#abott

Credits: Me and the poster of the original base video.

This has been in my drafts forever; I thought I had responded and then never did. The Pitt is one of those show's where I enjoy most ships, like I've said in the past, I ship them all with each other. However, if I had to give you like my top six it would be:

Langdon/Mel

Robby/Collins

Abott/Mohan

Langdon/Santos (Don't judge me okay)

Abott/Robby

Santos/Gracia

The Peabody Awards 2024: Learning how "Stories That Matter" is so much more than a catchy slogan

(The author with Reservation Dogs executive producer Taika Waititi, Peabody judges Hannah Giorgis and Lorraine Ali, Peabody staffer Maggie Stephens and, below, Rita Ora and Kali Reis)

Midway through the ceremony, a thunderbolt struck in the form of a passionate speech from Sir Patrick Stewart, reminding me exactly why the George Foster Peabody Awards are such a special experience for judges, winners, staffers who works on the honors and media itself.

As a former judge and chair of the board of jurors, I had traveled to Los Angeles for the first Peabody awards held in person since the COVID lockdowns of 2020. It was also the awards’ first time taking place in Los Angeles, signaling a shift from the news-centered operation of old to a more Hollywood friendly production. And it happened to be the first awards ceremony since I stepped down as chair of the jurors in 2019, rotated off the panel – as is customary - after six years of service. (I was the first African American to hold the chair's job, in fact.)

It is tough to describe what a special experience it is to be among the judges helping hand out such a prestigious honor. The first time I served, among the projects we gave prizes to were House of Cards and Scandal – two shows which heralded the rise of streaming and the impact of diversity on television. I was part of the panel which decided to hand special honors to Jon Stewart, Rita Moreno and Carol Burnett at various times, recognizing the world-shaking impact of legendary performers and satirists.

Deliberations take place over three separate weeks in different locations, with our debates centered on impact, originality, scope, quality, substance and diversity — among other considerations — always with an eye on what the bright light of a Peabody win might accomplish when trained on a deserving project.

(The Peabody judging panel during my last year in the group.)

At the end, judges must have watched/consumed every entry under consideration and we must agree unanimously. With a judging panel that ranged from world class academics to high achievers in media, expert journalists and critics and more, we bonded like rowdy siblings at a media nerd’s ideal summer camp.

(Chilling with Tony Goldwyn and Jeff Perry from Scandal during my very first Peabody awards ceremony in 2014.)

But when Sir Patrick rose in the middle of Sunday’s ceremony to speak eloquently of the amazing work on display in the acceptance speeches of winners, I realized why the Peabodys were truly special. Conceived as the electronic/broadcasting/TV equivalent of the Pulitzer Prizes, the Peabodys this evening united Hollywood favorites like FX’s The Bear and HBO’s The Last of Us with searing journalism, like the PBS NewsHour’s coverage of war in Gaza or Tennessee investigative reporter Phil Williams’ dogged exposure of a mayoral candidate’s ties to white supremacists in a tony Nashville suburb.

Ravish Kumar, the news anchor in India who serves as the centerpiece for the POV documentary While We Watched, gave a passionate speech criticizing mainstream news outlets in his home country for enabling Hindu nationalism by spreading misinformation. Ron Nyswaner, creator and showrunner for Showtime’s LGBTQ-focused limited series Fellow Travelers, talked on how “art is about trying to make people think and feel.”

And Larry Wilmore, co-creator of Black-ish and host of the late, lamented Comedy Central news satire The Nightly Show, cracked a joke on how supremely compromised Supreme Court Justice Clarence Thomas is kind of a dick. (Hey, everything can’t be highbrow during a three-hour show).

It occurred to me, that too many Hollywood awards shows are mostly about the star power and glamour of supremely acclaimed stars. Don’t get me wrong: it was gratifying and heartwarming to see the entire place leap to their feet for enduring icon and Career Achievement awards winner Mel Brooks, or Donald Glover presenting the Trailblazer award to his good friend Abbott Elementary star/creator Quinta Brunson or – for this Star Trek nerd anyway – the astonishing sight of watching castmembers/producers from Picard, Discovery, Enterprise and other corners of Trek gather onstage for the Institutional Award.

(The Star Trek crew, including LeVar Burton, Rebecca Romijin and Jeri Ryan, at the Peabody awards Sunday.)

But the secret sauce of the Peabodys is the way it utilizes Hollywood glamour to shine a light on quality journalism and public service programming like the micro-documentary series The Hidden Racism in New York City or PBS Frontline’s reporting on America and the Taliban or Dallas-Fort Worth NBC station KXAS’ look at how an organization of sheriffs were quietly radicalizing law enforcement officers across the state.

So, even though I’m no longer taking part in the long hours of viewing and debate required to pick these standout honorees – and it is part of the deal that every judge has to agree on every winner and finalist – I couldn’t be prouder of the selections my successors have assembled. We are all now part of a family dedicated to upholding the best in media, highlighting important work in a way almost no other modern awards ceremony can do.

(Me at this year's Peabody awards.)

Whitmore: Straight, Asexual, He/It's

Carol: Pansexual, She/Her

Boyfriend: Bisexual, He/Him

Girlfriend: Bisexual, Non-binary They/Her

Raphael Abott: Gay, He/Him

Gabriel Updike: Gay, Gender-fluid He/She/Them (Depends)

Uriel Sterling: Aroace, He/Him

(Hex)adecimal: Aroace, Non-binary He/They/It

You know Updike v2? The big, buff, fluffy one from the mod? Yeah, I randomly came up with the headcannon that he hibernates during the winter months. I know it doesn’t make sense, but hear me out...

-Updike puts off hibernating as long as he can. He does have an important job after all. He waits till he genuinely can’t work properly anymore to give in.

-Updike tends to just sleep in his boxers and a light t-shirt when he hibernates.

-Abott and Sterling are the two workers that Updike trusts the most, so during his hibernation, they’re the ones tasked with watching over him and his house.

-At first, it was a little odd for the two of them, but now they’ve gotten used to it. They do genuinely care about Updike.

-The fact that Updike hibernates is kept a big secret. Not only is Updike a little embarrassed by it, but it’s also for safety reasons. Can’t have the word spread too far by accident and reach any dangerous anomalies, now can we?

-Back on the topic of Abott and Sterling watching over Updike, they are also tasked with helping him out during the times that he wakes up. They help lead his groggy self to the bathroom, and then give him a warm drink afterwards once he goes back to his bed.

-Before Updike had Abott and Sterling watching over him, he would do it by himself. This usually lead to a few accidental bumps and small bruises. He even almost slipped on the stairs once.

-TGG always works a bit more during the winter months to make up for the absence of Updike, Abott, and Sterling. Although, Abott and Sterling do take turns everyday going back to TGG and checking on everything/ helping out a bit.

-Updike always gets a little worried about TGG when he wakes up during his hibernation, so Abott and Sterling give him reassurance that everything is ok.

-Once hibernation is finally over, Updike has to take a day or two to really wake up, so Abott and Sterling stay by his side during that time too.

Imagen original le pertenece a sock.clip, yo simplemente agregue a Carol :^