https://archive.org/details/0841_Goodbye_Mrs_Ant_14_47_44_24

The video is the advertisement of pesticide for ants. The reason why I chose this video is that it could show us humans’ hostility against ants.

https://archive.org/details/GojiraTrailer

This is the trailer of the film “Gojira.” I would like to use the Japanese sentences in the film and the scenes of destruction. 

https://archive.org/details/PorkysAnt

Art should not be limited to the past and present. It can also portray or depict the future even if it is presented in a fictional way. Messages brought by art in the environment is and should always be pro towards the salvation of Mother Nature.

As the Lawrence Wilson Art Gallery was closed, I resorted to photographing the statue outside as the next best option.

High quality: Whole piece is shown, detail is able to be seen.

Medium quality: Whole piece shown but detail is lost due to backlighting

The first image below can be located between the Arts building and University club. This can be classified as site-specific as the cluster of mosaicked eggs were integrated to its surroundings, placed there to compliment the mosaic Centenary sundial above it rather than disrupt the whole view.

The second image is a bronze bust of Professor Whitfeld that was commissioned in the year 1964, this can be found at the very front of the campus. This is to honour his contributions to our university. The bronze bust can be considered as a site-adjusted type of artwork referring to the context given by Robert Irwin.

The third image is known as the Black Stumps. This can be found outside the Octagon Theatre which was first commissioned by AMP Fire and General Insurance Co for St. George’s square. The artwork is classified as site-specific, having the site in mind to integrate it to its surroundings. 

Robert Irwin states; “... You cannot correctly call anything either free or creative if the individual does not, at least in part, determine his or her own meaning.” -Being and Circumstance: Notes Toward a Confidential Art (1985).