#artjail

Dolby ATMOS “Feel Every Dimension”

Production: Park PIctures Los Angeles Director: Terri Timely Colorist: Shawn King

Post: Artjail New York Creative Director: Steve Mottershead

Born the Hard Way @Budweiser @Anomaly @anoncontent @Artjail @Company3 #SuperBowl

Anheuser Busch has launched Budweiser Born The Hard Way, a Super Bowl commercial featuring co-founder Adolphus Busch’s experience as an immigrant arriving in the United States in 1857. The commercial begins in a bar with the comment, “You don’t look like you’re from around here”. We’re shown Busch (Sam Schweikert) travelling by ship from Hamburg to New Orleans, trekking inland on the Mississippi…

#MakeYourNextMove @JohnMalkovich fashion on @Squarespace @smugglersite @milesjay @Artjail @WorkEditorial

John Malkovich has partnered with website development company Squarespace to launch his own online fashion site, launched with a short film, “Journey”. Malkovich recently played a range of David Lynch film characters on a Squarespace campaign promoting the David Lynch Foundation. Now he’s playing himself as an actor connecting with his lifelong passion for fashion design. Malkovich is shown on…

The One Moment music video @OkGo @mortonsalt #WalkHerWalk

OK Go has partnered with Morton Salt, a salt products company, to release a music video for “The One Moment”. The OK Go The One Moment music video explores the slow-motion rendition of a sequence filmed in 4.2 seconds. Seven cameras powered by high speed robotic arms capture 318 events, including colored salt bursts, exploding paint buckets, gold water balloons, water melons, spray paint cans,…

Celluloid

Artjail teamed up with acclaimed video artist Marco Brambilla (marcobrambilla.com/) to create this short film that was acquired by Vera Wang and is currently installed in her flagship Beverly Hills store. The installation is an impressive 8 panel wall mounted version that plays as an offset reel of film.

The film was originally shot on Red Camera then effected in Autodesk Flame. We created transitions stitching multiple takes into one seamless clip and digitally hand painted degradation techniques to the footage. Out of the Flame the footage was scanned to 35mm motion picture film, where it was further degraded in multiple passes using bleach and other photo chemical processes the talented Josh Lewis (joshlewisfilm.com). Those results were then loaded back into the flame where we used elements of the multiple degraded film prints to create more specific degradation. The silhouettes and other visual cues were also something handled in Flame.