's "Vid stenmuren blir tanken blomma" (âBy the Stone Wall, Thoughts Become Flowerâ) emphasized extremely short strokes of different lengths and volume, using pauses and ultimate silence to create a sense of tension and disintegration. At times, one player would play a note--a mere pluck--and the other would continue their stroke, resembling a sort of synaptic process. Ultimately, the piece was paradoxically meditative, consistent in its lack of consistency. Their second piece, Catherine Lamb's "Prisma Interius VIII", was comparatively deliberate, the players playing in tandem at times and not just off of each other. As a duo, in contrast to larger ensembles who have played on other recorded versions of the piece, Bennardo and Levinson were able to strip "Prisma Interius VIII" down to its essential elements. Though there were many contrasts between andPlay and BCMC--in instrumentation, in groove (or lack thereof), in space--the two acts shared a common desire to hold your patience and deep attention, toy with your expectations, and make you reflect.
Each of the four pieces on BCMCâs Foreign Smokes, a full-length collaboration between the guitarist Bill Mackay and the multi-instrumentalist Cooper Crain, begins somewhere small â a few investigatory notes from Mackayâs guitar, a warm drone from Crainâs keys. Ideas are trotted out, the pace and intensity accelerating when both players latch onto something. There is little in the way of pyrotechnics, though the music never stands still or bogs down. This is improvisation as exploration and exchange; one player cuts a trail in a few directions, giving his counterpart options; gesturing with a question, rather than dictating anything.
At the outset of the third track, âRipple in High Tide,â Mackay bends a few short notes, while Crain sets twinkling touches around the margins. They go on like this until a prodding two-note bass pattern rises up and marches forward. It is a steadying presence, a clockwork plunk of pebbles producing the titular wavelet. Mackayâs picking remains relatively plain, allowing Crain an opening to send shafts of glimmering synth down over the proceedings. Crainâs part established, Mackay takes another step, playing each note just a bit harder, sending the echo farther out. Halfway through, Mackay locks into step over the bassline, walking his guitar into compact bursts as synths sway and sparkle and the organ drone applies greater and greater pressure. This model for playing off of each other â a sonic wall built one intriguing stone at a time â allows either one of Crain or Mackay to incite the action without overshadowing what theyâre creating together.
A pearly organ riff emerges from the opening ease of the last song, âSunset Saturn.â After a few bars, Mackay joins in, sending picked guitar notes tailing out into the reddening sky. The pair trade the spotlight over a persistent drone until theyâre deep in conversation; Mackayâs guitar is vivid and peaceful, strumming over a meandering organ which builds to a pleasant bluster, Crain letting loose like a cosmic prog-rocker. Throughout Foreign Smokes, Crain plays with great vitality and without ostentacion, allowing his parts to grow organically from the scene he and Mackay are forming, with the tangible excitement of ad hoc realization. Like his work in Bitchin Bajas, the space illuminated by his music is liable to shift; the ground youâre standing on is still solid, but look up and your surroundings have swirled and warped. What begins in tranquility can quickly turn sordid and eerie, dropping you somewhere more brambled and complex by the end. Sometimes, however, thereâs unease from the start. Track two, âThe Swarm,â is underlaid by drawn out minor synth chords, which are soon joined by tense squiggles of guitar. Fuller, ostensibly more charismatic guitar and organ parts strive to break through over the top, but the songâs anxious feel breeds on these shifting keys and billowing textures; the bright and the palpable unsettled by hoots from a threatening forest.
The sound of Foreign Smokes is deceptively straightforward considering the rich ambience and evocative moods the pair achieve. While it rewards multiple listens with novel wrinkles â cymbals that settle into the mist, a flinty synth stab that mightâve been shorn from a Depeche Mode chorus â and is fleshed out and dramatized with a supporting array of synthesizers, the albumâs greatest bounty is gathered from the immediate and simple interplay between Mackayâs lightly affected guitar and Crainâs similarly stripped down organ. The first time through, you hear Foreign Smokes in the familiar voices of those instruments, piped and plucked from around the corner, music filling a room youâre not sure youâve reached until youâre at the center of it.
Very few hospitals in Kerala have this latest procedure of the Cancer treatment and one of the best hospitals on the shortlist is BCMCH, the best hospital in Thiruvalla, Kerala.
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BeforeCoinMarketCap #Airdrop ROUND 3 started Total reward = 1200 BCMC1 ($12) Per referral = 250 BCMC1 ($2,5) Airdrop Round 3 Telegram Bot: https://t.me/BeforeCoinMarketCapAirdropBot⌠Airdrop Round 3 ends December 30, 2020. Distribution in your account. Â
I went, i saw, i conquered! The BCMC in the dark... swipe right to see what it was like using my cellphone flashlight to guide the way. đŚđŞâ¤ Persistence Consistence leads to Excellence. . . . . . #bcmc #grousemountain #grousegrind #bcmctrail #earlymorning #nobigdeal #nbd #stepbystep #repbyrep #5am #5ac #bigger #faster #stronger #motivation #perspiration #dedication #liveyourbestlife #vancity #vanfitfam #vnft #gastown #westend #yaletown #beyourbest #loveyourself (at UFitness Personal Training & Coaching) https://www.instagram.com/p/B5Wil9PHAmK/?igshid=7doqe4kbignu
SM/L3 | If youâre feeling overwhelmed (like I was today), do yourself a favour and take the time to go outside. Nature has a way of breathing life back into you. I feel like thatâs why sustainability is so important to me. If we donât protect and take care of this planet, who will breath the life back into us? #smile #dontworrybehappy #nature #explorebc #beautifulbc #bcmc #vancouvertrails #northshore #hiking #outdooradventure #pnw #natureislife (at BCMC Trail)