John Bolton (British, b 1951) - Alien Encounters (1985 Eclipse) #14

#batman#bruce wayne#tim drake#dick grayson#batfamily#batfam#dc fanart




seen from United States
seen from United States

seen from Malaysia

seen from Canada
seen from Canada

seen from United States

seen from United States

seen from Singapore
seen from Brazil
seen from Russia
seen from China
seen from United Kingdom

seen from United States
seen from India

seen from Germany
seen from China
seen from United States
seen from China

seen from United States
seen from China
John Bolton (British, b 1951) - Alien Encounters (1985 Eclipse) #14

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
go watch babylon 5 right fucking now
Alien Encounters #14 Cover Art by John Bolton
she really truly honestly sincerely LOVES aliens..... and i love her for that because me too twin
(3 comms slots open btw O_o)
Alien art by the late Ken Bakeman, an artist, craftsman and self proclaimed alien abductee who drew and wrote extensively about alien encounters.
You can read more about Bakeman and his life here, in a blog post by a former friend and colleague. It's a fascinating and tragic look at the life of a talented yet haunted man. If you've ever had a "My Pet Slug" figurine from the 80s, that was also Ken's work!
If anyone has any more art by him (or these images in higher resolution), please feel free to share. So many of these images are lost to time and haven't been saved by the wayback machine.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Ooopsie! đź‘˝
THE PACIFIC ULTROBODY INVASION Australia’s Forgotten 1947 UFO Wave — and the True Beginning of Modern Ufology When people speak of the birth of modern ufology, the conversation almost always begins with Kenneth Arnold’s June 24, 1947 sighting over Mount Rainier. That moment gave the world the term “flying saucer” and ignited a cultural wildfire. But history has a habit of hiding its first sparks. Months before Arnold ever glimpsed his nine shimmering objects, something equally strange — and arguably more mysterious — unfolded in the skies of rural Australia.
This is the story of the Pacific Ultrobody Invasion, a forgotten prelude to modern UFO history.
Australia, February 1947 — A Quiet Sky Begins to Stir On February 6, 1947, in the small farming town of Lock, South Australia, Mr. Flavel was returning from feeding his animals when something unusual caught his eye. Five shapes emerged on the horizon — oblong, pointed at both ends, wrapped in a grayish vapor. They moved silently, gliding from northwest to southeast, casting long shadows across the ground.
Startled, he called for his wife. She arrived skeptical, but the sight left her speechless. These were not birds, not clouds, not aircraft. They were objects — real, structured, and moving with deliberate purpose.
Two hours later, Port Augusta, 200 kilometers away, reported the same phenomenon.
Five Objects, One Formation — Witnessed by Railway Workers Near the railway line, three workers looked up to see five light‑colored, egg‑shaped craft flying in formation. One witness, a former member of the Royal Australian Air Force, immediately dismissed the idea of conventional planes. The objects were:
Silent
Fast
Ovoid/oblong
As large as a locomotive
Moving in coordinated formation
These were not meteorites. Not balloons. Not birds. And crucially, Woomera Test Range — later Australia’s missile testing hub — was not yet operational. No known military craft could account for what they saw.
Before “Flying Saucers” Existed What makes these sightings uniquely compelling is their timing.
In early 1947:
The term “flying saucer” did not exist.
UFOs were not part of global pop culture.
There was no Cold War sci‑fi panic.
Witnesses had no template for describing “alien craft.”
These Australians were reporting what they saw, unfiltered by mythology or media influence. Their descriptions — oblong, egg‑shaped, silent, fast — would later appear in countless sightings worldwide.
Theories… and Their Failures Explanations at the time ranged from the mundane to the imaginative:
Migratory birds
Hot‑air balloons
Wind‑suspended clouds
Experimental aircraft
Meteorites or astronomical events
But each theory collapsed under scrutiny:
No significant wind
No sound
High speed
Coordinated formation
Consistent shape across multiple sightings
The objects remained — in the purest sense — unidentified flying objects.
A Shape That Echoes Across Decades The oblong, egg‑like form described in South Australia reappears in later global cases. One striking parallel comes from Wisconsin, where a witness reported a massive, metallic, egg-shaped craft hovering above his car, disabling the engine and lights before shooting away at impossible speed.
Different continents. Different decades. Same morphology.
Coincidence — or continuity?
Rewriting the Origin Story of Modern Ufology If Kenneth Arnold’s sighting was the public ignition of modern UFO culture, then the events in South Australia were its quiet prenatal heartbeat.
They occurred:
Four months earlier
Across multiple towns
With multiple independent witnesses
Without cultural contamination
With object descriptions that match later global patterns
In other words: Modern ufology may not have begun in the American Pacific Northwest — but in the Australian outback.
A forgotten chapter. A ripple before the wave. A mystery still unsolved.
The Pacific Ultrobody Invasion — A Name for the Forgotten Dawn “Pacific Ultrobody Invasion” is not a historical term — it’s a mythic frame that captures what the archives hint at: a cluster of unexplained aerial phenomena emerging from the Pacific sphere months before the world had language for them.
It marks a moment when the sky briefly opened, when something unknown crossed into human perception, and when history quietly looked away.
Now, the story returns — ready to be canonized.
Moments where you fall in love with a story
-manga: Dandadan