New pics from The Good Nurse and article on Vanity Fair!!
The Oscar winners play a prolific serial killer and the friend who helped catch him in Netflix’s dark but surprisingly humane movie.

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New pics from The Good Nurse and article on Vanity Fair!!
The Oscar winners play a prolific serial killer and the friend who helped catch him in Netflix’s dark but surprisingly humane movie.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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What we did in motion pictures was have a song and within that song try to elaborate. My usual method was to do what a writer does: get a plot. Say, here’s this fellow in a particular situation and how he would react. Mentally, I write myself a little story. Of course, sometimes you have a song that says, “Do that.” My best example is Singin’ in the Rain.
(Gene Kelly - Interview Magazine. Feb. 1985)
UPSC Current affairs snippet
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Beauty and beast
يبدأ يومي بتفاصيل روتينية، وينتهي بتفاصيل روتينيّة، تكاد أن تكون، نفس التفاصيل تتكرر في أوقات مختلفة من اليوم، في أيام متتالية، ولكن، يبقى عقلي هو الشيء المتصاعد تدريجيًا.. إلى الجنون أحيانًا، وإلى النضج أحيانًا أخرى، أما معظم الأوقات، يظلّ بين ظِل ذلك وذاك، تأتي أمواجه العائرة بمدّها وجذرها، وتأخذ من شاطئ المَرْسَى بعض من أحاديثه، وتأتي إلى شاطئ العمر؛ وتدمّر من ذاكرته بعض الأعوام، لماذا لا تدمّر السنين؟ لماذا تظل السنين على وجه الذاكرة، بينما الأعمار نبذل جهد على إيجادها! ومع ذلك، عندما تأتي أمواج التدمير، لا تجد إلا أعوامي، وعندما تأتي أمواج التذكير، لا تجد إلا آلامي!!
ثم تنتقل الأمواج من شاطئ إلى شاطئ، تعطي وتأخذ منه ما يحلو لها، وما يتلائم مع الوضع الحالي للمحيط، فكل فصل مناخيّ له أحواله المختلفة عن الآخر، كذلك محيطي، كذلك عقلي، كذلك أنا!
ولكن، ما يثير أمواجي، ويجعلها مضطربة، ساحقة كل مركب قد تبحرها، ذلك الشاطئ، المضطرب، مثلي، لا أعرف، هل يملئه البعض بوجودهم، وتواجدهم، أم أنه يظهر هكذا، لعدم معرفته شعور وجود وتواجد شخص بداخله! فيتخيّله، كما أتخيّل يومي سعيدًا، فأبدو كذلك، إلا أنني، أكاد أن ينفطر قلبي، لعدم مرورها عليه...
عندما أصل إلى ذلك الشاطئ، أرى شخص غيري يقف فيه، أراني به مضطرب، غارق، يتبدّل مزاجه كتبدّل مكان عقرب الثواني في الساعة! أراني غير متّزن في ذلك الشاطئ، وكأنه مثلّث برامودا الحقيقيّ! الذي إذا أتى به شخص ما، يختفي، بدون سابق إنذار، وكأن مياه نهري تظل نقيّة، حتى تصل إلى هنا، وتتحوّل من مياه تسطيع أن ترى جمال روحك بها إلى مياه راكدة، أظل منتظر أحدهم، حتى تحوّلْت في ذلك الشاطئ وحشًا، كفيلم beauty and beast، أستطيع أن أشعر بتلك الوردة، الذي تساقطت كل أوراقها، ومع ذلك، لم أمت، هل أستمر في العيش لإقناعي بمدى وحشيتي، أم أوراق الوردة، عندما تسقط، وأكتب فيها قصائدي ورواياتي، ترى فيّ الجانب الحيّ بداخلي، وهذه الحياة الذي أعيشها، هي نتيجة هذا الجانب الحيّ! ولكن، إذا كان، فإنها حلقة مغلقة، تسقط الأوراق، للكتابة عليها، ونتيجة كتابتي تأتي أوراق مؤهلة للسقوط، ولكن، متى ستأتي الورقة التي تجعلني أحيا، نتيجة حياة، ليس نتيجة جانب حيّ!
أرى رغبة بالمزيد في سؤالي، ولكن، هل أستحق هذا المزيد! أم أن قناعتي بوحشيتي لها رأي آخر، لا أعرف، أنا منهك، تعبت الإنتظار، لا أجيد إلا الكتابة؛ لإظهار ما بداخلي، الsocial media جعلت مني شخص آليّ! يقولون علماء النفس، أن الرسالة، والمشاعر، يصل منها 30% فقط من الكلام، وباقي النسبة من الملامح، وحركة الجسد في الإخبار، ولكن، فقدت النسبة الأكبر من التواصل مع الأشخاص، وصبّت كل مشاعري في تلك ال 30%، وأراه تفسير جيّد، لبقائي على قيد الحياة، رغم سقوط كل أوراق وردتي، وهو أن مع كل ورقة تُسقط، يسقط معها بعض من كلماتي، الذي تعطها بعض الحياة، ولكن، يظل الوحش هو الظاهر...
كما قلت، أنا لا أعرف شيء، ولا أجيد شيء إلا الكتابة، ولكن...
Niall Horan interview: life after One Direction
Niall Horan’s solo debut shows he needn’t fear ditching the ‘comfort blanket’ of the band
There are girls outside Niall Horan’s hotel — the smartest in Stockholm, according to my cabbie — but not enough to trouble the traffic. Had the 24-year-old Irishman still been part of One Direction, the street would have been at a standstill.
Inside, there is none of the madness that came with being in the biggest boyband since the Beatles. He strolls along a corridor with no security in sight. Life as a grown-up solo star must feel pretty relaxed.
“Nah, it’s still full-on,” says Horan, whose slinky single Slow Hands has been one of the biggest hits of the year, going platinum in the US. “I’ve been busy every day for the past six years, and that’s how I like it. Give me a day off and I’m bored after 15 minutes.”

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Priorities, Entertainment, and the Lordship of Christ
Our media-driven culture has redefined the pursuit of happiness. The American Dream—which used to consist of a loving family, a nice house, a white picket fence—now includes instant fame, endless riches, easy romance, and the blank-check promise that anyone can achieve his or her dreams. Reality television and the rise of the Internet are perhaps somewhat to blame for this phenomenon. But ultimately the problem lies in the human heart.
We were created to long for satisfaction, fulfillment, and joy, and those desires are good in and of themselves. But our fallen world tries to meet those desires through money, romance, fame, and other earthly pleasures. Yet temporal things can never bring lasting satisfaction to a heart that was created to find its ultimate joy in God.
King Solomon learned that lesson the hard way. After experimenting with everything the world could offer, Solomon finally concluded it was all vanity, and that without God, no one can have true enjoyment (Ecclesiastes 2:25-26, 11:9, 12:13-14).
Christians should not allow entertainment to define their understanding of happiness, romance, modesty, masculinity, success, fulfillment, justice, or anything else. The Word and the Spirit should shape our worldview, not Hollywood.
Sadly, however, many Christians today are more affected by the movies they watch than the sermons they hear. They show more enthusiasm for video games or televised sporting events than they do for pursuing Christlikeness. They fill their minds with the sounds of talk radio or the latest hit songs rather than letting the Word of God richly dwell within them. Deep down, they enjoy exploring the pleasures of the world—even if only vicariously—as they watch actors play out scenes in which sinful pursuits are seemingly fulfilled with little or no consequences. The irony is, of course, that in real life those same actors are just as miserable as everyone else—a sobering reality that keeps supermarket tabloids in business.
Our priorities, passions, plans, and pursuits must be grounded in our love for Jesus Christ. Only in Him can we find true satisfaction (cf. Matthew 11:28, John 7:37). In serving Him we can lay up eternal treasure (Matthew 6:20). In pleasing and glorifying Him we fulfill life’s greatest purpose (cf. 2 Corinthians 5:9). He is to be the object of our affections, ambitions, and hopes (cf. Romans 14:7-8, Galatians 2:20, Philippians 1:20-21).
As the author of Hebrews exhorted his readers,
Let us also lay aside every encumbrance and the sin which so easily entangles us, and let us run with endurance the race that is set before us, fixing our eyes on Jesus, the author and perfecter of faith, who for the joy set before Him endured the cross, despising the shame, and has sat down at the right hand of the throne of God. (Hebrews 12:1-2)
Priorities, Entertainment, and the Lordship of Christ by John MacArthur
Gene to the rescue
In 1954 Betsy was offered a lead role in an important new film, “Marty.” The offer was then withdrawn unless she wrote a letter to the House Unamerican Activities Committee, the only way to clear herself of the ‘taint’ of communist or sympathizer, and she had to ‘name names.’ She could not do that, and was entirely miserable at the thought of losing the role in such a way.
She said: “Gene rode to my rescue.” He stormed in to Dore Schary’s office at MGM and threatened to stop work on his film (Its Always Fair Weather) unless she was given the part. Gene waited while Schary called the American Legion in Washington and vouched for Betsy. She got the part. It was a great success, won a Golden Palm at Cannes and she was nominated for an Oscar.
Its worth noting that during this time Betsy was no longer faithful to Gene, and he knew it, but he still stepped up to support her.
(Betsy Blair - The Memory of All That)
“Marty” was awarded the Golden Palm at the Cannes Film Festival...
“I just can’t tell you what it meant to me. There was that afternoon when Gene gave a press conference. I thought I’d cry. That’s how happy I was. You know how he started it off? ‘I am the husband of Betsy Blair,’ he announced. Everyone smiled and then tears came to my eyes and I thought I would just pass out with happiness...”
(Betsy Blair - Modern Screen, November 1955)
Not new pics but new Eddie Redmayne's Cover and Article on GQ Germany March 2017 @redbatchedcumbermayned