Will I ever stop talking about the dargah sequence?
The answer is NO. It was so beautifully shot and it spoke so much about their equation without giving away anything. I loved how Arnav and Khushi were so unaware of each other, because, of course, shuruwat thi. And Arziyan as the background score made so much sense and added this very important poignant touch to the entire sequence. Their story was completely fated, and this was the gateway.
The purity of this frame speaks volumes!
There was also one particular scene that really portrayed the inner psyche of Arnav Singh Raizaada, otherwise an unapologetic atheist and disbeliever of any higher power other than himself. His disbelief was perfectly portrayed in the sequence where he was heading towards to dargah, with a stoic expression and his oblivious disregard for the poor. We see him dodging the peacock feathers, and even the crowd around him. But then, he enters the dargah with flowers in his hands and most importantly,
He bows down before the tomb.
This one frame gave away the deeper insight of Arnav, for the first time. Arnav, who is sensitive, respectful and surprisingly, considerate. Not the stern, arrogant, and no nonsense Arnav Singh Raizaada that we were familiar with.
