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AprĂšn a lletrejar de la mĂ de @LaRuletaSuerte đšđ»âđ« pic.twitter.com/GBXEpjtaAr
â ALGUNA PREGUNTA MĂS? (@APM) May 1, 2026
Agent of shield saison 1 épisode 1
Dans le premier Ă©pisode des Agents du SHIELD, nommĂ© âdes hommes et des dieuxâ, sorti le 26 octobre 2014 en France, le SHIELD, une organisation anti-terroriste secrĂšte, forme une Ă©quipe pour apprĂ©hender Mike Peterson, un homme aux capacitĂ©s physiques hors du commun.
Rapidement, lâĂ©quipe de choc croise le chemin de CentipĂšde, une organisation scientifique qui tente de recrĂ©er des supers soldats. Nous retrouvons une thĂ©matique importante de la sĂ©rie : les hĂ©ros, les dieux et les monstres.
Le problĂšme avec les introductions, longues qui plus est, câest le dynamisme et lâhistoire. GĂ©nĂ©ralement, soit nous nous ennuyons, soit lâhistoire est bĂąclĂ©e voire banale. Heureusement, Joss Whedon et Maurissa Tancharoen, les scĂ©naristes, lâont bien compris. Pour palier ça, ils nous ont servi une intrigue bien ficelĂ©e avec un arc narratif complet en faisant de lâantagoniste de cet Ă©pisode un homme en rĂ©alitĂ© bon, seulement perdu dans ses croyances et broyĂ© dans le systĂšme. Câest âjuste un bon gars qui nâa pas de chanceâ. Contrairement Ă ce que lâon aurait pu croire en voyant les actions sâenchaĂźner au fil des minutes, lâĂ©pisode ne se finit pas par une bataille, tout du moins, elle nâest pas physique. Lâagent C (pour ne pas vous spoiler cette rĂ©vĂ©lation) et Mike discutent dans la gare dâUnion Station. Nous sommes partagĂ©s entre la sincĂ©ritĂ© de lâagent C et la mĂ©fiance lĂ©gitime de Mike, il est alors difficile de âchoisir un campâ, car les deux hommes savent nous toucher de diffĂ©rentes maniĂšres. Si dans le reste de lâĂ©pisode nous Ă©tions plutĂŽt dâaccord avec le fait que Mike Peterson Ă©tait âlâennemiâ, quâil Ă©tait devenu dangereux et âinapte Ă vivre en sociĂ©tĂ©â Ă cause de son instabilitĂ©, son discours remet les compteurs Ă zĂ©ro. En rĂ©alitĂ© son cĆur est pur, il ne souhaite que faire le bien mais comme on dit : lâenfer est pavĂ© de bonnes intentions !
Dans cette discussion, nous ne retrouvons pas deux hommes qui sâaffrontent, mais seulement des dĂ©sirs. Le dĂ©sir de sauver pour lâun, le dĂ©sir dâĂȘtre celui quâon est vraiment pour lâautre. Comme le prĂ©cisera Mike, il ne veut pas ĂȘtre comme les autres, il veut seulement faire le bien et ĂȘtre reconnu comme on lui a promis.
âVous disiez que si on travaillait dur, si on faisait le bien, on aurait le droit Ă sa placeâ. Toute sa vie, il a Ă©tĂ© oubliĂ©. Bien quâil ait essayĂ© de faire ses preuves, on ne lui a pas donnĂ© de chance et Ă la place on lui a tout pris : sa femme, son travail, sa maison ⊠et mĂȘme aprĂšs ça, il continue Ă espĂ©rer quâun jour, on le verra pour ce quâil est vraiment. âVous disiez que ça suffirait pour ĂȘtre un Homme. Mais il y a mieux que les hommes, il y a les dieux et nous tous, on nâest rien par rapport Ă eux. Ce sont des gĂ©ants, et câest sur nous quâils marchent.â Bien que cette phrase fasse directement allusion aux Ă©vĂ©nements de la bataille de New York, je ne cesse de voir dâautres sous-textes. Câest peut-ĂȘtre parce que le personnage est un afro-descendant que je vois, dans son discours, un message implicite sur le racisme et les conditions dans lesquelles, malheureusement, ils vivent encore. Sinon, il peut aussi faire rĂ©fĂ©rence Ă toutes les personnes ayant le mĂȘme niveau social que lui, dĂ©finies comme appartenant Ă âla classe populaireâ car elles aussi se sont âfait marcher dessusâ par des âdieuxâ, reprĂ©sentĂ©s par les âpuissants de ce mondeâ. Bien que les problĂ©matiques que cette scĂšne finale aborde suffisent gĂ©nĂ©ralement pour nous impliquer et/ou nous Ă©mouvoir, ce discours est sublimĂ© par le jeu dâacteur de J. August Richards, mais aussi par le doublage en français (Jean-Baptiste Anoumon). Je vais terminer cette partie par cette citation du fameux agent C : âLes bons, les vrais hĂ©ros, ce nâest pas ce quâils ont de plus que nous qui les dĂ©finit mais ce quâils en fontâ. Alors je vous le demande, si vous aviez tout perdu comme Mike Peterson, rĂ©ussiriez vous Ă devenir un hĂ©ros ?Â
Lorsque lâon souhaite Ă©mettre un avis dĂ©taillĂ© sur une Ćuvre, on essaye gĂ©nĂ©ralement de lister les points nĂ©gatifs puis ceux positifs ou inversement pour avoir une vague idĂ©e de ce que lâon veut dire, mais je dois bien avouer que trouver des choses dĂ©plaisantes a Ă©tĂ© plus compliquĂ© que je ne le croyais. Si je devais les citer, ce serait peut ĂȘtre le manichĂ©isme de certains personnages (plus gĂ©nĂ©ralement l'exagĂ©ration ou le stĂ©rĂ©otype de certains caractĂšres du style les intelligents, le mec tĂ©nĂ©breux âŠ). Aussi, lâĂ©pisode se termine grĂące Ă un deus ex machina (Personnage/Ă©vĂšnement dont lâintervention peu vraisemblable apporte un dĂ©nouement inespĂ©rĂ© Ă une situation sans issue) mais si, au premier visionnage, ce dĂ©tail pouvait faire partie des points nĂ©gatifs, il ne nous semble pas tellement important tant le soulagement est grand. Pour cause, lâĂ©pisode est un mĂ©lange savant de super-hĂ©ros, dâaction, dâhumour, de technologie, dâenquĂȘte, de suspense et dâĂ©motion. Les personnages sont attachants et forment lâun des plus grands points positifs de cette sĂ©rie. Il est, Ă mon sens, facile de sâidentifier Ă Skye. Comme la plupart dâentre nous, elle passe des heures Ă chercher des informations sur les hĂ©ros quâelle idolĂątre ; on peut citer quâelle faisait la queue devant la Tour Stark pour apercevoir Iron Man. A sa place, je pense que beaucoup auraient fait pareil !
Les rĂ©actions des personnages sont trĂšs humaines, ce qui facilite notre comprĂ©hension et notre identification. A travers cette sĂ©rie nous voyons lâenvers du dĂ©cor des films. AprĂšs Avengers 1, Marvel nâa pu montrer la rĂ©action des civils quâun trĂšs bref instant, mais cet Ă©pisode montre que lâapparition des super-hĂ©ros a plus que jamais changĂ© leur monde. Nous voyons lâaltĂ©ration des bons sentiments Ă travers la scĂšne finale. Câest un peu logique Ă©tant donnĂ© que câest en partie cette scĂšne qui nous dĂ©cidera, nous, spectateurs, Ă continuer le visionnage de la saison voire de la sĂ©rie complĂšte.
En un Ă©pisode, la sĂ©rie rĂ©ussit Ă donner le ton. Elle est devenue en quelque sorte un ciment entre les films pour renforcer le lore du MCU, mĂȘme si malheureusement, Ă lâheure actuelle, la sĂ©rie nâest plus canon. Je ne pourrais que vous conseiller dâaller voir cet Ă©pisode par vous-mĂȘme. Pour terminer, voici quelques anecdotes sur ce premier Ă©pisode : Il sâavĂšre que âDes hommes et des dieuxâ a Ă©tĂ© nominĂ© deux fois ! La premiĂšre pour un prix Visual Effects Society grĂące aux effets visuels/spĂ©ciaux exceptionnels et la seconde au Golden Reel Award (Bobines dâOr) pour le montage sonore et la musique.
Nous pouvons aussi noter que plusieurs choses dans cet Ă©pisode font rĂ©fĂ©rence aux comics, dâabord Mike Peterson Ă©met le souhait de devenir un hĂ©ros âcomme dans les comics de son enfanceâ puis Skye, lors de sa discussion avec Mike, prononcera âun grand pouvoir implique âŠâ Je pense que vous avez la suite de cette phrase đ
Les plus perspicaces auront sĂ»rement remarquĂ© Mais Mike Peterson et Sam Wilson partagent le mĂȘme doubleur français : Jean-Baptiste Anoumon !
Natasha Romanoff
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Agents of S.H.I.E.L.D Season 1 Episode 1
In Marvel's Agents of S.H.I.E.L.D first episode, named âPilotâ, out on September 24th 2013 in the USA, the SHIELD, an anti-terrorist secret organization, form a team to apprehend Mike Peterson, a man with extraordinary physical abilities. Quickly, the crack team come across Centipede, a scientific organisation trying to recreate super soldiers. We find an important theme in the series : the heroes, the gods and the monsters.Â
The problem with the rather long introductions, it's the dynamism and the story. Most of the time, either we get bored, or the story is hurried, or worse: common. Fortunately, Joss Whedon and Maurissa Tancharoen, the scenarists, understood that. To fix it, they proposed us a well tied together plot with a complete narrative arc by making this episode's antagonist a man in reality good, only lost in his beliefs and crushed by the system. Heâs âjust a good guy who doesn't have luckâ. Unlike what we could have believed watching the action following on as the minutes went on, the episode doesn't end with a fight, at least, it isn't physical. Agent C (to not spoil you this revelation) is talking to Mike in Union Station's gate. We are torn between the Agent C's sincerity and Mike's legit weariness, it's difficult to âchoose a sideâ now, because the two men know how to move us in different ways. If in the rest of the episode, we were rather agreeing with Mike Peterson being the âenemyâ, that he has become dangerous, and âunable to live in societyâ because of his instability, his speech wiped the state clean. In reality, his heart is pure, he only wishes to do good but as they say : the road to hell is paved with good intentions !Â
In this discussion, we don't find two men fighting each other but only desires. The desire to save for one, the desire to be who we really are for the other. Like Mike will precise, he doesn't want to be like the others, he only wants to do good and be known like he was promised.Â
âYou said if we worked hard, if we did right, we'd have a placeâ. All his life, he has been forgotten. Even if he tried to prove himself, he wasn't given a chance and instead, everything was taken away from him : his wife, his job, his house⊠and even after that, he keeps hoping that one day, he will be seen for who he really is. âYou said it would be enough to be a man. But there's better than that. There's gods, and the rest of us, what are we ? They're giants. We're what they step on.â Even if this sentence makes reference to the New York battle's events, I keep seeing other interpretations. Maybe it's because the character is an afro-descendant that I see, in his speech, an implicit message on racism and the conditions, unfortunately, they still live in. Otherwise, he can also allude to all the people having the same social status as him, defined as belonging to the âworking classâ, because they too get âstepped onâ by âgodsâ, represented by the âpowerfuls of this worldâ. Even if the problematic that this final scene broaches are generally enough to imply us and/or move us, this speech was sublimed by J. August Richards's performance. I will finish this part by the famous Agent C's citation : âGood, real heroes, itâs not what they have more than us that defines them, but what they do with itâ. So I ask you, if you had lost everything like Mike Peterson, would you manage to be a hero?Â
When we want to make a detailed review on a work, we generally try to list the negative points then the positives ones or conversely to have a vague idea of what we want to say but I have to admit that finding unpleasant things was more difficult than I thought. If I had to cite them, it would maybe be the manichaeism of some characters (more like the exaggeration or the stereotype of certain characters as in the intelligent, the dark and mysterious guy⊠). Also, the episode thanks to a deus ex machina (an unexpected power or event saving a seemingly hopeless situation) but if, at the first viewing, it might look like a negative point, it doesn't seem that important because the relief is big. Indeed, the episode is a perfect blend of superheroes, action, humor, technology, investigation, suspense and emotion. The characters are endearing and create one of the biggest positives points of this series. It's easy, in my opinion, to identify to Skye. Like most of us, she spent hours looking for informations on the heroes she idolizes ; she was waiting in line in front of the Stark Tower to see Iron Man. If I was her, I think a lot of people would have done the same!Â
The characters' reactions are really humane, which makes our comprehension and identification easier. Through this show, we see the hidden reality behind the movies. After Avengers 1, Marvel showed the civiliansâ reaction only a brief moment, but this episode shows that the superheroesâ arrival has more than ever changed their world. We see the alteration of the good feelings through the final scene. It's logical knowing that it's partly this scene that will make us, spectators, decide to continue the season's viewing, even the full series.Â
In one episode, the TV show succeeds to set the tone. It kind of has become the cement between the movies to strengthen the MCU's lore, even if unfortunately, at this time, the series is no longer canon. I can only recommend you to go watch this episode by yourself. To finish, here's a few anecdotes on this first episode : it turns out that âPilotâ was nominated two times ! First time for a Visual Effects Society prize thanks to the exceptional visual/special effects and the second time to the Golden Reel Award for the audio montage and the music.Â
We can also note that many things in this episode allude to the comics. First, Mike Peterson wishes to be a hero âlike the comics of his childhoodâ then Skye, during her discussion with Mike, will pronounce âwith great power comesâŠâ I think you know the rest of this sentence đ.Â
Natasha Romanoff
if i had a nickel for every time i got into a musical story about time-travelling space pirates with an anti-colonialism message, i would have two nickels. which isn't a lot but it's weird that it's happened twice.
des1gnerind00mer
smokingthesmokes

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