El Nihilismo Ruso del Siglo XIX: Origen, Ideas y Legado Revolucionario
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El Nihilismo Ruso del Siglo XIX: Origen, Ideas y Legado Revolucionario

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with the context that Demons was heavily inspired by Fathers and Children, i find it so funny to compare the way turgnev talks about bazarov with the way dostoevsky talks about stavrogin
turgnev is like "bazarov is my favorite child," he's my terrible darling boy whom i will defend until my dying breath. if any reader doesnt love him like i do i'm killing everyone in the world and then myself. he sucks and i love him more than life itself. nobody understands him but me and my two writer friends :(
meanwhile dostoevsky is like: i hate stavrogin more than my father. i want to kill him in real life.
Pisarev accepted with pride the name 'Nihilist', invented by Turgenev in his novel Fathers and Sons, which appeared in 1861. Liberal and radical opinion had given an unfavourable reception to this work, claiming that it was an unfair caricature. But Pisarev accepted it as a true picture, of which he was proud. The chief character in the novel, Bazarov, appeared to him an excellent model for imitation in real life. Pisarev had a great influence on his readers, but he did not live to play an active part in revolutionary leadership.
The Russian Empire 1801-1917, by Hugh Seton-Watson
The only strong Russian in Turgenev is the nihilist Bazarov. Of course, the author of Fathers and Sons was enough of an objective artist to treat his hero without anger or bias, but he nevertheless was afraid of him and could not forgive him his strength. The poet seemed to say, as he pointed to Bazarov, without noticing that he was not at all a hero, but just such an abortion, just such an unsuccessful man, as the rest of his superfluous people, who created nothing and who was doomed to ruin: "You wanted to see a strong Russian, — here is a strong man! See for yourselves what narrowness and limitation of will-power, which is directed to destruction! What coarseness and awkwardness before the tender mystery of love! What insignificance before the majesty of death! That is what your heroes, your Russian strong men are like!"
On Pushkin, Dmitri Merezhkovski
Fathers and Children, Turgenev and the young radicals
Turgueneff had so much accustomed us to a certain poetical halo which surrounded his heroes, and to his own tender love which followed them, even when he condemned them, that finding nothing of the sort in his attitude towards Bazaroff, we saw in the absence of these features a hostility of the author towards the hero.
And yet, as Pisareff understand at once, Bazaroff was a real representative of the young generation. Turgueneff, as he himself wrote later on, merely did not 'add syrup' to make his hero appear somewhat sweeter.
[...] it was only on rereading Fathers and Sons much later on that we noticed, in the very words that so offended us, the germs of a realistic philosophy of solidarity and duty which only now begins to take a more or less definite shape.
Russian Literature, by Peter Kropotkin

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Bazarov the Nihilist
'Truth alone matters: what cannot be established by observation and experiment is useless or harmful ballast - "romantic rubbish" - which an intelligent man will ruthlessly eliminate [...including] all that is impalpable, that cannot be reduced to quantitative measurement - literature and philosophy, the beauty of art and the beauty of nature, tradition and authority, religion and intuition, the uncriticised assumptions of conservatives and liberals, of populists and socialists, of land-owners and serfs. He [Bazarov] believes in strength, will-power, energy, utility, work, in ruthless criticism of all that exists. He wishes to tear off masks, blow up revered principles and norms. Only irrefutable facts, only useful knowledge, matter.'
'Fathers & Children', in Russian Thinkers, by Isaiah Berlin
me and who
"Death's an old joke, but it comes to everyone like something new."
Yevgeny Vasilevich Bazarov
Fathers and Children, by Ivan Turgenev