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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The phobic has no other object than the abject. But that word, “fear” –a fluid haze an elusive clamminess– no sooner has it cropped up than it shades off like a mirage and permeates all words of the language with nonexistence, with a hallucinatory, ghostly glimmer. Thus, fear having been bracketed, discourse will seem tenable only if it ceaselessly confront that otherness, a burden both repellent and repelled, a deep well of memory that is unapproachable and intimate: the abject.
Julia Kristeva, Powers of Horror: An Essay on Abjection
Berlinde de Bruyckere, Untitled, 2014, wax, fabric, leather, nails and embroidered ribbon on wood, 100 x 40 x 20cm
some recent abject collages, a work in progress
💦 & Monster Media 😈 with Dr. Jeffrey Andrew Weinstock
If monsterfuckers like anything best, it’s buckets of cum 💦 why is cum so common in the monster genre and monster media, especially in horror? Dr. Weinstock and I chat about monsters shooting ropes in horror!
You can listen to the full episode on my website here, as well as give a listen on Spotify and Apple Podcasts.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
my thinking meat is buggiN'