The sultry Ms. Anne Bancroft and Dustin Hoffman in a movie still from âThe Graduateâ circa 1967. Mr. Hoffman is wearing a handsome black-dialed wrist watch with flexible lugs and one-piece strap.
seen from Malaysia
seen from United States

seen from United States

seen from United States

seen from Malaysia

seen from United States
seen from Slovenia

seen from Slovenia

seen from Slovenia
seen from China
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from Slovenia
seen from United States

seen from Australia
seen from United States
The sultry Ms. Anne Bancroft and Dustin Hoffman in a movie still from âThe Graduateâ circa 1967. Mr. Hoffman is wearing a handsome black-dialed wrist watch with flexible lugs and one-piece strap.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
Nightfall (1956) dir. Jacques Tourneur
Antz (1998)
I wish we'd get more animated films like Antz. Itâs got a distinct look, the voice actors are perfectly cast, the story has many smart and unconventional developments throughout. It's may not appeal to small children but it isnât only for adults either.
Zee (voiced by Woody Allen) is an ant with a lot of questions. Why does he have to dig dirt all day? Why does he have to slave for the good of the colony? Isnât there more to life? When he impersonates a soldier ant and winds up stranded outside the colony with Princess Bala (voiced by Sharon Stone), they go on the search for "Insectopia", the fabled land of food and plenty.
This picture is not like other childrenâs films where ants are just little people who drive little cars on their way to work while exchanging puns about picnics and bugs. It feels as though writers Paul and Chris Weitz and Todd Alcott wrote down everything that could happen if your protagonist was a neurotic, pessimistic ant and then took the time to figure out where this character would go from there. Queens, ants' ability to lift much more than their weight, picnics, going to war with other insects, the different âcastesâ, their size, and the fact that there are millions of them living together all play a part in this story.
The choices of music, the humor, the story's tone give Antz an identity. Sure, there are big names in the voice cast â Sylvester Stallone, Gene Hackman, Sharon Stone, Jennifer Lopez, etc. - but these are not just names to put at the top of the movie poster. Stallone is perfect as a soldier ant, he just has that kind of voice of a simple-minded drone whose sole objective in life is to kill and then return home without thinking about what he just did. Gene Hackman as a general? He was born to play the part. It brings me back to Disney's Aladdin and its inspired casting of Robin Williams as the genie. While Woody Allen is once again playing the same character he always does, it's what he's best at. No one else would fit his role as well.
This is a great-looking picture that uses its medium well. The people in 1998 knew what limitations they had and kept them in mind. You wonât see a single human face in this film, which makes sense in this world of insects.
Itâs a shame this picture was released so closely to A Bugâs Life and was all but squashed at the box office. As audiences members, the only thing we need to care about is how good the movie is. Now that Antz is on home video, itâs your chance to see this underrated, slightly more grown-up animated feature. Itâs consistently funny and sharp. (On DVD, November 18, 2016)
Nightfall is a 1956 American crime film noir directed by Jacques Tourneur and starring Aldo Ray, Brian Keith and Anne Bancroft. Jacques Tourneur was also the director of Out of the Past (a personal favorite) and The Cat People (you haven't lived until youâve seen Simone Simon in cat-action) as well as a series of low-budget horror films he made for RKO Studios, I Walked with a Zombie and The Leopard Man. He is also known for directing Night of the Demon, which was released by Columbia Pictures. While in Hollywood, he was usually addressed by his anglicized name "Jack Turner", a literal and phonetic translation of his name into English. Because we just need to get things done here in LA and don't worry about junk like other peopleâs languages. It's where the term 'pipe down rub-a-dub' came from, I'm certain. This low-budget film is remembered today for camera work by cinematographer Burnett Guffey. It uses flashbacks the means to tell the story. It was based on a 1948 novel by David Goodis. Reviews were a tad chilly. Marjory Adams declared Nightfall as "all that a suspense-yearning public could hope for" as well as that "If it comes to analyzing the plot, "Nightfall" has enough holes in it to drive two truck through them". Thems the breaks, pal. Can't win them all, Jacques. #noir  #bw #blackandwhite  #art #photooftheday #photography #digitalart #blackandwhitephotography #jacquestourneur #noiretblanc #instagood #monochromatic #instablackandwhite #annebancroft #noirgirls #artist #blanc #love #captures #portrait #oasis #fineart #photo #artistsoninstagram #clipstudiopaint #shawnvanbriesen (at West Los Angeles) https://www.instagram.com/p/CDgjnF6gNp2/?igshid=wbo7o458tcwm
#6 O MILAGRE DE ANNE SULLIVAN
TĂtulo Original: The Miracle Worker
Ano: 1962
Diretor: Arthur Penn
O longa de 1962 dirigido por Arthur Penn nos leva para o fim do seculo XIX e nos apresenta a infĂąncia ĂĄrdua da jornalista, escritora, filĂłsofa e ativista social Hellen Keller que desde os seus 18 meses de vida nĂŁo enxerga, nĂŁo ouve e nĂŁo fala.
AtĂ© seus 7 anos de idade, Hellen vivia em seu prĂłprio mundo escuro, nunca foi ensinado a ela sobre o significado das coisas ao seu redor, que tudo tinha nome e nem como viver em sociedade. O que acabou transformando-a numa garota selvagem e mimada, pois sem disciplina e sem noção do que Ă© certo ou errado ela fazia o que queria.Â
Seus pais nĂŁo suportando mais a situação cĂŽmoda que eles mesmo criaram, acabam cedendo e procuram ajuda. Contratam uma professora chamada Anne Sullivan, sem esperança que a filha aprenda algo. Anne Sullivan foi cega durante anos e apĂłs algumas cirurgias voltou a enxergar, aprendeu a ler, se formou e se tornou uma referĂȘncia em educação inclusiva ao longo do sĂ©culo XX.
Neste ponto que o filme começa a ficar mais interessante. Desde sua chegada, Anne Sullivan percebe que a garota sempre foi tratada como uma criatura incapaz de coexistir, entĂŁo as duas desenvolvem uma relação bastante intensa como muitos altos e baixos. O roteiro explora de forma sagaz e incrĂvel a construção e a evolução dessa relação. Anna Sullivan alĂ©m de tentĂĄ-la ensinar com linguagem de sinais, tambĂ©m usava mĂ©todos de cunho ortodoxo e as vezes violento, porĂ©m compreensĂvel para a Ă©poca. Apesar de endossar a rigidez que chega a ser assustadora, Ă© notĂĄvel sua preocupação e dedicação quase maternal em prol do aprendizado de Hellen.
Todas as cenas sĂŁo inspiradoras. VocĂȘ ri de nervoso, fica tenso, agoniado, preocupada e chora de emoção. A entrega das atrizes Anne Bancroft e Patty Duke nos papĂ©is de Anne Sullivan e Hellen Keller sĂŁo de tirar o fĂŽlego. Principalmente na famosa cena da sala de jantar.
Ao notar que Hellen nĂŁo se sentava Ă mesa para comer assim como os demais familiares e tateava de prato em prato âbeliscandoâ a comida de todo mundo, Anne decide ali mesmo ensinar a menina a se comportar e comer sentada com prato e talheres. De forma rĂgida a professora bota todo mundo pra fora mantendo apenas as duas e o clima de tensĂŁo se instaura na sala. Na tentativa de ensinĂĄ-la a comer com uma colher as duas começam a medir forças num clima frenĂ©tico. As duas atrizes sustentam 8 minutos de cena sem nenhuma fala apenas trocando tapas, puxĂ”es, empurrĂ”es e destruindo louças e utensĂlios. Uma verdadeira aula de cinema!
Tamanha sintonia das duas é resultado da mesma parceria delas com a história adaptada para os palcos anteriormente. As estrelas Elisabeth Taylor e Audrey Hepburn foram escaladas para os papéis principais mas Arthur Penn fez questão de trabalhar com as mesmas atrizes da peça teatral que foi adaptado por ele também. Deu tão certo que as duas ganharam o Oscar de melhor atriz e atriz coadjuvante daquele ano e o filme ainda recebeu mais 3 indicaçÔes (Melhor Diretor, Melhor Roteiro Adaptado e Melhor Figurino). O roteiro ganhou mais duas adaptaçÔes, um em 1979 e outro no ano 2000.
Sem dĂșvidas este filme Ă© um dos maiores clĂĄssicos dos anos 60. Arthur Penn conseguiu mostrar de forma realista e emocionante o ponto de vista tanto pedagĂłgico quanto o olhar de superação, determinação e o modo sensĂvel de alguĂ©m que apenas precisava e queria aprender a sair de sua prĂłpria escuridĂŁo.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
The Graduate for Lunch #thegraduate #dustinhoffman #annebancroft #katharineross #mikenichols #60smovies #graduation #graduate #lunchbags #lunchbag #lunchbagart #lunchdoodles #lunchbagcustom #kidslunches #instart #artistsoninstagram (at Los Angeles, California)
My rating: â â â â œ Rotten Tomatoes Critics/Users: 91% / 90%
IMDB: 8.0
Will do later:
Filming Locations, links to castâs other projects, picture of actor in movie, other movies from 60s, from 67, link to original book, posters in other languages
The sultry Ms. Anne Bancroft and Dustin Hoffman in a movie still from âThe Graduateâ circa 1967. Mr. Hoffman is wearing a handsome black-dialed wrist watch with flexible lugs and one-piece strap.