Q&A with James Lecesne & Michael Barakiva
James Lecesne, author of Absolute Brightness and Michael Barakiva, the author of One Man Guy, got together to talk about theater, their books, and writing for young people.
In the transcribed conversation below, they discuss the importance of addressing difficult topics in YA fiction, gender politics, how commonplace young characters are in mainstream media, and the differences their books are making in the lives of their readers.
Michael Barakiva:Â
One of the things that I love about Absolute Brightness is that itâs really unpredictable, in terms of context and genre. I thought that it must have been hard to write because there are so few literary predecessors for you to work from.
James Lecesne:Â
Itâs so nice of you to say that. I was performing solo shows for many, many years and I thought to myself, well⌠maybe I should just write a really long monologue.
And, I guess I knew I could write a monologue, because thatâs what I do. I knew that I had a talent for being able to create character and story, so I came up with the idea of this narrator. I didnât know I was writing a YA novel.
Oddly, itâs such a perfect fit considering my work with the Trevor Project. Itâs great because itâs given me an opportunity to actually talk to young people and talk about things that I care about, as well as having the opportunity to listen to them and hear from them.
Michael
Youâre a performer and a playwright, so maybe you havenât had this experience, but as a theater director I donât feel that kind of ownership over the material the same way at all. A 15-year-old from Brazil will email me say, âThank you so much for the book, it really helped me come out.â And that feels more valuable to me than 500 people clapping at the end of one of my shows.
James
Yeah. Itâs really about the depth to which something touches somebody and in a theater you donât really know how deeply youâre touching people.
Michael
Exactly. And you can change things for a young reader with a book in a way that a show just canât.
James
Itâs like, in doing the Absolute Brightness show, I know everybody is very moved by it because the show is basically the same story. Itâs just told from the detectiveâs point of view.
So itâs more adult and a darker story. Â
But young people are the ones who actually see themselves in the characters when reading the book.
Michael
Was there anything specific, like a news incident that triggered you to write this story? Or did you do research for it?
James
I think part of it is that Iâm always aware of whatâs happening in the world to and for LGBT youth, and shortly before I wrote Absolute Brightness there were a number of crimes against that group that disturbed me. I couldnât stop asking myself, âWhat happens to a town when somebody new moves in and challenges everybody's idea of what it means to be different?â In the book, itâs only when Leonard disappears that people actually begin to understand how unique he was, and what he added to their lives.
Michael
I think thatâs mirrored in Phoebeâs experience really dramatically.
James
Yeah, and she also changed because of him⌠and in some ways she changed more because he was absent. But it required his disappearance--for her to ask certain questions and challenge herself in that way.
Michael
Why did you choose to set it in a New Jersey Coast town? Iâm asking because my book is also set in the suburbs of New Jersey.
James
You know, part of what fascinates me about those towns are that theyâre seasonal but there are people who live there all year around. And the Jersey Shore always had some kind of magic for me, when I was that age.
Michael
Yeah, I think itâs the proximity to that huge body of water. I grew up outside of Princeton and there was no magic there.
Another thing that I really admired about your book is that, while my book really consciously shies away from the dark, your book doesnât. When I first began reading, I knew your book had clear themes but I didnât know much more than that. I was really taken aback by the crime.
James
Like I said I really didnât know I was writing a Young Adult novel so I was just writing. I was writing what could happen and what that would do to a young person.
Young people are exposed to all kinds of terrible things...and they have an enormous capacity to deal with it that they arenât given much credit for.
Michael
Thatâs true. We underestimate all the time and miss-estimate the other half of the time.
But, I also really appreciated the charactersâ frankness about sex, marijuana, and smoking cigarettes. I was too scared to write about that. I was really impressed that you were courageous enough to include those things.
James
Well, weâll see about the next book I write.
Michael
Do you know what your next bookâs going to be about?
James
I do. I feel like thereâs a huge wave coming of young people who identify as gender neutral or gender queer, and I am exploring some of the challenges and difficulties of that.
Michael
I love that. When I was coming of age that wasn't an option. There was gay or straight, and everyone was angry at people who identified as bisexual. I think that young people now have a much more interesting relationship with sexuality and gender than I did at that age.
James
Yeah, rejecting the binary is becoming more and more common. Iâm almost finished writing it.
Michael
Thatâs so exciting. Iâm three chapters away from finishing the sequel to One Man Guy.
Yeah. Itâs really about the depth to which something touches somebody and in a theater you donât really know how deeply youâre touching people.
Michael
Exactly. And you can change things for a young reader with a book in a way that a show just canât.
James
Itâs like, in doing the Absolute Brightness show, I know everybody is very moved by it because the show is basically the same story. Itâs just told from the detectiveâs point of view.
So itâs more adult and a darker story. Â
But young people are the ones who actually see themselves in the characters when reading the book.
Michael
Was there anything specific, like a news incident that triggered you to write this story? Or did you do research for it?
James
I think part of it is that Iâm always aware of whatâs happening in the world to and for LGBT youth, and shortly before I wrote Absolute Brightness there were a number of crimes against that group that disturbed me. I couldnât stop asking myself, âWhat happens to a town when somebody new moves in and challenges everybody's idea of what it means to be different?â In the book, itâs only when Leonard disappears that people actually begin to understand how unique he was, and what he added to their lives.
Michael
I think thatâs mirrored in Phoebeâs experience really dramatically.
James
Yeah, and she also changed because of him⌠and in some ways she changed more because he was absent. But it required his disappearance--for her to ask certain questions and challenge herself in that way.
Michael
Why did you choose to set it in a New Jersey Coast town? Iâm asking because my book is also set in the suburbs of New Jersey.
James
You know, part of what fascinates me about those towns are that theyâre seasonal but there are people who live there all year around. And the Jersey Shore always had some kind of magic for me, when I was that age.
Michael
Yeah, I think itâs the proximity to that huge body of water. I grew up outside of Princeton and there was no magic there.
Another thing that I really admired about your book is that, while my book really consciously shies away from the dark, your book doesnât. When I first began reading, I knew your book had clear themes but I didnât know much more than that. I was really taken aback by the crime.
James
Like I said I really didnât know I was writing a Young Adult novel so I was just writing. I was writing what could happen and what that would do to a young person.
Young people are exposed to all kinds of terrible things...and they have an enormous capacity to deal with it that they arenât given much credit for.
Michael
Thatâs true. We underestimate all the time and miss-estimate the other half of the time.
But, I also really appreciated the charactersâ frankness about sex, marijuana, and smoking cigarettes. I was too scared to write about that. I was really impressed that you were courageous enough to include those things.
James
Well, weâll see about the next book I write.
Michael
Do you know what your next bookâs going to be about?
James
I do. I feel like thereâs a huge wave coming of young people who identify as gender neutral or gender queer, and I am exploring some of the challenges and difficulties of that.
Michael
I love that. When I was coming of age that wasn't an option. There was gay or straight, and everyone was angry at people who identified as bisexual. I think that young people now have a much more interesting relationship with sexuality and gender than I did at that age.
James
Yeah, rejecting the binary is becoming more and more common. Iâm almost finished writing it.
Michael
Thatâs so exciting. Iâm three chapters away from finishing the sequel to One Man Guy.













