seen from Singapore
seen from China
seen from United States
seen from China
seen from United States
seen from United States
seen from China
seen from China
seen from United States
seen from China
seen from United Kingdom
seen from Australia
seen from China
seen from China
seen from United States
seen from United States
seen from China
seen from United States
seen from United States
seen from China
Second Doll
A bridge is on its way
But don’t demand that
The lilies speak, as for myself
I was shaped within a strict science
According to the chamber of clouds I was
Of air and flesh, torch-blue
Did you ever see
Eyes like the insides
Of a slave trader’s boot?
Those were mine
Devoted among the deer
A herte among
The grey whipping grasses
I was
(dangling, dancing
hearing behind it
bundles of bells thrown to the ground
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Does this world not mercilessly put people of color, women, the impoverished (and so many, many more) on trial, guilty of the crime of being named as such. Thief. That’s that. Tell the truth....how? Perhaps some of us have the privilege of retiring to our privatized securities of the home as ever the fortress of liberty and “unwinding”? Yet, how? You will hear the voices. No thing can shut them down. The home itself is the space where the uncanny (Unheimlich) unfolds (Slavoj Zizek The Ticklish Subject: the absent centre of political ontology).
Closing section of Allyssa Wolf's "M, The Dancer" taken from Gutcult. Always blows my mind and stays with me.
GutCult Issue 3/4 -- Allyssa Wolf
This from "M, The Dancer" by Allyssa Wolf in Gutcult. Also in her book Vaudeville. I'm pleased to see this especially as my edition vanished with my entire library and the pdf of Vaudeville on Anna's Archive blurs this exact page.
