âTrusting in my own decisions, especially when it comes to the well being of my unit... but also I kinda wish I could tie a cherry stem with in my mouth? I get half way and I dunno what happens.â
Wrath: Something that gets me angry.
âBeing blamed for something I did not do. Shit pisses me off, because then it comes down to you not trusting my word and friendships, relationships, everything is based on trust.â
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âI just wish I could read your mind. Youâre this strange thing I donât understand and if I could just get inside your head for a minute and figure out what you need..âÂ
3:Which parent(or guardian) does your muse prefer?His mother since thatâs the only parent he knows, although he doesnât dislike his Dad or anything. He just doesnât know him, plus his Mom was pretty awesome despite the hard time he gave her with his antics. Blowing things up in his backyard was not something she was fond of.Â
7:If your muse had the opportunity to turn into the opposite sex for a day, would they take it? If so, what would they do?Yes and anyone who says no to this question is a liar. ...knowing Erebus... heâd probably want to know what the deal was with womenâs underwear and try on a bunch and just see how much stuff he could get away with that he canât do as a girl. Heâd probably try masturbating. It would consume a good chunk of his day. He would not try and have sex (unless it was Porthos).
11:How important is family to your muse?Ahh, I would say pretty important, but heâs more of a you chose your family type of guy, so his friends are blood to him. Heâs horribly loyal and heâd do anything for them.Â
15:What would your muse say to their younger self if they could go back in time?âDonât fuck Bassama. Sheâs going to try and get you to have a threeway with her brother.ââBB pellets will ricochet off that tree and hit Jessica in the eye, when you do it (because youâre an asshole and itâs funny) RUN. Sheâs going to kick your ass in front of everyone the next day.ââ...When you meet Nicholas, tell him how you really feel as soon as you can.ââWhen you meet Myles, donât password protect all his datapads. It will start a prank war that goes too far and you both end up in the brig.â
⤠ five times my muse says they donât love yours, and the one time they admit it.
i.Â
     When you were sixteen years old, you threw yourself at your motherâs feet and begged her not to leave you. Even now, some eight years later, you still remember the way you choked on your tears, the way you screamed until you were hoarse, PLEADING with her to stay, to please give you one more chance, that youâd will yourself better, somehow. Youâll never forget the look in her eyes, how COLD it was, how impersonal. You couldâve borne the teasing and insults and rejection of the whole world on your scrawny little shoulders and thought nothing of it ( because your head was always a nicer place to live, anyway ), but when Mama went away, your little heart broke in a way it never had before. Youâve always tried to take everything on the chin, but this time you COULDNâT. You cried into your pillow until you got sick, and then you cried again, cried until you had nothing left; out of the ruins of what was left of you, you began carefully sculpting your walls, because if you kept everyone out, then NOBODY could hurt you, and the familiar pain of loneliness has always been far more palatable than the exquisite agony of losing somethingââââsomeoneââââwhom you so badly needed.
     YOUâVE ALWAYS BEEN THE ONE THAT NOBODY WANTED. So in many ways, you arenât surprised when Encke doesnât want you any more, either, when he leaves without so much as a âgoodbye,â taking with him all the little dreams and visions of the future that youâd so tentatively allowed yourself to have. Itâs not the first time youâve felt terrified and ALONE in a universe thatâs far too big and empty. You donât cry this time, though, not like you had back then when Mama went away; youâve long since run out of tears to cry. This time, you just take the picture you had of the both of you on shore leave, the one youâd displayed so PROMINENTLY on your desk, and sweep it into the trashcan.Â
     Youâve lost track of how many hours have slipped by unnoticed while you stare at the wall, your eyes wide and round like dinner-plates, the look in them vacant and LOST; you donât even notice when heâs come in at first, not until he addresses you quietly, the tone of his voice indicating that he knows something is wrong. He looks you up and down, his gaze gentle and concerned, like heâs trying to read you, trying to suss out whatâs left you ( you, the cool, composed, PROFESSIONAL one, perpetually unruffled and unfazed ) in this state. When he sees the photo in the trashcan, HE KNOWS; all at once, his hands are resting tenderly on your shoulders. You donât even realise youâre crying until youâve soaked through his top with your tears; heâs holding you close, like youâre actually something with value, like youââââstupid, useless youââââcould ever mean something to someone.
     By the time youâve run out of tears to cry, heâs still there, and heâs holding your hand tightly.
     You want to say those three little words that nobody ever says back to you, but you stop yourself before they can so much as make it into the back of your throat. Those words do NOTHING BUT HURT, and itâs too premature anyways, isnât it; besides, someone like him would NEVER love someone like you back. So you keep your mouth shut and claw at his shirt instead; though your face is twisted in an expression of sheer AGONY, every little sob of yours hardly makes a sound.
ii.
     Youâve come to know him better in the time thatâs passed since the day your world came crashing down around your shoulders. Previously, he was just âPorthosâ to you; now, heâs ELIOTT, and by all measures, both objective and non, HEâS BEAUTIFUL. On some level, youâd always realised it, but it was a realisation that stayed mostly in your subconsciousââââuntil now.Â
     The Sleipnirâs docked in the port of some nameless little Earth colony, resupplying after a hellish few weeks, and for your part, you fully intend to enjoy your few hours of liberty before itâs time to round up the rest of your Navs and herd them back aboard the ship. You suppose the place youâve docked ISNâT HALF BAD; itâs nothing like Earth, but youâve always been fascinated by these worlds youâd only previously ever known in books. Here, the sky is not blue, but a vivid purplish-red. Three suns hang low across the horizon, partially obscured by clouds, and overhead, the strangest birds youâve ever seen circle in the tepid air, squawking lazily before alighting in tall palm trees whose fronds come in every colour imaginable. Your boots have sunk into the pastel sand, and you wonder if youâre having a FEVER-DREAM, because this place looks every bit like something Dr. Seuss would have dreamed up. You stand there  a w e s t r u c k  for quite some time, before you hear a familiar laugh coming up behind you. ITâS HIM; heâs sun-kissed already ( you donât know how he does it ), and he grabs your hand and drags you off the beach, laughing and saying something about a local pub that youâve just GOT to try. Youâve always liked your whiskey and your gin and your scotch, but you like HIM even more, and when his fingers lace between yours like your hands were meant to be joined in precisely this way, you almost blurt it out again. But you check the impulse and instead romp up the beach after him, laughing and kicking up sand, and the way your heart feels SO LIGHT in your chest is a prospect you find equal parts thrilling and TERRIFYING.
iii.
     Youâve been inviting him back to your office more and more, now; you like to listen to him talk, like to watch him do anything, reallyââââand he seems to like your company, too. You share your scotch with him and he laughs at your silly little jokes, your best attempts at humour. Youâre no longer âsirâ to him, except in jest; youâre not even KEELER any more:  youâre SĂśren, and youâve never liked your name as much as you do when heâs the one saying it.Â
     And perhaps unsurprisingly, it isnât long before shy touches and sidewise glances become something FAR LESS INNOCENT. He sneaks up to your office one day and sits you on the desk, teasing your legs apart with his broad, gentle hands; he holds you close against him before kissing a slow, teasing line down, down, downââââdown your slender torso, past your narrow waist, your powerful thighs. You tremble from head to toe, your hands fisting in the fabric of his shirt, tugging shyly at his hair. This time when you beg, itâs because YOU WANT MORE, more of his soft, warm mouth wrapped around you, more of that  t h i n g  he does with his hands, that thing that makes you see stars behind your closed eyes. You come quickly, crying out in your mother tongue, stopping just short of a confession to him, an admission of the depth and breadth of what youâve begun to feel for him. Because you know it for what it is, now, and although youâre TERRIFIED of the implication, for once in your life, you decide to throw caution to the wind.
iv.Â
     Your twenty-fifth birthday comes and goes without fanfare. Youâve been hard at work for MONTHS ON END, now, and itâs beginning to take its toll on you. Youâre looking more and more exhausted with each passing day, the circles under your eyes growing more pronouncedââââif anyone cares enough to notice, that is; most of them DONâT. And then one day, youâre feeling PARTICULARLY down, like perhaps youâre getting sick in the bad way again, because every single fibre of your being is  a c h i n g  with a fatigue too dreadful to put into words. You drift from your desk to the little couch shoved away in the corner of your office and, shivering, curl up into the tiniest little ball that you can, closing your eyes and hoping for some semblance of sleep to grant you even an hourâs relief from this discomfort.
     And while sleep doesnât come, HE DOES; itâs like heâs got a sixth sense about you. You can feel your lips quivering when he lets himself in and makes a beeline for your tiny form. He scoots you over gently, then tucks up next to you, stroking your hair, rubbing your back. He tells you stories, talks to you gently until youâve stopped SHAKING WITH PAIN. You lose track of how long has passedââââyou even urge him to leave, to go take care of himself, because he must be tired, too, but he WONâT; he insists on staying right here with you and on holding you just like this, your face pressed against the nape of his neck, his strong arms wrapped around you, holding you close.
     Thereâs a stinging in your eyes; your lips tremble, HEART POUNDING in your chest. You ache so badly from the desire to tell him, but you donât, because this is the only good thing you have in your life, and youâd rather continue on with him not knowing, than tell him and scare him away. Perhaps that means heâll NEVER know, but youâd rather bear that pain than the pain of loss; at least one of these you know you can handle.
v.
     Youâve always found him beautiful, but heâs absolutely BREATHTAKING like this, bathed in the early morning sunlight that comes drifting into your little hotel room through an open window, curtains dancing lazily in the warm springtime breeze. His hair is messy and tangled, eyes at half-mast, a soft, gentle smile tugging his lips up at the corners as he presses the tip of his nose against yours. The both of you lie where youâd fallen the night before, a mess of tangled limbs and tangled sheets, sore and spent in the best of ways and naked as the day you were born. Outside, thereâs a LITTLE CHICKADEE twittering away in the treetops, and you canât help but giggle at its call:  chicka-dee-dee-dee-dee, hey-sweetie, hey-sweetie. You lean in and whisper in his ear that itâs your favourite bird, ask him if he can hear it call out âhey-sweetie, hey-sweetie.â He strokes your cheek and says that he can.
     And for awhile, the two of you lie there in perfect silence, wholly immersed in the moment and in EACH OTHER, his fingers tracing the contours of your cheekbone, of your jawline, tucking locks of your wavy hair behind your ear. You BREAK THE SILENCE FIRST; your voice is low and tremulous when you do. You tell him that YOUâRE GOING TO BREAK HIS HEART SOMEDAY, because youâve always come with an expiry date, and he shouldnât get any closer because heâs the best thing thatâs ever happened to you, and you donât want to hurt him. He holds you even closer, then, cups your tearstained cheeks in his hands and kisses you fiercely; when he pulls back, his eyes are glassy, too. He tells you he ISNâT GOING ANYWHERE, that heâs known for a long time that youâll break his heart, and HE ISNâT AFRAID; he wants to love you all the more while he still can. Because he does love you, and he wants you to know that, do you know it, SĂśren, do you believe me when I say it?
     Your breath catches in your throat. Your fingers are digging into his arms so tightly that your nails have left half-crescent imprints there; you arenât even aware of it. For a moment, TIME SEEMS TO STAND STILL. The breeze blows the curtains back gently, dances across your skin. Outside, the tree branches bend and wave, the sunrise painting the sky in a breathtaking palette of vibrant colour. It seems as if the whole world is waiting with bated breath, just like he is, to see how youâll reply.
     I love you, you say, exhaling it on a soft breath, one youâve been holding for SO LONG without even realising it until its familiar weight is gone from your chest. He pulls you in a close embrace, kisses you deeply, whispers your name like itâs a PRAYER. You count his heartbeats, each and every one, memorise the feel of his body pressed against yours, and in that moment you decide that if you can bring this man even one iota of the joy heâs brought you, then yours will have been A LIFE WORTH LIVING.
     Outside your window, high up in the treetop, the little chickadee twitters away once more. Hey-sweetie, hey-sweetie, chicka-dee-dee-dee-dee-dee.Â
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⤠ five times my muse says they donât love yours, and the one time they admit it.
i. He just had a fight with that lover of his and he seeks company on this man he has met not that long ago but that apparently is always there whenever he needs to talk to someone--- or to just stay in silence but not alone. Eliott is great company when Thomas is barely present, always too caught up in work to pay attention to his younger lover, although Jules is beginning to think that gentleness does not form part of the Commanderâs nature. If he were even a little bit more like Eliott--- well, but he doesnât love Eliott, he loves Thomas.
ii. He is laughing at the most stupid joke he heard in the longest time and he wonders how can this man spill so much bullshit with a serious face... when Eliottâs poker face cracks to give away the phantom of a smile, and Jules can almost swear his heart made a funny pirouette inside his chest... but this is not the man he loves, so that just had to be a mistake.
iii. He is now Phobos, and this is now Porthos. Itâs been a long time since they used their real names outside of the security of their well deserved intimacy that they had been working on for so many months, almost years; they are immerse in this friendship that no one else can get in the middle of, that no one can interrupt, taint or damage in any way... unless itâs them the ones doing the damage. Most specifically Jules, when he had bottled enough shit to explode in an ocean of pure violence and obscenity that crashes its waves on the land that is Eliott. We hurt the most those we love the most... but the gentle giant remains gentle even when he is being insulted and attacked, never losing that softness he seems to have an endless supply of -for when he touches his friend, he turns into a trembling man again, when there was a beast now the fangs fall along with the tears and Phobos is just Jules, clinging at Eliottâs arms, to hours after tell himself the way he was feeling about him was just the weakness of the moment.
iv. He sits on that lap that seemed to have been shaped for him when the commander enters the room they are all having lunch in. It doesnât matter much of anything, whether it bothers those that are around them, or whether it makes it hard to think, they will kiss each other tenderly while pretending love that isnât there... or that he is so sure doesnât exist. And in the middle of his acting -he just wants to make Cook jealous and Porthos never refused the idea, always playing along with Phobosâ games-, he thinks how good it would be if he loved Eliott instead of Thomas... but he is quick to tell himself thatâs not possible.
v. He is about to break. That is exactly how he feels: fragile, vulnerable, holding a heavy heart filled with secrets he have to keep from spilling but that will eventually break his back--- and his spirit. Because he canât help to want to kiss more each time his lips meets Eliottâs, or cry each time he looks so divine and handsome that he cannot contain this storm unleashing inside of his chest. He is a miserable man for wanting to deny the most painfully obvious thing... but he fears rejection. Sometimes selfishness is the only way, he tells himself as he gives himself to that man in front, already inside and all around him, holding Porthosâ hand and being completely honest with himself. Those three little words are too heavy on him yet heâs terrified of voicing them, but he is taking the first step and admitting it to himself first. He loves Eliott.Â