Juan de Barroeta [Spanish. 1835-1906] View of El Abra, Bilbao, from Algorta. 1886. Museo De Bellas Artes De Bilbao
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Juan de Barroeta [Spanish. 1835-1906] View of El Abra, Bilbao, from Algorta. 1886. Museo De Bellas Artes De Bilbao

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Erlea Maneros Zabala - November 1st, 2001, New York Times (Study 11), 2005
Another of my favorite artists I found at the Guggenheim Bilbao: Erlea Maneros Zabala, in this series of watercolors, recreates photographs from the New York Times depicting explosions from the beginning of the Iraq war. Â I viewed these merely as watercolors when I first saw them, and was so intrigued as to how they fit into the rest of her oeuvre--which was based on war, media and often the Middle East--that I had to borrow an audio guide to double check I was looking at them correctly. Indeed, I wasn't, but perhaps in a way I was. Â Here, Zabala questions the aesthetic nature of the war photography, which show no victims, no blood and no real aftermath catastrophe.
This set me off on a long internal dialogue on a scary truth, which I would like to pursue on this blog and perhaps elsewhere about how in all catastrophe, murder, exploitation, art is the only winner.