#50-140

My last post was written whilst in a cold and snowy Berlin. This post is written from a cold and rainy Los Angeles (I missed the snow by a few days… yes really … snow in Hollywoodland! ) I am here for a few jobs and then a little bit of a rest with some r time for myself and a bit of art before returning home. So I guess the next post will be about Red (Blue) carpet’s on the beach, but until…

Photographing the 2023 BAFTAS

Lens in the Bag

One of the most annoying questions I see (almost every day) posted in Facebook groups and the like are “what lens should I buy next”, often with very little explanation. (I am willing to accept that this is my issue and lack of tolerance). With this question in mind, this post is a run-through of the lenses I took to Cannes along with quick explanations of how I used them along with…

BAFTA’s 2017 – A monochrome slide show

Last Sunday (the 12th) was my annual trip to photograph the stars arriving for the British Academy Film Awards which, this year, took place at The Royal Albert Hall. As usual I was shooting on on Fujifilm X-Series, mostly the X-T1 and 50-140 with some on the 56mm mounted on a second X-t1. The wide images are using the 14mm mounted on an X-Pro1.

One interesting fact is that despite shooting over…

Back on the Red Carpet

Last night I was back on the red carpet for the Fifty Shades Darker UK Premiere at ODEON Leicester Square.

All shot with Fuji X-T1 mostly with the 50-140/2.8 but the wides were with the 16-55/2.8

  Here is a  small showcase  of images:  http://www.julieedwardsphotography.co.uk/fiftyshadesdarkeruk

Just a quick post of some of the work I shot last night at the World Premiere of the latest Bond film SPECTRE. Really just to give an idea of typical work and results. Not really a blog post, just a “did this with these cameras”

Apart from one shot, they were all shot on the X-T1’s  into JPG in Astia film simulation then slight edit in Lightroom. Further details under each shot.

Daniel Craig:…