Did anyone see this? I feel like it’s a small detail in the pile of evidence for Izuku’s “control your heart” thing going on.

Hell, even Bakugou Katsuki Rising is referenced in the same chapter.

(Side note: me and my friend ended up spending 20 minutes identifying that flower, ty @the-real-loverboy for being my favorite flower nerd—regardless it’s called the Paris Japonica, a rare flower native to Japan that has the largest genome to our knowledge. Only problem? I can’t find any symbolism on this flower, and every source is written by white people in the west on how to care for the flower so. If anyone knows literally anything important about this flower, I’m very very interested. I know that it can bloom in the early winter and is more tolerable to colder climates, so maybe it’s a reference to rei/the general himura family? Who knows)

Going back to the original thought, I think the line “I wonder what changes we’ll witness… come tomorrow” has been kind of disregarded. And, as the newest spoilers have shown, the entire todoroki family is undergoing this evolution of the heart ALONGSIDE their own personal quirks.

Now, what does that have to do with bkdk and Izuku specifically? We have ofc, the plot line of Izuku not being able to control his heart for Katsuki, but what makes this situation unique is one for all itself.

Ofa, as I understand it, is a quirk closely related to romance. It’s surrounded all of Izuku’s emotions and close relationships, along with Nana’s signature line describing ofa as romantic. And, if we’re talking about near death experiences making these hidden parts of their quirks pop out unintentionally, then that would explain why Katsuki has a connection to ofa. From the ofa stars DURING Bakugou Katsuki Rising, to being able to meet and then talk to the Allmight vestige.

So, uncontrolled emotions, rejection of vulnerability, creates an intimate connection to anyone that Izuku the character, cares about.

On top of all of this, all of Izuku’s inner quirk stuff is so closely tied to his heart, that he doesn’t even need to be in life or death situations—it just has to feel like it. Anger so palpable, he literally unlocks blackwhip. Fear of his friends and fellow heroes demise so strong he unlocks float. And the list goes on and on, with him unlocking most of his quirks during his lowest low, his depressive episode.

Izuku doesn’t have to be dying like Touya does to lose control, he just has to vaguely feel like it.

And of the characters I feel have not evolved their hearts as much as their quirks, Katsuki and Izuku I feel will be the most passionate.

But I digress, here’s the people I believe will have this inner life or death quirk “awakening” because of their hearts: Toga, Ochako, Deku, Katsuki, Shigaraki, and the entire Todoroki family.

Now, controlling your heart and near death experiences, lets see—why are these two ideas so closely tied to each other? What makes them inherently unique in comparison to each other?

Or rather, a better question, what connects them?

I’d argue it’s acceptance. Pain could be another argument sure, but I feel like it’s way more common to just accept that your dying when you’re almost dead, than to actually register the pain from it.

And acceptance of the heart often comes hand in hand with those experiences—Endeavor knows he will die with Touya and he has accepted the fact that he was never enough for him as a father, but that if he can bring him to the sky, it will be okay because he can die with his son as penitence for his wrongdoings, while keeping the rest of his family okay. Probably better off without him because of his actions.

And Katsuki, during his death, has accepted his fate. But while doing so, he has also accepted that he won’t catch up to Izuku, that he truly has been a dorky fan of Allmight, that he can die loving him. (Love doesn’t have to mean romantic in this example, like yes I do believe they will be canon, but love is a loose term here because of what his death truly meant) Because that death meant accepting his care and his admiration of Izuku, that he’s always been looking behind him.

And this circles back to Izuku, with parallels between Rei chasing Endeavor into the fire paralleling Izuku chasing Katsuki into fire during the sludge villain fight, because endeavors death is—while poetic—ultimately only harmful. Yes he is saving the city and Japan, he is dying as a hero and protecting his family, but as Shoto said, they have to do it together. This isn’t Endeavor healing his heart, I would argue it’s meaningless sacrifice born out of guilt. Rei SHOULD help, Natsuo SHOULD help, Fuyumi SHOULD HELP! Shoto shouldn’t have tried to fight dabi on his own, because Enji and Shoto both feel entirely responsible for what Touya has become, when they aren’t!

People forget that Touya is a fucking adult. He’s a serial killer and an arsonist because he chose to be. That doesn’t mean he’s forever going to be the worst person in the world, but no one person is responsible for his actions other than him. And that’s a reality we have to accept with our trauma, our parents can exponentially fuck up and make us terrible people, but you as a person have every opportunity as an adult to change what they have made you become. Touya could have gotten a job if he was that mad at his dad, he could have just fucking knocked on the front door of his house, he could have chosen at ANY POINT in his life to say, “No, I shouldn’t do that.” But he simply didn’t.

And not Endeavor, not Rei, not Natsuo, not Fuyumi, and certainly not Shoto are responsible for that. Dabi is selfish. I love his character but that’s a fact. He is selfish because of his trauma yes, this is all born out of an innate childhood need for his fathers attention yes, but that doesn’t make it justified.

“But Sock what about what you said earlier about saving him together!” I still stand by both my points.

Dabi can both need to be saved AND can also be selfish for needing to be saved in the first place. Those aren’t opposite ideas, they can still coexist. And they can coexist because Dabi is a character written well! He’s not a “villain with the right ideas taken too far”, he’s a complex person with an interesting backstory who has still killed people. (Fun fact dabi has committed several war crimes under the Geneva Convention LMAO)

MHA describes heroics as oftentimes “sticking your nose in places where they don’t belong”, meaning even people who don’t necessarily want to be saved. Dabi can still be selfish and wrong while still needing to be saved and supported.

There’s this line in a fanfic I read, something about human beings sometimes not having enough time in their life to become a better person. For person A, maybe it takes a couple months and a few simple ideas. For person B, maybe it takes your whole life and then some to understand the weight of your own actions. And that doesn’t make person A or person B incapable of change, they can still just need a proper opportunity to understand, or practice to implement a new idea into their mind.

Maybe person B just needed better luck, maybe person A was just a teenager growing up, but they both can still change.

Tangent over about the Todoroki family, back to Izuku. Like Endeavor in this instance, Izuku is often the type to have this martyr mentality, but unlike Izuku, Endeavor is the one currently in the fire, or more rather, he is the one currently dying. Like Katsuki.

Katsuki has accepted his death in this war, that ship has sailed. He has come close to death and then actually died, and the todoroki’s are currently going through the process. So that leaves Izuku. (And technically Toga too, maybe ochako, but that’s for another meta one day maybe)

Will Izuku have to come close to death? I’m excited to see.

in columbo the wealthy are, to simplify it, the villains. columbo himself is a constant reminder of the class disparity; he's shabby, obviously on the low end of middle class, a public servant biting the ankles of the rich and privatized in tailored suits and massive houses. the wealthy characters in columbo are universally crisp, pressed, arrogant, industrial, capitalistic, and guilty

in murder, she wrote, the rich are benevolent and deserving of everything they have. they have to be, the whole premise of the show is jessica fletcher becoming famous (and wealthy) from her books, they can't risk their protagonist being tarnished by filling the rest of her tax bracket with bad apples. watching episodes with jessica's close friends pulling their expensive cars into the driveways of veritable castles and it being a positive thing is jarring and uncomfortable after watching columbo

but it also reminds me of a complaint of my dad's from my childhood. he loved westerns as a kid in the 60s, wyatt earp specifically, and he said over the years the tables of wyatt earp had turned. when my dad started liking wyatt earp, earp was vilified. johnny ringo was robin hood of the west, avenging the exploited, protecting the vulnerable, and giving the law (see: wyatt earp) the middle finger. by the time tombstone rolled into theaters, the dynamic had been completely reversed. wyatt earp's vengeful, spiteful, violent brand of justice was glorified. johnny ringo's poverty made him evil.

Oh, I’m a Ravenclaw, without a doubt. I mean, I have some Hufflepuff tendencies---I put a lot of emphasis on hard work rather than intelligence or knowledge, and I’ve built up a sense of fairness and the importance of community. But those are very much built rather than felt, I’ve carved out space in my understanding of the world and what is Right because I’ve reasoned that 'fairness’ and ‘love of community’ are correct, true principles that a moral system should incorporate.