“Everyone wishes to be loved, but in the event, nearly no one can bear it. Everyone desires love but also finds it impossible to believe that he deserves it.” – James Baldwin, Tell Me How Long the Train’s Been Gone (1968)

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“Everyone wishes to be loved, but in the event, nearly no one can bear it. Everyone desires love but also finds it impossible to believe that he deserves it.” – James Baldwin, Tell Me How Long the Train’s Been Gone (1968)

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A Darker Shade of Magic by V. E. Schwab
The Fifth Season - Motherhood
(Please remember to put spoilers for later books under a cut.) One of the main plots in The Fifth Season is Essun's quest to find her daughter. It's rare to have a mother as the main character in a SFF book - rarer still for her to prioritise other actions above her child. I enjoyed The Fifth Season's realistic and unsympathetic portrayal of Essun's relationship with her daughter immensely. I often felt as if she sought Nassun from a sense of obligation or ownership rather than true idealised parental love. I think it isn't often that we follow a character who is a mother where her motherhood is reduced to a small part of her self rather than the summation of her nature. Even as I recoiled from Essun's difficult and misguided relationship with her daughter, I appreciated it. Is Essun a mother without being maternal? If she had the choice, would she have become a mother at all? Does the exploration of her full life, before she became a mother, change the way that we perceive her relationship with her daughter and the way that we perceive her? What are your thoughts on Essun's relationship with her children and her portrayal as a mother - and mothers in SFF in general?
Traitor to the Throne by Alwyn Hamilton
Genre: Fantasy
This is not about blood or love. This is about treason.
Nearly a year has passed since Amani and the rebels won their epic battle at Fahali. Amani has come into both her powers and her reputation as the Blue-Eyed Bandit, and the Rebel Prince's message has spread across the desert - and some might say out of control. But when a surprise encounter turns into a brutal kidnapping, Amani finds herself betrayed in the cruellest manner possible.
Stripped of her powers and her identity, and torn from the man she loves, Amani must return to her desert-girl's instinct for survival. For the Sultan's palace is a dangerous one, and the harem is a viper's nest of suspicion, fear and intrigue. Just the right place for a spy to thrive... But spying is a dangerous game, and when ghosts from Amani's past emerge to haunt her, she begins to wonder if she can trust her own treacherous heart.
Book 2 of the Rebel of the Sands Trilogy
Book 1 - Rebel of the Sands
Review
I mentioned before that sequels can make me a bit worried sometimes, especially when I really loved the first book. Here, all my worries were proven wrong - I actually loved Traitor To The Throne even more than Rebels of the Sand, and I kept falling in love with this series, its characters and Hamilton’s writing again. The book was very gripping, while also being a little contrast to the first book - Amani, the desert girl, is captured and brought to the palace of the Sultan. She’s robbed of her Demdji powers and even bound to the Sultan, forced to obey his every word. While trying to find a way out of her situation, she has to navigate the very difficult climate of the palace, and everything gets even more complicated when she meets some familiar people.
The whole set up gave the whole rebellion part a different, refreshing quality due to Amani being in her enemy’s hands, the whole book felt very ‘political thriller’-ish and also gave many involved characters more depth. Also, there are some very awesome twists that you’d never suspect, and I’m just a sucker for those. There are so many details I’d love to mention that I found awesome, but I also don’t want to spoiler anything. I’ll just hint: the real djinnis!
One small warning, though: the end ripped my heart out a bit, because we have to lose some dear characters while the fate of others is unknown. But of course that cliffhanger makes you very eager to read the last book of the series, and I gotta admit that I went to the bookstore almost immediately to get it XD
August Read: The Fifth Season, by N.K. Jemisin
The voice of the people has spoken, and our August read is N.K. Jemisin’s apocalyptic fantasy The Fifth Season, Book 1 of the Broken Earth trilogy.
This is the way the world ends...for the last time. A season of endings has begun. It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester. This is the Stillness, a land long familiar with catastrophe, where the power of the earth is wielded as a weapon. And where there is no mercy.
This is a first read for @ninjaeyecandy and a reread for @calanthe, and we’re looking forward to the discussion with you.
Throughout the month of August, you can either post your own thoughts as you read and tag with #sffbookclub for our reblogging, or submit a post here. Please place any spoilers under a “Read more” cut.
You can reblog others’ posts with your own commentary, but please take care to add a “Read more” to any spoilers in turn.
We’ll start hosting spoiler-full discussions on select topics during the third week of August. Please let us know if you have any questions or suggestions -- and enjoy the read!

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The Fifth Season - Apocalyptic Fiction
(Please remember to put spoilers for later books under a cut.) The Fifth Season is set in a world that has been conditioned into a constant state of preparation for apocalyptic events. Humans are divided into castes that carry out specific and integral functions. Cities and towns are structured in ways that make them easy to defend and self-govern as soon as seasonal-law is imposed and the rules of civilization are put on hold. This begs the question: how does society carry its history and identity forward when it is structured to break and rebuild? In the first book, we begin to realise that the seasons may have been repeating through history not just for thousands of years, but tens of thousands of years. On a world-building scale, this is immense - what was society like before the seasons? Was there a society before the seasons? What do the artefacts of the dead-civs tell us about the development of Essun's world from then to now? I was particularly taken with the way that knowledge is lost. Essun doesn't know how old her world is. She can't understand the dead-civ's language even though she inhabits structures that utilise it. Why? How was this knowledge lost? How did her society enable the loss? What did the dead-civ look like? I have never seen a post- (pre-, mid-) apocalypse work imagined along such a broad stretch of time, nor utilising the conceit of a society constantly fractured and reshaped - never given the time to become something more than groups of survivors. Did this conceit work for you? Did you feel that the loss of history was realistic - and was it deliberate, or accidental? Was the knowledge truly lost, or withheld? What are your thoughts about the structure of her society?
The Fifth Season
As I'm reading the Fifth Season for the second time rather than the first, I decided to marathon the trilogy back-to-back to get a real feel of how the pieces slot together. I'm not going to spoil in this post, though. I felt that, having now read the complete trilogy, the books coming together felt like one large novel rather than three distinct works. I wonder if any of you have any thoughts about the pace of the first book and the depth of its world building? Did it give too much, or too little? If you have read more of the series, did you feel that the later books had to compensate for this? If you've just read the first book, did you feel satisfied or frustrated?