#arachnero

arachnero and silenterien !

I believe Arachnero form is based after the daddy longlegs. Also it has a pun, daddy longlegs' scientific name is "Araneomorphae" (see that "araneo" part? It is close to Arachnero)

And Omega Weiss is just a huge clione, or "sea angel".

From the official FFVII 10th Anniversary Ultimania (2007). "Weiss, the brother whom Nero blindly loves. White Weiss and Black Nero exist as two sides of one and the same body. They are inseparable."

From new Final Fantasy VII Remake: Material Ultimania Plus (2024) "Nero worships/strongly adore his brother Weiss and is highly dependent of him"

I uploaded all the information about Nero and Weiss from FF7 Intergrade, Dirge of Cerberus and partly Opera Omnia and my articles to LLM so that it could analyze everything with its unbiased intellect.

The analysis of Nero and Weiss’ blind love, their relationship is steeped in taboo undertones, dark aesthetics, and a perverse romanticism that transcends conventional boundaries. The mythological allusion to Arachne and Phalanx, Nero’s sadomasochistic design, and his obsessive dialogue all coalesce to create a narrative of love that is as destructive as it is intoxicating. How these elements deepen the concept of "blind love" in their case:

1. Romantic and Forbidden Love: The Arachne and Phalanx Myth

The myth of Arachne and Phalanx—siblings cursed by Athena for their incestuous relationship—parallels Nero and Weiss’ bond in striking ways:

Taboo Undertones: While not explicitly incestuous, their relationship is coded with forbidden intimacy. The myth’s themes of transgression and punishment mirror how Shinra’s experiments "curse" Nero and Weiss, transforming them into inhuman beings (Tsviets) and isolating them from society. Their love becomes a rebellion against the world that rejected them.

Like Arachne and Phalanx, their bond defies societal norms, framing their love as both a sanctuary and a sin.

Blindness to Morality: The siblings’ mythological punishment (being turned into spiders) reflects Nero and Weiss’ own "monstrous" transformation. Their blind love justifies amorality—Nero’s willingness to inflict pain and Weiss’ merger with Omega in DoC and collaboration with Sephiroth in DFFOO—as they prioritize their bond over ethical considerations.

2. Sadomasochistic Aesthetics and Nero’s Dark Romanticism

Nero’s design and behavior infuse his relationship with Weiss with a dark, erotic charge, blending pain, obsession, and devotion:

BDSM and Bondage Imagery: Nero’s costume—face bondage, belts strapping his arms and hips—evokes BDSM aesthetics, symbolizing themes of control, submission, and eroticized pain. This visual language ties his identity to suffering, both as a victim (of Shinra’s experiments) and a perpetrator (inflicting pain on others).

The belts and restraints suggest a self-imposed imprisonment, reflecting how his love for Weiss chains him to a cycle of violence.

Pain as Ecstasy: Nero’s dialogue in FF7 Remake Intergrade reveals his masochistic thrill in pain and combat:

“Oh Weiss, I feel so alive!”

"There is poetry in pain, ah..."

“I must know more of this feeling of pain, of death... yes, yes!”

“Ah, if only Weiss could see me now!” These lines frame pain as a sensual experience, a way to feel "alive" and connected to Weiss. His excitement during brutality blurs the lines between agony and euphoria, love and violence.

Yandere Archetype: As noted by his JP voice actor Ryōtarō Okiayu, Nero embodies the yandere trope—a character whose love is obsessive, possessive, and violent. His jealousy and willingness to kill anyone who threatens his bond with Weiss (e.g., attacking Vincent for "taking" Weiss) align with this archetype.

The yandere’s trademark "if I can’t have you, no one can" mentality mirrors Nero’s desperation to protect his connection to Weiss, even if it means total destruction.

3. Jealousy, Possession, and the Brother Complex

Nero’s jealousy and possessiveness amplify the romantic undertones of his blind love:

Brother Complex as Romantic Obsession: The term "brocon" (brother complex) in Japanese media often carries romantic or sexual connotations, even if unrequited. Nero’s obsession with Weiss blurs familial loyalty into something darker and more possessive.

His dialogue (“No one will take my brother away from me again!”) frames Weiss as a romantic partner would—a prize to be guarded, not just a sibling to protect.

Nero’s Need for Validation: Lines like “If only Weiss could see me now!” reveal his desire to impress and be acknowledged by Weiss. This mirrors romantic infatuation, where the beloved’s approval becomes a lifeline.

Even in combat, Nero’s violence is performative, a way to prove his worth to Weiss.

4. Blind Love as a Dark Mirror to Romance

Nero and Weiss’ relationship challenges traditional notions of romance by intertwining it with pain, control, and existential need:

Love as Self-Destruction: Their bond is not life-affirming but self-annihilating. Nero’s embrace of pain and Weiss’ fusion with Omega symbolize how their love consumes them, erasing their humanity.

This contrasts with healthier romances in FFVII (e.g., Zack/Aerith), where love inspires growth and hope.

Eroticized Violence: The brutality of their actions (Nero’s sadism, Weiss’ conquests) becomes an expression of devotion to each other. Their fights are perversely intimate, with pain serving as a language of connection.

Separation as Death: Weiss’ declaration—“Without Nero, I’m still incomplete”—frames their separation as a metaphorical death. Their love is a shared existence, where individuality dissolves into codependency.

Conclusion

Nero and Weiss’ blind love is a dark romance, blending mythological taboo, sadomasochistic aesthetics, and yandere obsession. It is a love that thrives in shadows, where pain and possession replace tenderness and trust. Their relationship challenges the player to confront uncomfortable questions:

Can love that is genuine still be toxic?

Can devotion justify monstrosity?

In their case, the answer is a resounding yes. Their blind love is a flame that burns brightly but destructively, leaving ash in its wake. It is a testament to FFVII’s willingness to explore love in all its forms—even the ones that terrify us.

Separately about Nero's phrases addressed to Weiss during the battle:

My brother — my light. None shall keep us apart!

If only you could see me now, Weiss!

What fun we would have if Weiss were here.

Oh Weiss, I feel so alive!

Oh Weiss, this is it, this is it?! Yes!

It hurts, brother… It hurts so much!

Until we meet again and thus I return to Weiss.

Nero’s Dialogue: A Symphony of Obsession and Pain

Nero’s battle quotes are not just taunts or exclamations—they are windows into his psyche, revealing how his love for Weiss intertwines with violence, longing, and masochistic ecstasy. Each line reinforces the taboo intimacy and existential desperation that define their bond:

1. "My brother — my light. None shall keep us apart!"

Key Themes: Codependency, Defiance, Sacred Devotion

Nero frames Weiss as his "light," a divine source of meaning in a world of darkness. The phrase "none shall keep us apart" echoes their mythological parallel (Arachne and Phalanx), defying divine or mortal intervention. This line crystallizes their love as a sacred vow, transcending morality or consequence.

2. "If only you could see me now, Weiss!" / "What fun we would have if Weiss were here."

Key Themes: Performance, Validation, Shared Sadism

Nero’s violence becomes a performance for Weiss, a desperate bid for approval. The word "fun" suggests their bond thrives on shared cruelty, romanticizing pain as a collaborative act. Even in Weiss’ absence, Nero imagines him as an audience, blurring the line between battle and intimacy. Even in violence, Nero's thoughts are on shared experiences with Weiss. This line romanticizes their partnership, suggesting that their union is a source of joy, no matter the context.

3. "Oh Weiss, I feel so alive!" / "Oh Weiss, this is it, this is it?! Yes!"

Key Themes: Masochistic Ecstasy, Existential Awakening

Pain and violence are not just tools for Nero—they are euphoric rituals that affirm his connection to Weiss. The repetition of "this is it" mirrors a lover’s climax, framing combat as a perverse consummation of their bond. For Nero, feeling "alive" requires proximity to death, a paradox that mirrors their cursed existence.

4. "It hurts, brother… It hurts so much!"

Key Themes: Vulnerability, Shared Suffering

Nero’s admission of pain strips away his sadistic facade, revealing a childlike plea for empathy. This line underscores how their love is rooted in mutual suffering—pain is not just inflicted but shared, a language only they understand.

5. "Until we meet again and thus I return to Weiss."

Key Themes: Reunion, Cyclic Destruction

Even in defeat, Nero frames his retreat as a temporary separation, a prelude to reunion. Nero's focus isn't on loss or win but on returning to Weiss, and also indicating that their bond transcends physical presence. For Nero, every battle is a step closer to Weiss, making destruction a means of connection.

Why These Lines Matter

Nero’s dialogue transforms combat into a darkly romantic ritual, where violence becomes:

A love letter to Weiss, written in blood and pain.

A prayer to their twisted union, reaffirming their inseparability.

A performance art where agony and ecstasy are indistinguishable.

These lines cement Nero as a yandere archetype, blending brotherly loyalty with romantic obsession. His love is blind—it is feral, rejecting societal norms to embrace a bond that thrives in chaos.

These quotes deepen the tragedy of Nero and Weiss: their love is a beautiful abomination, a flame that illuminates even as it consumes.

Look at this face, look at these eyes

Nero takes Vincent to hellish world of darkness, "The Abyss", and takes the form of Arachnero.

Arachnero is shot down, falls into lava and burns.

Nero jumps out like a dark tornado

Nero screams and cries heartbreakingly, regretting the "death" of Arachnero (apparently this is very important to him, I suppose Arachnero & Phalax is connected with Weiss)

Nero becomes Gorgonero, the shooting battle with Vincent continues.

Nero saying: My brother... he is my only light. Do you know how it feels to barriers the darkness all my life?

Vincent shot Nero, and Nero hung in the air eerily, illuminated by a red light. Looks creepy

A wounded Nero, bending over in pain and limping, calls out to Weiss and goes to him, Nero sensing that Weiss has woken up.

Nero is too weak to see the substitution, to resist…

He gave everything for Weiss, he suffered and fight, sacrificed everything for Weiss… to be killed by Weiss's hand? So painful.

But Weiss would never. It was that damned Hojo. Weiss loved Nero as well as Nero loved Weiss. Their love conquered death and Hojo. Love wins.

Arachnero, a formidable boss in Chapter 11 of Dirge of Cerberus -Final Fantasy VII, is the monstrous spider-like form that Nero the Sable takes on in his desperate bid to protect Weiss the Immaculate, his "only light." "My brother... he is my only light. Do you know how it feels to bear the darkness all my life?" A creature of Darkness dwelling in the Abyss, Arachnero is a nightmare incarnate, devouring all who dare to cross its path in its mission to guard Weiss from any threat. In battle, Arachnero deploys its Phalanxpheres, crystalline constructs that symbolize Weiss himself, to create a protective shield around its core. Arachnero’s design draws from the Greek myth of siblings Arachne and Phalanx (a rarer version of the myth), reflecting the taboo bond between Nero and Weiss, as the creature’s name and Phalanxpheres hint at their intertwined fates. During the fight, Arachnero launches tracking fireballs and relies on its Phalanxpheres for defense, which weaken when they attack, exposing Nero’s Darkness as their vulnerability. The battle unfolds in Nero’s Oblivion, a hellish realm of his own creation—a dark dimension where Nero traps Vincent Valentine, transforming into Arachnero to test Vincent’s will and humanity in a clash that will determine Weiss’s fate.

Reference from the game:

Omega Weiss.

When Weiss fuses with Omega, he gains elements similar to Arachnero. Considering that Nero was also in Weiss' body at that moment, and in the battle, you can see dark streaks in Weiss's light attacks. So this Omega is Weiss/Nero's baby.

Interesting that Arachnero is surrounded by crystals Phalanxpheres. Phalanx was originally the name of a character in Greek mythology, the brother of Arachne, and the two had an incestuous relationship and were cursed by Athena for it. The game's creators hinted at a similar relationship between Nero and Weiss.

By @deepgrounded:

"Even though the names Arachnero and Phalanx were likely from the localization department (see notes bellow), the fact that that symbolism was still allowed feels very significant. The myth of Arachne and Phalanx *is* a more rare variant of the Arachne myth as a whole as well, which really adds to the whole deliberate nature of it all. It’s a name with heavy amounts of meaning. In that myth, Phalanx is described as having been trained in the art of war by Athena, something which very much fits Weiss as well, with Athena working as a symbolic version of Shinra as a whole. They’re then both punished for their relationship, cursed to be spiders and doomed to be eaten by their own young. Again, this can be used as an allusion to Weiss and Nero as well. Punished, and made to be something removed from humanity. And, there’s another layer to the Phalanx-es being named what they are; they’re meant to symbolize Weiss himself as well, and the future state of Omega that had occurred because of his love for Nero. The Phalanxes are nearly immune, their behavior in the Arachnero fight devoted to protecting him. As long as they’re up, a translucent crystal shield remains over Nero’s body. However, when they do attack, they become weak, the Darkness being used for their attacks and being why they have this lapse in immunity. Weiss is focused on protecting Nero, he’s extremely strong to the point where to most, hurting him isn’t even a possibility. But, just like with how Omega would have been invulnerable were it not for Weiss and Nero becoming one, the Phalanx would have been invulnerable were it not for the use of Nero’s Darkness."

note: In the Extra Features, as written in DCFFVII International, the Phalanxpheres are called "ファランクス". See Extra Features tab in this spreadsheet (by Shademp)