#askspifty

1) Don’t ask, don’t tell. Except for post-s7, the showrunners themselves have never been asked about Sheith’s relationship in an interview. I think most Sheiths were afraid of rocking the boat and potentially upending a SK endgame by drawing too much attention to it. We were/are definitely the quieter side of the primary vld ships and honestly most of us were not expecting our ship to be canon. 

But vld ships and the ship wars are notorious across geekdom for vitriol and death threats, and the creators didn’t want to add any fodder to either side. In the middle of production it would have benefited no one for the EPs to say, “yeah sheith is meant to be viewed romantically” or “no, we can’t go back and change the story to make that true”. Either one would have resulted in an uptick of harassment from antis towards them, towards other fans. And nevermind the production side where DW/WEP weren’t ready for even a hint of m/m until right before s7 dropped. It was only AFTER they got the greenlight on gay Shiro that showrunners could finally be vague and say “some people will interpret [sk] as brothers, others will say it’s 100% confirmed they’re in a relationship”. Which is, in my opinion, a pretty interesting way to respond to that question. But again, if that interviewer hadn’t been brave enough to ask it, I highly doubt it’s something that the showrunners themselves would have ever brought up.

2) Sheith was actually intended to be romantic, but was blocked. We know now that Adam being greenlit as Shiro’s boyfriend happened right before (like a week or less) before s7 dropped. This was a show that had been in production for almost 4 years by this point, and the showrunners stated they picked Shiro to be their rep early on in the process. When they planted that idea in executive’s heads is anyone’s guess, as is when the proper fight for it began. I suspect their immediate team of directors, writers, and in-house producers were well aware and supportive, but kicking that up the chain was another story. I also have a suspicion that it wasn’t until season 6 was complete that the matter was brought up because greenlighting everything we got in s6 knowing Shiro was gay the whole time puts a lot of eyes on Keith. 

And really, it was Keith who was the problem all along. 

In every version of Voltron, Keith is the main protagonist. He’s the leader of the team, the primary “image” of Voltron, and thus, certain things about him need to be maintained. I’m not sure if this is sheer coincidence or not, but he is the only person on the team who stayed visually the same to his OG counterpart. All of the other paladins have gone from white dudes (and a white lady) to POC, or have had a genderswap. There is much debate about Keith’s race with people creating their own headcanons but ultimately Keith can pass as white. While the handbook states Lance is Cuban, Hunk is half black-half Samoan, Shiro is Japanese and even Pidge gets “Italian”, Keith is just listed as... human. Which is a surefire way to not upset fans who have HC’d him as POC while also not-NOT saying he’s white. Everybody “wins”. 

In addition I’m confident a major stipulation of the OG Voltron owners (the “gatekeepers”, as a few of the VAs and the showrunners themselves have darkly alluded to) was that Keith could not be LGBT. We know now he was meant to end up with Acxa, a fact that was already obvious to many of us from their Weblum meetcute. But that relationship was never scripted. 

Setting aside the fact that the OG Voltron owners (WEP) didn’t want Keith to be LGBT, I’m sure executives at Dreamworks would have struggled with the idea as well. Shiro stans can come at me all they like about this but Keith was always meant to be the primary protagonist of the show, of every version of Voltron, and making the main, masculine hero of a well-trodden, oft-rebooted franchise gay/bi would have been an ENORMOUS move for animation. Making him end up with the other main, masculine hero would have honestly broken the internet and the minds of countless conservative executives, and been a major benchmark not just for cartoons, but ALL media. Animation often trails behind TV and movies in terms of social progress because something something “protect the chillllldrennn”. And right now I’m struggling to think of a popular live action TV show, or movie, with an older audience, where the main masculine hero is lgbt, and in a relationship with the other main masculine hero. Feel free to offer me examples in replies but the fact that I’m struggling to think of anything is pretty telling. In short, if this revolutionary move still isn’t happening for the live action 13+ audience, asking for it to happen on a cartoon with a 7-11yo boy demographic is like asking for the moon. Keith couldn’t be gay, because immediately it would have been obvious to anyone that he was already very much in love with the other LGBT character on the show. Hell, it’s already pretty obvious in canon that this is the case, and dodging the question about his sexuality is dodging the confirmation that he’s in love with Shiro. 

I’d like to believe that one of the solutions to the Adam Problem that was proposed was that KEITH ends up with Shiro, but they were laughed out of the office. The pair’s incredibly close bond aside, it would have been the absolute easiest fix production-wise. They already have their shared history doing most of the legwork, all that’d have to be changed is:

-adding Shiro to the L/K scene in 8x01, just sitting there as Keith encouraged Lance.-Re-recording a couple of Shiro’s lines in 8x05 to make him seem at least somewhat upset that Keith was kidnapped-Showing Keith and Shiro hanging out in the video episode. You could just use the shot of Keith and Pidge but replace Pidge with Shiro.

And the best part is, you could change just one or two of these and then do the wedding epilogue you always intended (but write something that doesn’t insist Shiro retired) but with Keith instead of Rando. Not to mention, there is a slight, slight possibility there was a S/K scene (or two) cut along the way. I strongly disagree with the theories that have floated around about the “massive edits” done to s8, but I think there could be truth to the idea that a Sheith scene was cut to make room for Crew Member, or an effort made to downplay the Sheith friendship that comes off way more intimate than any interaction Shiro has with [man]. It’s more likely that SK scenes never existed at all in this season as the showrunners had to cave to pressures to “have more action”, had no idea what to do with Shiro besides relegate him to a stiff cardboard general, and perhaps had to follow strict instructions about the kind of friendliness an out & proud gay man could show to the men he’d enjoyed good interactions with before. 

All this to say, the Sheith battle is messy. It’s fine for the showrunners to say “getting the greenlight for Shiro was a battle” because it’s a battle they won that makes everyone look pretty good. It makes Dreamworks look like they Learned Something and are going to be more open to LGBT content in future properties. It makes WEP look not-terrible because they can add “allowed a character who wasn’t really an OG Voltron character to be gay” to their list of “generous” things they allowed for this re-envisioning of their property. It’s self-congrats all around.

Blocking Sheith has the opposite effect. It reveals that WEP is homophobic because they could allow Pidge to be a girl and Allura to be black but making the hero a non-straight man? That’s TOO FAR. It reveals that Dreamworks higherups are homophobic because they weren’t ready for two LGBT protagonists, just one plus a background character with 3 lines who is literally never named. No one wins, and to be asked about Shiro and Keith and be honest about it could potentially be the showrunners saying, “god, we wanted to, but we were blocked at every single turn”. And thus DW and WEP are the outed villains of the story.

3) Shiro and Keith were never meant to be read as romantic. The showrunners don’t say anything because there’s simply nothing to say. Sometimes the most incredible ships are happy accidents. Sometimes people genuinely don’t realize what they’re doing. I felt a little disheartened watching the AB interview because the way they talked about wanting to include more [man], or how they “hoped viewers would read between the lines” re:Shiro/Curtains, was so casual and flippant it was like they genuinely thought most people would be fine with Shirando if only there had been more scenes between them, as though completely severing Shiro’s relationship with Keith and instead only showing scenes of Shiro bonding with a new character would come off as a good move rather than a baffling (and somewhat hurtful) one. 

I do believe that certain directors were absolutely fans of the pair and angled in what they could. Chris Palmer is behind the famous “shiro loves you baby” art and responsible for the eps that include Shiro’s gay panic, the Sheith hug, “As many times as it takes”, Shiro falling into Keith’s arms, and “We have to stop, Shiro’s out there!!” among others. Steve Ahn was the director behind 2x01, 3x01 with heavily grieving Keith, Blade of Marmora, and the episode where Keith screams Shiro’s name so loud he astral projects and then Shiro holds his hands over the controls. He also got really soft when he talked about the pair in an episode of Form Podcast (before JDS kinda hastily shut him down). And even Eugene Lee, he directed The Black Paladins which is an episode so Sheith I still can’t believe it’s real, and 7x01, the other episode so Sheith I can’t believe it’s real. All three of these guys were the original series directors, which is pretty inchresting. 

But that doesn’t mean the showrunners were necessarily onboard. Maybe it was really important to them to show a positive male friendship since that never happens in media, just as they felt having Allura sacrifice herself was a powerful feminist move. However the thing I keep circling back to is JDS’ early interview about The Winter Soldier and how if he ever got the chance to do that, he hoped it would be in the future when things could be more progressive, hinting that he wanted to throw more overt romantic undertones if he himself ever got a fight like that to write or direct. It’s pretty interesting that he wrote the Black Paladins, which mirrors the Stucky fight in Winter Soldier so much that it actually rotoscopes one of Bucky’s moves. I’d also point out that JDS’ favorite characters are Shiro and Keith, and I find it impossible to be a fan of both and not also be a fan of how much they love each other, and how much that love straddles the line between romantic love and friendship.

This got long, but I hope it was helpful. The likely final-ever showrunner interview will be on Let’s Voltron sometime this month, and I do hope that now that the series is over someone is brave enough to ask them, “so... what was going on between Shiro and Keith? In a perfect world, what would have happened there?”. In a way it doesn’t matter though. There is always the risk of them saying “nothing was going on there” and us agonizing over whether that was a lie to protect their careers or bald-faced honesty in the face of an NDA or fucks-given that might have expired with their contracts.