Alexander Zemlinsky (1871-1942) - Trio for Clarinet, Cello and Piano in d minor, op. 3, written in 1895-96

00:07 - I. Allegro ma non troppo 13:14 - II. Andante 21:31 - III. Allegro

Dear listener, this will be my final musical entry for 24’ and for several months, and we’re gonna end it with Wolfgang Amadeus Mozart, one of the elite few great classical composers of all time. I feel like these days, classical music has been somewhat devalued and relegated to running in the background of ultra-absorbent paper towel commercials. This is a damn shame, because classical music changed music on planet Earth forever, and composers like Mozart once represented bleeding-edge innovation in the realm of music. For his time, Mozart wrote music in every available and accessible genre and excelled at each of them as well. Much like classical music in a broad sense, WAM attempted to create works that were universal in application. Much like me, the man genuinely enjoyed pleasing every segment of his wide-ranging audience with his personal versatility. Is it any wonder that you’re familiar with WAM’s name and works even though you weren’t even living during his era? So, how do men like this become immortalized? Join me below for an answer from some guy on the internet. Just above is The Requiem in D minor, K. 626, a piece Mozart didn’t even finish before he died. It is haunting, beautiful and really exemplifies WAM’s range. Thank you, all my dear listeners on Tumblr, for celebrating another year of music with me. I’ll be doing more of the same next year as well, but without further ado… the WAM you’ve been waiting for.

Dying young at 35 but filling his entire short life with his own firebrand of musical creativity, WAM started his career at an extremely fresh-faced 5 years old when he wrote his first keyboard composition. He wrote his first SYMPHONY when he was an 8-year-old… and I don’t know if anyone is aware of this but, that kind of natural compositional talent doesn’t exactly grow on trees these days, or even hundreds of years in the past. Like many other classical artists, WAM was brought up in the Church, specifically in the Catholic faith. He is well known for composing ‘divinely inspired works’, specifically designed for Mass between Epistle and Gospel. Performing for imperial courts as a mere child and then going on to create 600 + total musical works in his lifetime, WAM wasn’t just some musician from Austria; he was a Bonafide genius. He could speak over a dozen languages, was awarded the Order of the Golden Spur by Pope Clement XIV and was perhaps one of the most notable and famous Freemasons of all-time. WAM even went as far as producing openly masonic works like The Magic Flute and Thomas, King of Egypt. Unlike other classical artists (Brahms, Beethoven, Vivaldi), WAM was a family man who cherished his children but left very little to them because of his excessive drinking, extravagant general spending, and personal generosity. His lack of money-management aside, WAM stands tall as one of the most, if not the MOST famous Austrian musician of all time. Fun fact: WAM loved fart and poop jokes. I’m NOT kidding. He went as far as writing scatological music for his recreational and drunk buddies and quipped about his bowel movements to close friends and family members in numerous letters. Why would I mention this, you may ask? Because, for his time, this man was a walking immortal on Earth. Mozart’s shit-based humor humanizes him to me, and I love how this yester century genius thought absolutely anything coming out of the human ass was hilarious. Having been subject to numerous infections and bumps on his skin before his untimely death, WAM died young and under entirely mysterious circumstances which have never been properly identified or explained. Just below, you’ll find The Best of Mozart. Smash play, enjoy, Happy New Year. It was a pleasure, as always, to provide Tumblr with music and information in 24’.

Forgotten Musical Genius - Marianna Martines (1744-1812)

In this episode we explore the life of 18th century composer, performer, and salonnière Marianna Martines (1744-1812)

Marianna von Martines (1744-1812) -SINFONIA in C-Dur für Flöte, Oboe, Horn und Streicher

Irrisistible..

Franz Schubert (1797-1828) - Ständchen