"Please⌠I justâ I don'tâ I don't want to think about home, or work, or anything any more, I just want you." Quickly, she grips Julian's forearm. "Both of you."
Closing the small distance between them, Nadia seals her words with a searing kiss. From behind, Julian's arms tighten around her, his own lips brushing parchment soft against the ticklish skin just behind her ear.
"Very good,â Nadia whispers, barely pulling away. âYou know, there was so wrong answer, but I am so very glad you chose this.â Drawing Julian's face in close, Nadia kisses him just the same. "Does that sound equitable to you as well, Doctor?"
Cheeks flushing scarlet, he nods, nearly knocking all three of their heads in his enthusiasm. "A chance to lavish our sweet Laurel with unbridled affection? It would be my absolute honor, Countess."
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đ : How would they plan a romantic evening for a significant other?
laurel likes to think of herself as fairly intuitive to what her partners like. something like making them their favorite meal, or if they prefer to go out, taking them to a place they love. probably followed by an activity they like, or going somewhere special to them. a live concert in their favorite park? their favorite artist on display? a movie marathon of something they love with popcorn and all the works. things like that to show them that she listens and cares about their preferences.
đ answered here
alt - đ : Is your OC a good kisser? How do they do it?
she's not necessarily a Bad kisser, but especially if she's never kissed that particular person or anyone before, she's not very confident. she likes to be shown what to do, and then will sort of... mimic what's done to her. as she grows more accustomed to it, she'll start to add more of her own flair to things. likes to kiss and BE kissed deep, lots of tongue.
đ : Does your OC smell good? Do they have a signature scent?
smelling good is just another aspect of the whole carefully crafted package. i assigned him tom ford tobacco vanille as his preferred cologne, which is described as: top notes are tobacco leaf and spicy notes; middle notes are vanilla, cacao, tonka bean and tobacco blossom; base notes are dried fruits and woody notes.
plus he always smells a Little like graphite and that kind of ozone-y printer paper smell from the office, usually on his hands.
đ : What is their courting style? How would they woo someone?
becky u know lyndon could not woo his way out of a paper bag. lyndon has no real interest in wooing people, and therefor has no idea of how to do so successfully. he's more likely to just blurt it out than to try and actively court someone's attentions, mostly because he's never actively seeking romantic partners and once he's in too deep it's too late. he is the one who has been woo'd.
sooo like, a little over a month ago i saw This ask with this prompt from @babyastrophysicsinantiques over on @prakranwomanswh0re âs blog and uHH needless to say i got a touch. possessed by the idea. so. whoops. hopefully OP enjoys this because if not, boy i sure went hog wild for my own gratification lmao
Original prompt: âNadia 'allowed' MC to be the domme, train Nadia as their pet, and make Nadia beg for release?â
Tags: Post-game established relationship, Dom/sub Play, Kink Negotiation, Switching, Sub Nadia, First Time Topping, Pet Play, Collars, Dirty Talk, Grooming, Corsetry, Nipple Clamps, Anal Fingering, Anal Plug, Cunnilingus, Vaginal Fingering, Mommy Kink (no actual age play, just the title used), Aftercare
Summary:
âIt is bad form, to expect something of you that I would not be willing to undergo myself. I fear I have been woefully remiss in my application of such practices as of late.â
--
Nadia and her wife, Laurel, try something a little different for a change.
"You're certain? I mean, really, truly certain about this?"
Nadia smiles, fingers trailing over the jut of Laurel's cheekbone, down past her lips to linger over the slight frown she finds there. "I trust you."
Laurel huffs, staring down at the collar and lead in her hands. Fine Venterrian leather, soft and supple as a second skin. Her own throat almost aches to have it fitted around her, to feel the tug of the leash with Nadia on the other end. She blinks away the thoughts, shivering, steeling herself. It was not Nadia on the other end of her leash. The lead belonged to her , the collar waiting to be placed around a neck that had never seen such a decoration.
âIt isnât about trust,â Laurel breathes, tries to make her voice firm already and fails.
âOf course it is, my darling.â Nadia is ever patient, ever comforting. Laurelâs bulwark even as her stomach churns with a nervous gale. âIt is bad form, to expect something of you that I would not be willing to undergo myself. I fear I have been woefully remiss in my application of such practices as of late.â
Laurel squirms in place. âYou know I donât mind, I wouldnât â-â Her eyes shift off to the side, unable to meet Nadiaâs gaze. It isnât a lie, she wouldnât have minded, would never have asked Nadia for anything this. She had only posed as many questions as she had out of⌠call it incorrigible curiosity? It had been Nadia, practical to a fault, who had decided that perhaps, even after a more than thorough explanation, that a demonstration would be in order. When Laurel had nodded so wholeheartedly, she hadnât realized this was what Nadia had meant, would never have presumed in a thousand years.
âItâs onlyâŚâ she sighs, a fallen curl blowing away from her lips. âIâm not practiced at this like you are, Nadia. What if it isnât â â
Softly tutting, Nadia moves the lead, the collar, out of Laurelâs hands and sets them aside. She brings those now empty hands to her lips and kisses them, dragging lips over knuckles slowly and deliberately in ways that make little chills erupt like fireworks at the top of Laurelâs spine, fizzling and crackling all the way down.
she super isnât, honestly. laurel likes to fuck with Feelings. must be In Love with at least one of the participants at all times.
20 answered already, 15 for backup
15. Describe their favorite sexual encounter.
laurel doesnât like to kiss and tell on specifics, but in General, anything that involves her getting as stuffed full as possible immediately makes its way to the top of her list.
25. Share a sample line of dirty-talk
domme laurel:
âEveryone who had you before me wasted you,â she says, low, quiet, almost dangerous, lips pressed close enough to graze the cleft of Arianaâs ass. If she could see herself, surely the whole of her iris would be swallowed up by pupil, her cheeks beyond scarlet, sight half-glazed as if drunk. âThis is what this ass is made for, isnât it?â Her thrusts grow stronger, less exploratory and easy. The worry of Ariana pushing back onto her her gone, the force of Laurelâs strength rocking her forward and back under her own inertia. âTo be fucked by me? This perfect ass thatâs all mine now to do whatever I like. Thatâs going to take anything I give it. Nobody ever knew how to fuck you as well as me, did they, sweetheart?â
sub laurel:
 âYes,â she grunts, taking as deep a breath as she can manage. âYes, yes, oh... I look p- pretty. So pretty with your hands inside me, filling-- filling both of my holes. My sloppy, needy little holes. Pretty, pretty just for you, yes. Thank you! Thank you for filling me up.â
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absolutely! sheâll purr like a kitten if u get ur hands in her hair, and is just as likely to fall asleep in ur lap while u do it. see also: having her hair washed or pulled
14. What's something they unashamedly adore?
LOUD music. leave her alone and sheâll turn anything up to full blast and just ~vibe~. unfortunately for anyone else in the vicinity itâs usually something ridiculous like showtunes or folk music that perhaps shouldnât be blasted, but thatâs absolutely not going to stop her.
20. What do they like seeing their partner in when they âdress-up?â
laurelâs a simple girl, really. lacy lingerie is always welcome. corsets are also a big favorite. also a big fan of seeing her lovers in shibari, even a very simple chest harness is enough to really get her attention. much like with corsets and ropes, she especially likes anything that leaves a mark after it comes off.
22. Favorite thing/part about sexâintimacy, role-playing, etc.
definitely the intimacy. sex for her is all about closeness and trust. giving control to her partner or having her partner give the control to her, making sure her partner feels good. her driving force is, at all times, to be useful and to be wanted, and sex is a perfect outlet for that as far as sheâs concerned.
my contributions to @lovelikeyoursfest for the first prompt, âthe start of something newâ. these are technically both excerpts from longer in-progress fics featuring my apprentice, laurel, but they happened to fit the theme so well i thought at least part of them deserved to see the light of day. consider this a teaser for my future works if u find urself interested~
chronologically, nadia comes first, julian can be found under the cut
Nadia & Laurel
January, 5 years ago
The whole of Vesuvia thrums with the energy of the masquerade, like one large body set to motion at last after a long winter. The lights, the reeling crowds, they pulse and pump as they make their way along the arterial canals, upwards, always upwards, to the highest reach of the city -- to the beating heart of it all -- the palace. Laurel catches Asraâs hand in her own, dragging him along, or he her, or perhaps they simply get swept away together by the throng, laughter bubbling on her lips for what feels like the first time in months.
Try as one might, it is easy to get separated once the party truly takes hold of the palace. The hoi polloi of Vesuvia clamor towards the offered food and drink, while the elite swan about and entertain themselves with chatter and gossip. It is not with intent that she loses track of Asra somewhere past the room full of enchanted, talking statuary. One moment he is there, and the next he is not, the space he once occupied at her side now taken up by three bustling women in matching silver gowns and masks done up like swans, all vying for entry into the room. It matters little to Laurel. Asra will find her eventually, when he cares to be found himself. He always does, somehow, whether she cares for him to or not.
There is little intent to where she wanders, keen to let herself be drawn wherever the whims of the party may take her. She knows there is something surrounding her -- a pall of grief, though it seems too melodramatic a sentiment. It is a palpable, invisible thing about her nonetheless. People walk around her, unsure of why, rowdy drunkards don't dare to jostle or bump her. Her own personal never-mind-me spell, cast without intent simply by virtue of existing. Their disinterest rankles, but she shoves the ill-feeling down deep. It's not them she's here for, anyway. A tall glass of fizzing wine makes its way into her hand, plucked deftly from a passing servantâs platter, and she carries it along in her gloved hand, sipping occasionally, leaving a smear of bright red along the rim of the glass from her painted lips.
The heavy press of the party lessens as she finds herself on the veranda, the roar in her ears fading, carried away on the cool evening breeze. It chills her overheated skin, bare beneath only a few thin layers of chiffon and satin, and she relishes the prickle of gooseflesh it leaves in its wake like a kiss. She takes her glass and drains the last of the golden wine too quickly, and trades it for another -- something pink and dangerously sugared this time. This too she finishes in a few deep gulps, setting the empty glass back onto the bemused servant's tray and taking another before they have time to even move away. Alone, save for the alcohol that burns in her too empty stomach, she wanders the less crowded gardens, full of others who have little interest in being found. She hums along to a familiar tune as she passes through a faint cloud of sound, drifting over the tops of the immaculately trimmed hedge walls.
She feels sweet with wine and song, the lightest she has felt all year. Here, the sounds and smells, the anonymous, whirling multitude of bodies-- they keep out what Laurel would rather forget. Here there is no responsibility, no pitying glances from familiar patrons, none of Asra's well-intentioned saccharine condolences. No one knows her here, not behind the gilt painted mask. She is hardly herself, if she wants not to be, and oh how desperately she craves the chance to not be herself, if only for just a little while. That is the true magic of the Countâs masquerade, something far more powerful than what she could throw together in a mortar at home and call such. She is only the swell of the music. It lifts her slippered feet, carrying her in some semblance of dance as she walks the cobbled path, eyes closed in what would feel almost like joy, if she could remember the feeling.
There is no one on the path with her, no one to see her dizzy, stumbling attempt at a coranto, so when her body meets something else -- someone else, the slide of a silk gown against her bare arms -- her eyes snap open, and she stumbles backward with an embarrassed curse.
"Shit! Sorry, so sorry."
Laurel lifts her gaze, expecting to see the heated glare of whomever she'd been unlucky enough to plow into. What she does not expect is the countess -- The Countess -- blinking back at her with equal amounts of surprise.Â
With a choked sort of squeak, Laurel drops immediately into her best, lowest curtsy, knees creaking and head bowed so low her mask threatens to slip straight off her nose.
"O-oh, My Lady Countess, forgive me! Please forgive me!"
Her heart hammers in her chest. The Countess! Of all people to drunkenly stumble into! The count would likely have her head for daring lay a hand, however accidental, on his beloved wife. Or perhaps the countess herself would ask him to cut off her wicked, clumsy feet instead as a mercy.Â
Less likely was the countess's voice -- rich and deep and rolling over her like sweet molasses -- saying softly, "Itâs quite alright. Please stand."
Laurel blinks, straightening her spine in fractions, giving ample time should the countess deign to change her mind and command her to sprawl, prostrate in the dirt, at her feet instead. She doesn't. Eventually, Laurel is able to lift her chin and look the -- only slightly -- taller woman in the eye for the first time.
She had known the countess was beautiful, much in the way that people knew the sky was blue, the grass grew green, and the south was a frigid waste, an immutable fact. People spoke often of her features in the market, lauding the beauty of her violet hair, her striking, crimson eyes, her high, royal brow. More so, she knew it to be true by the simple truth that vain Count Lucio would never settle for less. What few memories she has -- a parade, swirling streamers in the air; the profile of a distant woman, nestled like an idol on a float of white roses and purple hyacinth -- are clouded by time and distance. She had pieced her together that first year, vague impressions and gossip and distant glances in the town square where she deigned to appear. Vesuvia's very own princess had crossed her mind very little after that.
This close, close enough to smell her sweet jasmine of her perfume, to count the faint few freckles on her bare shoulders, Countess Nadia is more lovely than Laurel could have ever imagined.
Laurel's gaping leaves her uncharacteristically silent, but the countess seems to recover first. Likely she's used to filling stunned silence.
"How is that you found me here?" she asks, a faint tinge of pink across her nose, though whether it is from embarrassment or anger Laurel cannot gauge.
Laurel glances around, taking in the tall topiaries that surround them. âI-- where is here, exactly?â
Julian & Laurel
Late September, 5 years ago
1.
The first time she arrives at his clinic, Julian doesnât yet know that he should turn the woman he would come to know as Laurel Lobban away. She comes to his clinic like most regular patients, in a hurried flurry of skirts, eyes bright â not red, thankfully, the sclera a clear, healthy white with irises of sky blue â sharp with an edge of desperation. Perhaps a family member was sick, a spouse, or sister. It wouldnât be the first time someone had dragged him from his clinic in the misty, early hours of pre-dawn with their pleas.
He lets the woman in â his first mistake â and leads her to the small table in the corner where he offers her a perfunctory cup of poorly brewed coffee or tea, though she doesnât look to be in any particular need of it. There is a tension to her body, ratcheted tight as a halyard line. If plucked she might sing, high and sweet like the E string of his vielle, but that could also be his third cup of coffee before sunrise talking. From over her nose and mouth, she pulls down her paisley patterned scarf to reveal full but drawn lips, chewed raw and near bleeding. She stretches and bunches the fabric in her hands, twisting it into knots.
âYouâre the doctor, then, yes?â she asks, squinting up at him. âDoctor Devorak? The one everyone talks about?â
A grin, black and bitter as the lingering taste of coffee in his throat, spreads his lips thin at that. âWell, now, that depends. What do the people say?â
The woman watches him, eyes canny as a hawk, flitting between his features, sizing him up. âThey say you help people, that you donât overcharge like the hacks in the heart district do.â She sniffs with derision then, nose crinkling up, though whether at the thought of his colleagues uptown or the smell of something in the room, he cannot tell. Astringent probably, he had just cleaned his tools for the day. Often he forgets how strong the smell can be to those far less nose blind than he. She coughs delicately, like sheâs trying to suppress a gag. âThey say youâre a good man.â
Ah, well, hm. Julian canât say heâs heard that one before. âFoul, beaked harbinger of miseryâ yes, âheartless bastardâ sure, âutter foolâ sometimes, but good man? Compliments were not something many of his patients or their families had on their minds once he was around. Her words settle like a heavy stone in his near empty stomach. This close, with her looking at him just so, her eyes are less so the color of summer. Darker, near navy, paling into a grey to match his own with a flash of almost-barely-there yellow at the center, like a brewing sky at sea -- one set to storm and tear him to pieces any moment, the look of them setting his sailorâs intuition on edge. He ignores them, words and eyes both.Â
âAnd are you in need of my help then?â he asks, stepping away to rifle through his curio cabinet, stuffed to bursting with jars of tinctures and salves. âYou donât look beplagued, perhaps some other malady? Allergies? A fungus?â
A loud, nearly surprised, scoff. âI donât have a fungus,â she asserts with umbrage.
He feels his cheeks heat, grateful that his head is buried in the cabinet and not on view of her no doubt scrutinizing gaze. âOf course not, of course not, so sorry. I didnât intend any offense miss-- ah, I donât believe I got your name?â
âLaurel, Laurel Lobban.â
Sheâs right behind him again. He jumps, knocking the shelves with a wayward elbow as he turns. Her hand is held out to shake, and he takes it with mild surprise. Her grip is firm, no nonsense, but she squeezes a little too hard just before she lets go in a way that lets him know how intentional, how controlled those reads he took of her were. He would see nothing of her that she didnât want him to, that much he could tell.Â
âLaurel Lobban,â he repeats, rolling the matching consonants on his tongue. âLaurel, laurus nobilis, lauraceae, like the plant,â he rambles, finishing rather dumbly. She snorts.
âYes... like the plant. Are you all right, doctor?â
Was he all right? Maybe that third coffee had been a bad idea. âFine, fine. Though I would be more fine if I knew what I could help you with, Miss Lobban. Hard to diagnose if I donât know what ails you.â
âI donât â â she sighs, frustration warring across her features. âIâm not sick. Iâm not here for some tincture. I â I want to work with you.â
He laughs. It was the wrong thing to do, by the telling darkening of her expression, the subtle shift in her jaw as she clearly clenches her teeth. He canât help it though. It trails off, nervously, his stance shifting from one leg to the other. Whatever you do next, proceed with caution, Ilya.
âWork? Work here?â Nailed it.
âDo you work elsewhere?â
âI â no. This is it,â he replies, gesturing weakly at the single, cramped room, with itâs tiny storage closet and its rickety loft where he keeps his private office which is little more than a second closet. Why would anyone want to work here? With him?
âThen yes, here. With you.â
That he didnât like.
âAnd do you ah â do you have any medical expertise then?â
She frowns. Thereâs a knot of lines between her brows that would be cute, almost endearing, in any other situation than this. Her cheeks flush pink. âWell, no. I mean Iâve read a few books, but⌠I had hoped you would take me on as an apprentice.â
His mouth falls open, spluttering. He weaves around her so that heâs no longer pinned, like a bug to a board, between her expectant gaze and the cabinet. âUnfortunately Miss Lobban, Iâm not equipped to take on apprentices at this time. You see, Iâm â well, the fact of the matter is â â
Stop it. Stop talking.
âThere are plenty of other doctors who would take you on, Iâm certain.â Who? It doesnât matter. Doctors who arenât me. Why would anyone want to learn from a failure who couldnât even cure his patients, anyway? What could he possibly have to offer an apprentice?
âI donât want those doctors. They say youâre the best in the city, I want to work with the best.â
The best. Julian bites back another fit of laughter. Grinning â baring his teeth really â instead. âNow now, flattery wonât change my mind.â
Sheâs followed him again, standing as close behind him as she dares while he flits about the room, restless with nervous energy.
âIf I was flattering you, doctor, you would know.â
Had he been this insistent when heâd come to Nazali the first time? Almost certainly, if the stories heâd heard oft repeated are true. How had they put up with him, and not thrown him out on his ear? The simple answer is that they are a much better doctor, a better person, than he. Nazali had discovered the plague, had made the greatest strides in its classification, its treatment, yet. And what had he done with their teachings? Squandered it all. Sat by and watched as patient after patient came to him for help, had plied them with false comforts, and in the end had done nothing, save for ease them into their inevitable deaths. He should tell her that. Should count out his many failures for her like he does for himself every night in place of sheep. Certainly that would frighten her away.
What he says instead is this: âHave you ever watched someone die?â
Her mouth goes slack, obviously taken aback by his question. For a moment he sees the fear flash across her eyes, but quick as it came it's replaced by something else. Something harder. She licks her lips and smiles, lips wobbling at the edges. "Do you ask all the girls that, or am I just special?"
He keeps his gaze hard, until the slight upturn of her lips collapses into a frown.
âSurely that canât be a prerequisite for the job.â
âOn the contrary,â Julian replies, nerves solidifying. âHumor me.â
Laurelâs eyes slide sideways. âNo,â she says carefully, chewing over her words. âThough death and I are no strangers.â
Julian takes a deep breath, a brief flare of pain in his chest for having been the cause of the dark shadows that crossed over her features at that admission. He rakes a hand through his curls, shoving them away from his face, where they stay for a moment, before flopping back into his eyes.Â
âSo you have lost someone?â he asks, though it is less question and more statement of fact.
Her gaze flicks back to him, sharp and pointed as the tip of a blade. âHasnât everyone in Vesuvia by now?â she asks him cooly.Â
Julian at least has the grace to look chagrined, feeling the heat of one of his telltale flushes burning under his collar. âI suppose you have a point there.â
âI donât relish the thought of death, Doctor Devorak, if thatâs your concern.â Laurel grips the strap of her bag tightly, staring up at him, imploring. âAnd Iâve no agenda, I assure you. I simply want to find some way to help.â
It is that moment that the door of the clinic swings open, the sharp RANG-CLANG-CLANG of the bell startling the both of them. A barrel-chested man heaves in the doorway, face shining, slick with sweat as he gasps, hands on his knees.
âDoctor! Doctor please, my husband he â â
Immediately, something shifts in Julian. One moment he is himself, good old Ilya Devorak. The next he is simply Doctor, parts within himself shuttering closed as others open, the whole of him changing as instinct takes over, just as it had every instant before a battle when the quiet set in and he and Nazali knew the first wave of bodies would soon hit; the calm before the storm, captured entirely within himself like a model ship trapped in a bottle.
âOn it!â he barks, grabbing his overcoat and mask from their hooks with practiced ease, already making long strides towards the door before Laurelâs voice cuts through the quiet roar of his thoughts.
âDoctor please!â she all but hisses, chasing after him with stubborn steps. âI need â let me do something, anything!â
With a sigh, Julian reaches out and fixes the scarf about her neck back over her nose and mouth before placing his own mask over his face. Safe behind red glass, he cannot see the piercing blue of her eyes anymore, no longer at risk of being swept away by the violent current of her.
He takes her by the arm, and gently but firmly leads her to the door, past the panicked man who dumbly, silently, follows them out onto the street at Julianâs other hand. The rosy tendrils of pre-dawn light are barely making their way across the sky, the cobbles beneath their feet still heavy with morning fog yet to be burned away by the heat of the day. With a deft flick of his wrist, Julian switches the crude sign on the door front from âINâ to âOUTâ. When he turns back, Laurel still lingers under the halo of lantern light, hem of her skirts dancing around her ankles as she shifts anxiously from foot to foot.Â
âI â âÂ
âGo home, Miss Lobban,â he says, voice half muffled, mouth filling with the cloying scents of camphor and dried roses. âTruly, the best you can do for anyone is to not find yourself here again.â
With that Julian turns and follows the snuffling man where he leads, leaving Laurel behind him, disappearing into the pre-dawn gloom.