#arghhhhhhhhhhhhhhhhhhh

if the story had been the story, the original, the one we know exactly (or vaguely), claudia is a little girl, she wants a companion/mother/woman in her life (although there's definitely a sense of sexuality within that desire too), they're both killed, it is sad, it's a tragedy, we know that this is the Direction the story goes

but also enough things are different that there's a small part asking, well what if it's different enough, what if what if what if, and truthfully i don't think they're going to make it, and it's still the tragedy we know and the what ifs are enough that it'll take us by surprise, even though we know we know we know

but also. what if

i both am and am not expecting it to be different. every iteration of orpheus and eurydice ends the same, even if the details differ

just like jklajkljakjklfdfjkldjkldf

As someone who puts a lot of thought into exactly how I word and format my writing in this type of situation, it’s really frustrating to have to be that annoying person who is like, “Oh hey can you lowercase these 6 words and add extra spaces here and here and here,” because I know a lot of people wouldn’t even notice these things or think them important, but I put thought into it in the first place because it MATTERS and I would notice these things on someone else’s resume. And I wouldn’t have to be that annoying person if you hadn’t gone through and changed things for no reason.

There was a paragraph break where I put it because I completely switched topics.

And why are you capitalizing words like “seminary” and “secular,” it 

does 

not

make

sense