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âYouâre not a stalker, are you?â âNo, I just know how to write academic-sounding applications.â
I am long overdue a post about a little adventure in appreciation that I had back in May this year.
Perhaps you recall my travails in finding any hint of a whiff of a copy of the Amanda Redman vehicle from 1996 that goes by the same name as a popular Scandi drama: Beck, about a missing-persons agency and a ~sexually liberated~ woman running it (âItâs the â90s!â). The episode Joplin was in also had early cameos by a young Jason Flemyng and James DâArcy, and I found no evidence that fans of them had managed to track it down either.
Ultimately after asking around in forums and getting no reply I came to the conclusion that the only way I was going to get to see the one episode Joplin was in was if I went to the BFI archive myself. So, uh, I filled out their application form, paid the small fee, and went along on a rainy May morning.
It was bizarre and glorious and I highly recommend the experience. Letâs make Beck (1996) episode 4 the Aliceâs Restaurant of BFI viewings requests!
Anyway I felt like I got VIP treatment and had the most wonderful chat with the man who works there, who did ask if I was a stalker, but I think was mostly endeared by my persistence. He brought me tea and biscuits and left me in a cramped cupboard with the digital copy to watch as many times as I wanted.
Beck 1.4
All I knew was I was waiting for âCharlieâ to turn up, and I feared it might not be for more than a couple of minutes, but I was determined to watch the whole episode anyway.
Full disclosure: this is an extremely of its time episode of TV. However, that does also mean itâs actually quite well written, and to be honest I enjoyed it enough that if I had access to all six episodes I would certainly watch the entire series. I am not, however, in London often enough for that, and donât fancy paying ÂŁ13 a pop.
The first familiar face to pop up was Jason Flemyng â with a lustrous head of ginger hair and a pouty expression. He gave the impression of being a returning character who was close with (a friend of?) Beck herself, and that she seemed more worried about him and his small baby than about the partner, Karen, who had gone missing and was now being (reluctantly, seemingly) returned home.
Beckâs agency is made up of her, a female partner called Therese, a sensible black colleague, and a wide-eyed innocent white boy intern. Iirc Beck and Therese are meant to be having a girlsâ night out, or a break from work at least, but their office is suddenly overrun by private school boys.
Well, they look like school boys, but are apparently a âbloody mobile stag partyâ and theyâre loud, pissed, waving round huge amounts of cash, and the leader, who âlooks like a head boyâ, is a very baby James DâArcy. Per my notes: âSO fey SO floppy hairâ.
I scoured the background, dreading that Joplin would be a blink-and-youâll-miss-him member of this troupe of idiots, but then it emerged why they were in the missing-persons agency:
Their good friend Charlie (âa brother!â) has gone missing! And theyâd been out on Charlieâs stag do! Heâs meant to be marrying James DâArcyâs terrifying sister Isolde and heâs missing!
No one has told the bride her fiancĂŠ is missing yet, because of the aforementioned terrifyingness (sheâs âa very fine shotâ). Her ex, another of the obnoxious poshos, doesnât think Charlieâs worth finding, and there are some choice sentiments shared from various lads: heâs not a bad bloke âfor a w*gâ [me â sorry WHAT the fuck did you say? âItâs the â90s!â] and âI donât mind if you donât find him ⌠[heâs] a little shit, no style, clothes didnât fit.â James DâArcy is very scared of his sister though, so theyâre here to get him found.
Luckily they brought the stripper, Charity, with them, and sheâs still wearing Charlieâs jacket, with his wallet in it. Cue tart with a heart sub-plot between intern and stripper.
The raucous lads deposit a wadge of cash with Beck and Therese, and a taxi is summoned. Now we will meet the best character in the whole episodes, hands down. My notes read: âEven lady taxi drivers can be weird gobshitesâ. Bernice the taxi driver, I would die for you.
The ladies have helped themselves to a pizza voucher from Charlieâs wallet and find out his full name is Charlie Khan.
Meanwhile we get a sinister interlude at Jason Flemyngâs house, where Karen has locked herself in a room with the baby.
Now the ladies learn that Charlie is often seen wearing a crash-helmet at an address that isnât his homeâŚ
Therese and Beck: âWest Ham in 10 minutes, is it possible?â
Bernice the taxi driver: âIs Jodie Foster gorgeous? Get in.â
They have tracked Charlie to a video rental place and a dry cleaner a long way from the other address and thereâs another branch of the same pizza place nearby⌠he must live in West Ham, not Wapping, like his mates thinkâŚ
I had a wee panic that it would be another 'dead before he does anything' Joplin character when we saw a body with âlong black hair, big nostrilsâ, but itâs quickly clear this is a woman whoâs been beaten up â itâs Karen. Jason Flemyng is being incredibly shifty.
Beck and Therese (and Bernice) have been told by their contact at the morgue, and, per my notes 'Beck having an Emotion about this & her friend doesnât even have a fag :('.
Bernice: âIâd offer you a drink, but Iâve only got pure alcohol.â (lady you are a TAXI DRIVER. âItâs the â90s!â)
Beck picks up on a sus line JF gave about his mum looking after the baby while heâs at the morgue â heâd said his mum was away earlier.
Oooooh heâs so evil :( his mum isnât there when Beck pays him a visit at home. Beck had said in the earlier scene with him that she usually doesnât help men looking for women like Karen when they run off, because thereâs generally a good reason for them leaving and the man shouldnât be helped to bring her backâŚ
JF (evilly): âYou were very rigorous with me.â
Beck: âYou won us all over.â
He says some extra egregiously evil things about how Karenâs post-partum depression was a ânegative atmosphereâ for the baby and how she wasnât hot after giving birth. Bleurgh. Beck is determined sheâll get the baby off him, but the script wants to drive home very badly that it is aware that âdriving someone to suicideâ isnât a crime (surely beating the shit out of Karen was though??) and JF thinks heâs untouchable.
Anyway, the girls bundle in the taxi again (Bernice really wants them to adopt her). Theyâre doing a stake out and itâs morning now, theyâve been out all night (in the dresses they were meant to be out dancing in), and Bernice pulls out her ancient phone (low battery, pull-out aerial) and they order pizza to the taxi using Charlieâs voucher.
I am not making this up for clout (can you imagine), but I had very much guessed Charlie was going to be delivering the pizza by this point.
A veritable CASCADE of luscious black locks emerge from the crash helmet. Ohhh heâs a charmer with a cheeky smile!! But looks a bit alarmed when everyone coos âCharlie!â
âYou got me mixed up, my nameâs Prakash.â
He guesses Isolde sent them - "Yeah, I've seen you in movies - hit men-women!"
Turns out he just doesnât want to marry Isolde. Because sheâs terrifying.
Beck: âSo whyâd you ask her?â
Charlie: âShe asked me!â
Girl Power! âItâs the â90s!â
Anyway, he borrowed his mum's boss's identity to have a bit of fun in the city, but the game got old and now he wants out. Heâs fucking adorable and Beck and Therese agree.
Look at this disney prince nonsence!
Bernice also thinks Therese is adorable and propositions her, plus she doesnât want to lose her new friends. Unfortunately Therese has a boyfriend already, so Bernice must remain lovelorn in her taxi. I'll love you Bernice!! Also I'm heartbroken all over again because I thought I had notes on Bernice's proposition to Therese but I can't find them, alas!
Rating
Dead? No!!! Alive and with such beautiful hair, such a cheeky smile!!
Evil? Not at all! Tricking your way into the racist posh boysâ club and leaving when youâre sick of them is very valid.
Affects the plot? He IS the plot! As an excuse for the ladies to have taxi adventures all night you couldnât get much better than this.
Iâm going with a big fat 4.5/5. Half a point docked for having to go all the way to London to see it. Yes, he only has one scene, but itâs a corker, and I think it's the only pre-cricket-ball-to-the-face footage I'm at all likely to get my hands on.
Sadly, it seems Jason Flemyng's character was never brought to justice - or maybe it happened off-screen or was tabled for the season 2 that never was - as he's only credited with a single episode on imdb. As to whether Beck made a choice between her Irishman or her artsy boyfriend, or the guy at her salsa lessons, I suppose I'll never find out without going back to the BFI...
---
Transcript of his scene:
Beck: Hello Charlie.
Therese (was sleeping): What?
Prakash: Nah, nah, nah, you got me mixed up. My name's Prakash.
Beck: You're supposed to be getting married today, aren't you?
Prakash: LookâŚI don't wanna marry her.
Beck: Then why'd you ask her?
Prakash: She asked me!
Beck: You said yes.
Prakash: Have you ever made a bad move?
Beck: Yeah I have. So who is this 'Charlie'?
Prakash: Oh (laughs) my mum's his secretary. He wants someone to flat sit while he's in New York. I met Isolde down the Blue Beat club⌠Oh, it was just a joke, I'd had a few beersâŚand thenâŚ
Therese: Then you paddled your way up shit creek.
Prakash: Isolde sent you, didn't she? Yeah, I - I've seen it in films. Hit men-women.
Beck: Ooh she wants you alive.
Prakash: Gotta face up to my responsibilities. Right I'm gonna go round there and I'm gonna tell her the truth. If she loves me, she'll accept me for what I am.
Therese: Oh grow up! She'll tear your tonsils out.
Prakash: I'm not good enough for her.
Beck: Charlie? Prakash, or whatever your bloody name is. I've got this fear that you're too good for her.
Therese: Yeah she's not gonna want to go to Upton Park on a Saturday afternoon.
Prakash: West Ham is a good team this year.
Therese: If you like netball.
Beck (handing him ÂŁ20): Why don't you go and love someone a bit more honestly.
Therese: I wouldn't wanna get mixed up with them dickheads.
Beck (accepting pizza boxes): Thanks, you can keep the change. And - um, that's yours. (hands him bag with his jacket in) Bye!
In the neverending saga of Beck (1996) all I can gather is that the BBC don't own distribution rights anymore. I'm not sure how to find out who does (I asked the BBC, but who knows if they have any idea themselves). Maybe Getty do, but they never did confirm that. I think they wanted my money first.
I put up an appeal on Reddit. No response.
I asked if anyone remembered the show on a 'Do You Remember the '90s?' forum. No response.
I emailed Amanda Redman's agency. Got a bounce back. (Oh for the days of fansites and postal fan clubs.*)
I do draw the line at using facebook or twitter for anything beyond looking - simply because the fake fb profile would be too much effort and I'm not using my real one, and because nothing, not even this obsessive quest, will induce me to sign up to twitter.
HOWEVER. If any of you lot who have expressed support for me in this wanted to ask around on twitter I'd be very happy for you to do so. I set up a separate blog, @joplinsibtainappreciation to bring all these posts together. I'll reblog the one about Beck there, and I know a few people have already tried to spread the word on here a bit, for which, thank you!!
Maybe the next stage is becoming an investigative journalist so that when I send people nosy emails I can say I'm writing a piece for Medium or whatever and they'll be more willing to actually engage.
---
*I used wayback machine to check out the defunct website for the Amanda Redman fan page, but Beck was never on the CV they gave her there, which implies it dropped off everyone's radar pretty damned quickly, though it IS on her current CV at her agency.
I hate the fact I canât get hold of this, hate it. Jason Flemyng!! James DâArcy!!!
A still from the episode in question!
Genuinely havenât managed to turn up a single whole episode though - just continuity trailers and the worldâs worst quality phone camera video of a shoddy vhs recording of the showâs opening and closing credits. It doesnât help that it was never released on DVD and shares a name with a popular current Scandi noir series, but I canât believe no one has a home-recoded version to upload...there are literal hours of continuity videos! Itâs trailed between The Tenant of Wildfell Hall and Billy Connollyâs World Tour Down Under! Why does the show itself not exist anywhere??
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming