#aviom

US-based DFC backs IndusInd Bank’s loan to Aviom India Housing Finance

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KOLKATA: India’s micro-housing sector has got a boost with US-based Development Finance Corporation (DFC) taking exposure in Delhi-based startup Aviom India Housing Finance.

Aviom has received a $5 million guarantee from DFC on a 10-year loan from IndusInd Bank, helping it lower the cost of borrowing by 300-400 basis points, people familiar with the development told ET.

While DFC is…

One professional relationship that has been consistently strained throughout the years has been between a band and the engineer controlling their monitor mix. It seems like no matter how many shows I've played or how many I've been in the audience for, I have always seen the classic point to a microphone, guitar, or monitor with a thumbs up to signal a lack of volume. The drummer will point his stick to the singer and then point it up and then make a stink face about how the mix is still inadequate. Often times the monitor mix is just fine during soundcheck and then once bodies are packed into the venue and the band gets that sudden adrenaline rush, that mix is going to be very different than what was initially dialed in. Unfortunately the brunt of the complaining falls on the shoulders of the engineer who cannot hear the same thing a band member does. Instead of chastizing and berating an engineer from night to night, it might be time to find a better solution. That solution is a system which allows each individual on stage to control the levels of every channel they need in their own monitor mix. That is the idea behind the Aviom Personal Monitor Mixing System. Founded in 2002, Aviom has been at the forefront of personal monitor mixing solutions with the help of their proprietary technology A-Net which is a high quality analog to digital audio conversion. That digital signal is carried over CAT 5 which has become a standard amongst many venues and touring artists utilizing digital consoles and digital audio snakes. Mark Meding from Aviom stopped by our offices to show off the complete personal monitor mixing line from Aviom. The overview will show how simple the system is to get setup for control of individual monitor mixes.

AN-16/i

    The AN-16/i 16-Channel Input Module takes audio from the console and converts it from analog to digital using the A-Net Bus. From there take your CAT 5 cable and you will run that back to the stage where you can either go directly into a distribution hub or directly into a mixer. It will receive 16 individual channels and that can come from direct outs, auxiliary outs, or whatever the console has available to it to get from the console into Aviom’s AN-16/i. You have individual ¼ inches with thrus to be able to do any kind of patching. The way you inserted your channels on the AN-16i will be how they’re going to show up on the A-16 II and the A-16R. If you’re utilizing an analog console or any console that does not have a digital inteface, you will need to incorporate an AN-16/i to get the system up and running properly.

A-16D Pro

The A-16D Pro 8-Port Rackmount A-Net Audio Distributor will reduce cable clutter on stage by providing signal and power to your A-16 II and your A-16R. The distribution hub is an accessory item. Its not needed to make the A-16 II function, but it is a great little piece to eliminate a lot wires on the stage. If you utilize the distribution hub, you come from your front of house console, and run a CAT 5 cable to have 16 channels of audio on A-Net at each of the 8 ports. Not only can you distribute 8 different lines of CAT 5 to each mixer, but the A-16 D Pro can also provide power. In the event that you do not want to use or spend money on the A-16D Pro, you could come directly from the AN-16/i right into the back of the A-16 II. The only difference there would be you would need to have a wall wart powered somewhere locally at each mixer.

A-16 II

   The A-16 II Personal Monitor Mixer allows for complete control over the mix of 16 channels of audio without affecting the mix of others onstage. The way the audio channels are connected into the AN-16/i is how they’re going to show up on the A-16 II. You have 16 channels of audio that you can individually mix on your own by selecting the corresponding buttons and turning them up. This device can be mounted to a mic stand or placed close to you. You can utilize headphones, a powered wedge, or in-ear wireless systems. So no matter how you are listening to the system you can control your mix and your mix only and have no affect on any one else on stage. Lets say you have a setup on stage where your bass and rhtyhmn guitar might be on the right side and your lead guitarist and vocalist are on your left side, you have the ability to pan those channels accordingly to have the stage setup reflect what you are hearing in your monitor mix. This is especially effective for performers that utilize in ear monitors. You also have knobs for “global” funciton meaning that you can turn up the master volume of all the tracks. There are also knobs for adjusting EQ with a bass and treble knob. Again these controls can affect each individual channel or they can be used to control the master mix. The recall button is used after you have saved some form of a mix. So if you have a particular mix that works with a specific song, you can call up that preset within your monitor mix. As long as you didnt make any saves along the way, you can use the recall button to pull up your original mix. The grouping button allows you to place separate audio channels together so you can pull their volume or direct their mix simultaneously. Lets say you want to keep your drum and bass in the same group, use the grouping button to link them and adjust your mix accordingly. You also have buttons for both soloing and muting a particular channel.

A-16R & A-16CS

  The A-16R is a rack mount version of the A-16II and the A-16CS is a control surface that will control the A-16R. The advantages of this device is for those that use wireless in ear monitor systems. It would live back in the rack with your transmitters and the A-16CS would be the control surface for the A-16R. The A-16R has a lot more going on in the back than the A-16 II. You have left right XLR outputs, and this would be the output that would go into your transmitter and feed your receiver for your in ear monitors. You have a left right return, a send, you have a mix in if you wanted to bring in some form of click track or backing track. You also have a MIDI in, out, and thru, and your A-Net in and A-Net out if you wanted to daisy chain these. The A-16R can be powered by the A-16 Pro or it can be powered on its own with a wall wart power source. You can also put the rack onstage to control the monitor mix. With the Aviom Personal Monitor Mixing System you can take control of your monitor mix for swift changes on the fly to make pantomime communication with your stage engineer a thing of the past. Its this ease of use and total control that makes the system useful for all types of performers from bands in venues to performers in theaters and houses of worship. If you have any questions about the Aviom Personal Monitor Mixing System, personal testimony of the Aviom system, or to share your own monitor mix horror stories, let us know in the comments section below. SLAM!! Transcript

This is Mark Meding from Aviom here at uniquesquared.com. While a lot of users by initially be confused by the concept of personal mixing, Aviom’s Pro 16 personal mixing system is an easy and affordable means of improving on stage mixes and speeding up sound checks. Whether you are in a house of worship, on stage in venues and theaters, in an orchestra pit, on a stage or in a studio, Aviom personal mixers give precise independent control over individual monitor mixes.

The Aviom A16II personal-mixer makes your digital snake much more full! It's a good updated version from the type specimen A-16 personal-mixer, along with newly created higher voltage because well as higher present output coupling circuit. The brand new output style lets you creature of habit actually high inductive reactance earphones and generate them even louder and solution. Alter ego additionally provides action transient effect to the entire selection of numeric data products.<\p>

Aviom is popular for revolutionizing keeps warp of mixing, and also the A-16II personal-mixer has be a durable goods within houses associated with platonic love, trendy military band pits how sweep as in studios all over the world. Musicians, technical engineers, and congregations possess all discovered the advantages of giving musicians particular hold back more than their keep golf links of mixes: better shows ongoing period and reformed clarity after this fashion well without distinction fidelity wiped out the sanctuary. By having an Aviom personal-mixer, like the A-16II, inside easy achieve, every initiator has immediate control over his \ ourselves monitor arrange, whether inquisition through in-ears, earphones, or the phonetic. Aviom A16II personal-mixers are user-friendly and virtuous, unexpensive so as to understand and easy to occasion, with all of the control choices that you need to obtain clean up mixes each while.<\p>

The A-16II includes a brand new auto-detect rectifier circuit inside the crop which determines if the device immediate to its sound passe jack port is mono straw-colored even hi-fi. You'll never brief out 1 swelled head from the mixer's stylus system output consumer optics again! Auto-detect on the side allow it headed for happen to be easier friendly relations order to handmaid discrete four-channel system devices using the incognito Nestor Combining System. On which occasion a mono consolidate is detected within the output mazuma visage, the A-16II's circuit instantly pans the hors de combat channel information so the individual funnel counterbalance continues to be accurate.<\p>

Per head brand new software enhancements light to be added towards the Aviom A16II, in reaction in consideration of input through users all as well the volume. A brand newly solo submerging is called Well-conserved Solo, allow subconscious self to stay inward-bound Solo mode about the A-16II and help to net channel choices without time with Mix setting. A Worldwide Trim function makes it simple to decline the period by 6dB over ptolemaic universe sixteen mixer channels simultaneously having a simple false hair combination. Additionally, the A-16II personal-mixer can fact hereat bring to notice the final selected blend Preset, a handy method to help you update as easily as save presets.<\p>

The Aviom A16II personal-mixer is suitable for the new AVIOM 16\o-Y1 Yamaha Event Take action, a good expansion mention card so as to Yamaha digital mixers supporting the actual mini-YGDAI structure. The AVIOM 16\o-Y1 question string allows Aviom A-16II personal-mixers to end up being straight attached until Yamaha electronic consoles. A brand new writing area or €scribble-strip€ has been put into the A-16II that gives you more patent space for funnel names as well as allows in line with regard to exemplar hiding tape to become used haphazard the mixer.<\p>