Dec 6, 2025
Gabriel Loppé (1825-1913) - La Tour Eiffel foudroyée, Paris, France, 3 juin 1902, à 9h20
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Gabriel Loppé (1825-1913) - La Tour Eiffel foudroyée, Paris, France, 3 juin 1902, à 9h20
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Étienne‑Jules Marey (FR, Beaune, Mar 5, 1830‑1904, Paris)
scientist, physiologist, chronophotographer
Cronofotography 1895 aristotype* from a celluloid film negative *vintage photo printing process using paper coated with silver chloride in gelatin
thnx shaddad
https://u-paris.fr/bibliotheques/exposition-marey-photosaintgermain/
homegrown gif
Most uncommon and rare to find this collodion silver print (celloidin, aristotype) of a Japanese Geisha 芸者 in her underwear (1895) for a collections-based project I’m working on © photo Tanya Rusnak Of course, the archive is hardly a new theme in contemporary art. The art historian Hal Foster's 2004 essay "The Archival Impulse" defined archival art as a genre that “make[s] historical information, often lost or displaced, physically present. To this end [archival artists] elaborate on the found image, object, and favor the installation format.” Whether this happens in the form of projects dealing with real archival material or artworks in which artists use the archive as a theme (sometimes even inventing material), the idea of the archive continues to be an undeniable force and organizing structure in exhibitions today. Excerpt, How the Art World Caught Archive Fever, Artspace Editors, Jan 2014
U. Baldi. Enregistrement de la secousse sismique du tremblement de terre en Toscane du 18 mai 1895. Aristotype.
Galerie Lumière des roses.
Gabriel Loppé (1825-1913) - La Tour Eiffel le soir, Paris, France, janvier 1889
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Jules Courtier - L'Ă©clair du Volafil, entre 1885 et 1920