#archival feedback

Archival Feedback (Emile Milgrim, T. Wheeler Castillo) are artists based in Miami, FL. Archival Feedback’s working experimental practice integrates wide-ranging field studies with art and the study of the landscape, charting the environment, and exploring place through a holistic framework. AF contextualizes the fieldwork through sound media and mediums, using these to create experiences that encounter and immerse into the acoustic landscape, relating the human spaces to non-human spaces and relationships in ecosystems in an anthropogenic era. For the seventh CCC Mix, 'Screen Shot', AF weaves call and response with a collage of field recordings and the human voice.

Tracklist:

00:00 - Encontro Mi Mawai - Mae Yuka Ika 01:33 - FKA twigs - Sad Day 05:32 - Gigi Masin - Call Me 09:41 - Sade - No Ordinary Love 16:49 - Archival Feedback - DtCC 20:15 - His Name Is Alive - Blue Moon 22:31 - Antony And The Johnsons - Dust And Water 24:56 - Ursula K Le Guin - Long Singing 30:06 - Talk Talk - Ascension Day 35:55 - Midori Hirano - Ocean’s Disconnect 39:19 - Mary Ocher / Julia Kent - Blue Crystal Fire 43:44 - This Mortal Coil - Waves Become Wings 48:05 - Loscil - Argonaut 1 54:55 - Kate Bush - Hello Earth 1:01:04 - Miriam Makeba - L’enfant Et La Gazelle 1:04:42 - Cocteau Twins - Pink Orange Red 1:09:13 - Percy Faith - Moon Over Miami [A.F. Flamingo Hotel RMX]

@archivalfeedback www.instagram.com/archivalfeedback/ www.discogs.com/Various-Archival-…k/release/9035143

Mix art by @archivalfeedback & @coralmorphologic Mix art direction by @vacationsnyc

At the Intersection: Music & Field Recordings

Recent albums from Phil Edwards, Emile Milgrim & T. Wheeler Castillo and D Bayne exist at the intersection between performed sound and field recording.  Many artists turn to field recordings for texture, but in these works, the originals are honored in a manner that sets them apart from their peers.

As recently as a decade ago, the cache of popular field recording sources seemed small, restricted…