If in dying, were I to feel no other pain, I would be content to die a thousand deaths a day.

seen from Türkiye
seen from United States

seen from United States
seen from South Korea
seen from Russia
seen from United Kingdom

seen from Indonesia

seen from Indonesia
seen from Türkiye
seen from Türkiye

seen from United States

seen from Germany

seen from Malaysia
seen from Canada

seen from United States

seen from Malaysia
seen from Türkiye

seen from United States
seen from Türkiye
seen from United States
If in dying, were I to feel no other pain, I would be content to die a thousand deaths a day.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Arcadelt- Il bianco e dolce cigno
Perhaps one of the best known madrigals of its time, it was recycled by many composers. It has a simple charm.
Jacques Arcadelt (1507-1568) - arr. Liszt Ferenc (1811-1886)
Király Csaba - organ (Sopronhorpács, 2013)
"Behind the organ"
I once rehearsed this song for months, but never sing it on stage. Still, I love this song. By the way, it's my choir's recording. Enjoy.
I thought my fire for you was burning no more
But then the closest it comes the more it burns.
With disdain I thought this fire had gone out
But with jealousy she rekindles it more that the wind would
O you, my enemy, and your burning beauty!
I Grieve and you have no mercy on me!
If you would but pity me, beloved Nanina,
Then you'd be filled with divine wisdom.
Arcadelt Iniustissim'amore ("Most Unjust Love")
The Consort of Musicke
(Parisian mirror case, early XIV century)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Jacques Arcadelt (1507 – 1568) - Margot labourez les vignes, chanson for 4 voices, S. 8/42
The King's Singers
Jacques Arcadelt's (Jacob Arcadelt 1507 - 1568) "Il bianco e dolce cigno".
The white and sweet swan
dies singing, and I,
weeping, reach the end of my life.
Strange and different fate,
that he dies disconsolate
and I die a blessed death,
which in dying fills me
full of joy and desire.
If in dying, were I to feel no other pain,
I would be content to die a thousand deaths a day.
... as an example, she argues that the central conceit of "Il bianco e dolce cigno" the joyful orgasm that makes the lovers want to die a thousand deaths a day was both displayed and contained by its performative context.
It is not difficult to see how madrigals like "Il bianco e dolce cigno" might fulfill medical prescriptions for sexual arousal. The singers, in their small, physically proximate circle, recite wanton words in a context of musical friction ... The madrigal's lightweight punch line, emphasized by the musical joke that sets it, now becomes an element of social control. When a suggestive text is combined with the physical pleasure of singing, sexual tension results.
... Musical madrigals, like the poetic idioms of their texts, pushed but never broke the limits of decorum, providing a kind of safe sex. The singing of the madrigal constituted flirtation, but not foreplay; therefore the singers could enjoy this sexual tension without pursuing it to its conclusion. Even the discipline and adherence to a strict set of rules, mandated by the activity of singing, Macy suggests, contained the erotic potential of music making.Â
FUCK YES 16th CENTURY!Â