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Reunion: and we may have made many mistakes, but our sacrifice will be worth something...
This is NOT Thermidor, it is the reunion of the two in an afterlife, it is an after Thermidor where they merge in a pleasant and long-awaited embrace...
(background original photography @Azzrael_Artist lavender fields)
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Prompt 29/8/24
A satanist is being judged after he died. The judges find that while he is not an evil person, he is not moral enough to get into heaven. However, sense he would enjoy going to hell, they send him to heaven anyway.
Guten Menschen passieren schlechte Dinge, schlechten Menschen passieren gute Dinge.
When Kit gets in afterlife:
Kit: Well that could've end better, but at least I will finally meet my friends and family again. [...] So where is my brother?
Jacques: Hi, sis, I have to adimit that I wasn't expectin to see you so soon.
Kit: You DIED? When? How? WTF! I guess my daugther is indeed the last Snicket alive.
Jacques: about that...
Kit: Where. Is. Lemony?
Jacques: ...
Kit: That lying son of a bitch!
============ EXTRA ============
Kit: Did you knew?
Jacques: I suspected, but no one belived in me and there was no proves so I though I was just lying to myself and being paranoid.
Kit: Did ANY of you knew? ~ angry look ~
*everyone shaking their heads and saying no* || *Bertrand slowly lifting up his band *
Beatrice: Bert, no.
Gothic Afterlives: Reincarnations of Horror in Film and Popular Media (Remakes, Reboots, and Adaptations), edited by Lorna Piatti-Farnell, Lexington Books, 2019. Cover image by Romolo Tavani/Stock/Getty Images Plus, info: rowman.com.
Gothic Afterlives examines the intersecting dimensions of contemporary Gothic horror and remakes scholarship, bringing together innovative perspectives from different areas of study. The research compiled in this collection covers a wide range of examples, including not only literature but also film, television, video games, and digital media remakes. Gothic Afterlives signals the cultural and conceptual impact of Gothic horror on transmedia production, with a focus on reimagining and remaking. While diverse in content and approach, all chapters pivot on two important points: first, they reflect some of the core preoccupations of Gothic horror by subverting cultural and social certainties about notions such as the body, technology, consumption, human nature, digitalization, scientific experimentation, national identity, memory, and gender and by challenging the boundaries between human and inhuman, self and Other, and good and evil. Second, and perhaps most important, all chapters in the collection collectively show what happens when well-known Gothic horror narratives are adapted and remade into different contexts, highlighting the implications of the mode-shifting registers, platforms, and chronologies in the process. As a collection, Gothic Afterlives hones in on contemporary sociocultural experiences and identities as they appear in contemporary popular culture and in the stories told and retold in the twenty-first century.
Contents: Acknowledgments Introduction – Lorna Piatti-Farnell Part I: Reincarnations and (Re)imaginings 1. Beyond the Barricades: Restaging the Siege Narrative in post-Romero Zombie Film and TV – Stacey Abbott 2. The Afterlives of Alice: Reanimating the Gothic Heroine in the Resident Evil – Gwyneth Peaty 3. Evil, Reborn: Remaking Disney and the Villain Intertext – Lorna Piatti-Farnell 4. Untold Draculas: Textual Estrangement, Cinematic Reincarnation, and the Popular Dracula Legend – Matthew Crofts 5. “Most of you are wondering who the heck I am”: Carmilla (2014-2016, online) as Digital Reimagining of LeFanu’s “Carmilla” – Lorna Jowett Part II: Legacies, Dualities, and Hauntings 6. Remaking Olimpia: Agency and the Gothic Afterlives of “Female” Automata – Simon Bacon 7. Ann Radcliffe’s Legacy and Del Toro’s Crimson Peak – Deborah Kennedy 8. Unmade and Remade: Trauma and Modern Adaptations of Frankenstein – Jeanette Laredo 9. Dealing with Dualities: Modern Adaptations of Dr. Jekyll and Mr. Hyde – Matthew Thompson Part III: (Re)turns and Re(possessions) 10. Remaking Stephen King: Texts and Contexts – Simon Brown 11. Stranger Things: Remixing Eighties Horror as Posthuman Gothic – Anya Heise-von der Lippe 12. Mexican Gothic Remakes: Carlos Enrique Taboada’s Films, Possessions, and Double Loops – Enrique Ajuria Ibarra 13. Tangled Hair and Broken Bodies: Remaking Women and Technology in Japanese Gothic Horror Tradition from The Tale of Genji to Ringu – Emerald L. King 14. “Don’t Fuck with the Original:” Final Girl Impact on the Twenty-First Century Horror Film Industry – Cheryl Hague Index About the Contributors
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#29
Sometimes when an angel is on earth it’s not to help the living but the dead. It can happen that a decased human doesen’t know how to pass to the afterlive and then an angel is send down to help them.
Osaka thank you very much! I tried something different •̀.̫•́✧
Day: 9. Muscle Mondays!
Transcript:
Nene: You might be completely shredded by the time that happens.
Rui: That possibility does seem likely if he continues with this training, one day...
Emu: *Gasp* Wait, is Tsukasa gonna look like a bodybuilder?!
Tsukasa: I can't imagine I'll get quite that far!
Luka: Oh, but I'd kind of like to see that ♪
Rui: Hmm. Tsukasa, with abs in a clearly defined six-pack... Tsukasa, with shoulders the size of melons...
Rui: This is giving me some new ideas for our shows!
Tsukasa: Wh-What exactly are you planning to make me do?!
Rui: Now, now! Save that excitement for when you've successfully reached that point.
Tsukasa: I'll reach no such point! Well, I suppose I might if I get cast as a bodybuilder...
Emu: Ooh! Then, let's make our next show a bodybuilder show!
Tsukasa: What does that even mean?!
